Die beliebtesten Meisterwerke der Romantik

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Anmerkung

Cello Violoncello – Anton Fiebig (tracks: 4-2)
Composed By – Alexander Borodin (tracks: 5-1), Anton Bruckner (tracks: 7-1 to 7-4), Antonin Dvorak* (tracks: 2-1 to 2-4), Dvorak* (tracks: 4-3), Bedrich Smetana* (tracks: 10-1 to 10-6), Smetana* (tracks: 4-1), Debussy* (tracks: 4-4a to 4-4c), Felix Mendelssohn Bartholdy* (tracks: 3-1 to 3-8), Hector Berlioz (tracks: 6-1 to 6-6), Bruch* (tracks: 4-2), Peter Iljitsch Tschaikowsky* (tracks: 1-1 to 1-13, 5-2 to 5-5, 9-1 to 9-10), Robert Schumann (tracks: 8-1 to 8-9)
Conductor – Alberto Lizzio (tracks: 1-1 to 1-8, 4-2, 6-6, 9-1 to 9-8), Alfred Scholz (tracks: 1-9 to 1-13, 4-1, 4,3, 8-1 to 8-9), Anton Nanut (tracks: 6-1 to 6-5, 9-10), Henry Adolph (tracks: 2-1 to 2-4), Lawrence Siegel* (tracks: 5-1, 9-9), Marko Munib* (tracks: 5-2 to 5-5), Milan Horvat (tracks: 3-1 to 3-8, 4-4a to 4-4c, 7-1 to 7-4), Zdenek Macal* (tracks: 10-1 to 10-6)
Orchestra – London Festival Orchestra* (tracks: 9-1 to 9-8), London Symphony Orchestra* (tracks: 4-1, 4-3), New Philharmonic Orchestra (tracks: 1-9 to 1-13), New Philharmonic Orchestra, The* (tracks: 9-9), Austrian Radio Symphony* (tracks: 3-1 to 3-8, 7-1 to 7-4), Austrian Broadcasting* (tracks: 4-4a to 4-4c), Philharmonia Slavonica (tracks: 2-1 to 2-4, 4-2, 8-1 to 8-9), Radio Symphony Orchestra Ljubljana* (tracks: 5-1 to 5-5, 6-1 to 6-5, 9-10), Sinfonieorchester Baden-Baden* (tracks: 10-1 to 10-6), Symphony Orchestra (tracks: 1-1 to 1-8), Süddeutsche Philharmonie (tracks: 6-6)

Anmerkung zuletzt geändert am 2014-04-11 14:14 UTC.

Titelliste

CD 1: Schwanensee / Dornröschen
CD 2: Symphonie No. 9 "Aus der Neuen Welt" (Philharmonia Slavonica feat. conductor: Henry Adolph)
CD 3: Symphonie Nr. 4 Italienische / Symphonie Nr. 5 Reformation (Austrian Radio Symphony feat. conductor: Milan Horvat)
CD 4: Moldau / Kol Nidrei und andere Werke
CD 5: Polowetzer Tänze / Symphonie Nr. 5 Op. 64
CD 6: Symphonie Fantastique, Op. 14A / Rokoczy - Marsch
CD 7: Symphonie No. 4 Romantische (Austrian Radio Symphony feat. conductor Milan Horvat)
CD 8: Symphonie No. 1 / No. 3 (Philharmonia Slavonica feat. conductor Alfred Scholz)
CD 9: Der Nussknacker / Romeo & Julia / Capriccio Italien, Op. 45
Nr.TitelKünstlerBewertungLänge
1Der Nussknacker: Ouverture miniature (London Festival Orchestra feat. conductor Alberto Lizzio)
Orchester:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
Dirigent(in):
Henry Adolph (conductor, an Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer) (bis 1892)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Пётр Ильич Чайковский3:19
2Der Nussknacker: Marsch (London Festival Orchestra feat. conductor Alberto Lizzio)
Orchester:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (an Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
Dirigent(in):
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (March)
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer)
Teil von:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)
Пётр Ильич Чайковский2:48
3Der Nussknacker: Tanz der Zuckerfee (London Festival Orchestra feat. conductor Alberto Lizzio)
Orchester:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
Dirigent(in):
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer)
Arrangement von:
The Nutcracker, Op. 71: Dance of the Sugarplum Fairy, Extract (Arrangement for solo piano by Pauline Hall)
Teil von:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский2:10
4Der Nussknacker: Russischer Tanz (Trepank) (London Festival Orchestra feat. conductor Alberto Lizzio)
Orchester:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (an Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
Dirigent(in):
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:16
5Der Nussknacker: Arabischer Tanz (London Festival Orchestra feat. conductor Alberto Lizzio)
Orchester:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
Dirigent(in):
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский3:41
6Der Nussknacker: Chinesischer Tanz (London Festival Orchestra feat. conductor Alberto Lizzio)
Orchester:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
Dirigent(in):
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:24
7Der Nussknacker: Tanz der Rohrflöten (London Festival Orchestra feat. conductor Alberto Lizzio)
Orchester:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
Dirigent(in):
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:40
8Der Nussknacker: Blumenwalzer (London Festival Orchestra feat. conductor Alberto Lizzio)
Orchester:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
Dirigent(in):
Henry Adolph (conductor, an Alfred Scholz pseudonym), Pietro di la Corona (Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:10
9Romeo & Julia: Fantasie-Ouverture (The New Philharmonic Orchestra feat. conductor: Lawrence Siegel)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) und New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
Dirigent(in):
Alberto Lizzio (conductor, pseudonym for Alfred Scholz) und Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
überarbeitet von:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
gewidmet:
Милий Алексеевич Балакирев (composer, pianist, conductor)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 42) und Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 39)
Revision von:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский20:57
10Capriccio Italien, Op. 45 (Radio Symphony Orchestra Ljubljana feat. conductor Anton Nanut)
Orchester:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
Dirigent(in):
Anton Nanut (conductor)
recording of:
Capriccio Italien, op. 45
Premiere in:
Moscow, Russland (am 1880-12-18)
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer) (vom 1880-01 bis 1880-05)
gewidmet:
Карл Юльевич Давыдов
Teil von:
The Tchaikovsky Handbook (Nummer: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 44) und Works of Pyotr Ilyich Tchaikovsky by opus number (Nummer: op. 45)
Пётр Ильич Чайковский15:00
CD 10: Mein Vaterland (Sinfonieorchester Baden-Baden feat. conductor Zdenek Macal)

Nennungen