The Complete Warner Symphonic Recordings 1

~ Release by Riccardo Muti (see all versions of this release, 4 available)

Tracklist

CD 1: Cherubini: Requiem in D minor
CD 2: Tchaikovsky: Symphony no. 1 “Winter Daydreams”
CD 3: Mendelssohn: Symphony no. 3 “Scottish” / Meeresstille und glückliche Fahrt
CD 4: Verdi: Overtures from Nabucco, Giovanna d'Arco, La battaglia di Legnano, Luisa Miller, I vespri siciliani, La forza del destino
CD 5: Mozart: Symphonies nos. 25 & 29
CD 6: Dvořák: Symphony no. 9 “From the New World”
CD 7: Mendelssohn: Symphony no. 4 “Italian” / Schumann: Symphony no. 4
CD 8: Vivaldi: Magnificat in G minor, RV 611 / Gloria in D major, RV 589
#TitleArtistRatingLength
1Magnificat in G minor, RV 611: I. Magnificat
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: I. Magnificat (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi
part of:
Magnificat, RV 611
Antonio Vivaldi1:26
2Magnificat in G minor, RV 611: II. Et exultavit
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: II. Et exultavit (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi
part of:
Magnificat, RV 611
Antonio Vivaldi2:17
3Magnificat in G minor, RV 611: III. Quia respexit
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: III. Quia respexit (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi
part of:
Magnificat, RV 611
Antonio Vivaldi2:38
4Magnificat in G minor, RV 611: IV. Quia fecit
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: IV. Quia fecit (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi
part of:
Magnificat, RV 611
Antonio Vivaldi1:41
5Magnificat in G minor, RV 611: V. Et misericordia
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: V. Et misericordia (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi
part of:
Magnificat, RV 611
Antonio Vivaldi4:11
6Magnificat in G minor, RV 611: VI. Fecit potentiam
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: VI. Fecit potentiam (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi
part of:
Magnificat, RV 611
Antonio Vivaldi0:30
7Magnificat in G minor, RV 611: VII. Deposuit potentes
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: VII. Deposuit potentes (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi
part of:
Magnificat, RV 611
Antonio Vivaldi0:55
8Magnificat in G minor, RV 611: VIII. Esurientes
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
contralto vocals:
Lucia Valentini Terrani (mezzo soprano) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: VIII. Esurientes (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi
part of:
Magnificat, RV 611
Antonio Vivaldi2:01
9Magnificat in G minor, RV 611: IX. Suscepit Israël
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: IX. Suscepit Israel (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi
part of:
Magnificat, RV 611
Antonio Vivaldi1:01
10Magnificat in G minor, RV 611: X. Sicut locutus
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
contralto vocals:
Lucia Valentini Terrani (mezzo soprano) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: X. Sicut Locutus (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi
part of:
Magnificat, RV 611
Antonio Vivaldi2:35
11Magnificat in G minor, RV 611: XI. Gloria
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: XI. Gloria Patri (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi
part of:
Magnificat, RV 611
Antonio Vivaldi2:30
12Gloria in D major, RV 589: I. Gloria in excelsis Deo
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:24
13Gloria in D major, RV 589: II. Et in terra pax hominibus
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: II. Et in terra pax (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi
publisher:
Walton Music Ltd.
part of:
Gloria in D major, RV 589
Antonio Vivaldi4:39
14Gloria in D major, RV 589: III. Laudamus te
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
contralto vocals:
Lucia Valentini Terrani (mezzo soprano) (from 1977-06-28 until 1977-06-29)
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: III. Laudamus te (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:16
15Gloria in D major, RV 589: IV. Gratias agimus tibi
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: IV. Gratias agimus tibi (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi
part of:
Gloria in D major, RV 589
Antonio Vivaldi0:37
16Gloria in D major, RV 589: V. Propter magnam gloriam
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: V. Propter magnam gloriam tuam (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi
part of:
Gloria in D major, RV 589
Antonio Vivaldi0:59
17Gloria in D major, RV 589: VI. Domine Deus
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
oboe:
Gordon Hunt (oboist) (from 1977-06-28 until 1977-06-29)
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: VI. Domine Deus (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi
part of:
Gloria in D major, RV 589
Antonio Vivaldi3:49
18Gloria in D major, RV 589: VII. Domine Fili unigenite
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: VII. Domine, Fili unigenite (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:07
19Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
contralto vocals:
Lucia Valentini Terrani (mezzo soprano) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi
part of:
Gloria in D major, RV 589
Antonio Vivaldi5:06
20Gloria in D major, RV 589: IX. Qui tollis peccata mundi
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: IX. Qui tollis peccata mundi (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi
part of:
Gloria in D major, RV 589
Antonio Vivaldi1:28
21Gloria in D major, RV 589: X. Qui sedes ad dexteram
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
contralto vocals:
Lucia Valentini Terrani (mezzo soprano) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: X. Qui sedes ad dexteram Patris (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:37
22Gloria in D major, RV 589: XI. Quoniam tu solus Sanctus
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: XI. Quoniam tu solus sanctus (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi
part of:
Gloria in D major, RV 589
Antonio Vivaldi0:48
23Gloria in D major, RV 589: XII. Cum Sancto Spiritu
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: XII. Cum Sancto Spiritu (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:49
CD 9: Tchaikovsky: Romeo and Juliet / Symphony no. 2 “Little Russian”
CD 10: Tchaikovsky: Symphony no. 3 in D major “Polish”
CD 11: Prokofiev: Ivan the Terrible (beginning)
CD 12: Prokofiev: Ivan the Terrible (conclusion) / Sinfonietta
CD 13: Beethoven: Piano Concerto no. 3 / Andante favori
CD 14: Schumann: Symphony no. 2 / Hermann und Dorothea, Overture
CD 15: Mussorgsky: Tableaux d'une exposition / Stravinsky: L'Oiseau de feu, Ballet Suite
CD 16: Beethoven: Symphony no. 7
CD 17: Tchaikovsky: Symphony no. 5
CD 18: Rossini: Overtures from La scala di seta, Il barbiere di Siviglia, Semiramide, Il viaggio a Reims, L'assedio di Corinto, Guillaume Tell
CD 19: Schumann: Overture to Schiller's “Die Braut von Messina” / Symphony no. 3 “Rhenish”
CD 20: Ballets from Verdi Operas: I vespri siciliani, Macbeth, Aida
CD 21: Schumann: Symphony no. 1 “Spring” / Mendelssohn: Symphony no. 5 “Reformation”
CD 22: Stravinsky: Le Sacre du printemps
CD 23: Beethoven: Symphony no. 6 “Pastoral”
CD 24: Tchaikovsky: Symphony no. 4
CD 25: Verdi: Messa da Requiem (beginning) (1978-1979)
CD 26: Verdi: Messa da Requiem (conclusion) (1978-1979)
CD 27: Orff: Carmina Burana
CD 28: Mozart: Piano Concerto no. 22 / Symphony no. 24
CD 29: Tchaikovsky: Piano Concerto no. 1
CD 30: Tchaikovsky: Symphony no. 6 “Pathétique”