| # | Title | Artist | Rating | Length |
|---|
| 1 | Heaven for Everyone- engineer:
- Josh Macrae , David Richards and Justin Shirley‐Smith
- co-producer:
- Josh Macrae , David Richards and Justin Shirley‐Smith
- bass guitar:
- John Deacon
- drums (drum set) and keyboard:
- Roger Taylor
- electric guitar:
- Brian May
- background vocals:
- Brian May and Roger Taylor
- phonographic copyright (℗) by:
- Queen Productions Ltd. (in 1995)
- recorded at:
- Allerton Hill Studios in Surrey, England, United Kingdom, Cosford Mill in Godalming, Surrey, England, United Kingdom, Metropolis in London , England, United Kingdom and Mountain Studio in Montreux, Vaud, Switzerland
- recording of:
- Heaven for Everyone
- lyricist and composer:
- Roger Taylor
- publisher:
- Beechwood Music Corp., EMI Music Publishing Ltd. and Queen Music Ltd.
| Queen | 4 | 4:45 |
| 2 | Because You Loved Me- recording engineer and mixer:
- Humberto Gatica
- synclavier programming:
- Simon Franglen
- assistant engineer:
- Mark Agostino, Kyle Bess, Paul Boutin, Chris Brooke and Peter Doell
- engineer:
- Felipe Elgueta
- executive producer:
- Jon Avnet
- producer:
- David Foster
- drums (drum set):
- Simon Franglen (in 1995)
- guitar:
- Michael Thompson (in 1995)
- keyboard:
- David Foster (in 1995)
- background vocals:
- Terry Bradford (in 1995), Alex Brown (in 1995), Bridgette Bryant (in 1995), Alanna Capps (in 1995), Carl Carwell (in 1995), Sue Ann Carwell (in 1995), Philip Ingram (in 1995), Kofi (in 1995), Maxann Lewis (in 1995) and Will Wheaton (in 1995)
- lead vocals:
- Céline Dion (in 1995)
- background vocals arranger:
- Carl Carwell, Sue Ann Carwell and David Foster
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (in 1995), Chartmarker Studios in Los Angeles, California, United States (in 1995) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1995)
- recording of:
- Because You Loved Me (in 1995)
- lyricist and composer:
- Diane Warren
- publisher:
- Realsongs, Touchstone Pictures Music and Songs Inc., ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and 日音 Synch事業部
| Céline Dion | 3.05 | 4:33 |
| 3 | Missing | Everything but the Girl | 4 | 4:01 |
| 4 | Breakfast at Tiffany’s | Deep Blue Something | 3.65 | 4:18 |
| 5 | Drive- additional engineer:
- Ed Brooks , George Cowan , Mark Howard , John Keane , Tod Lemkuhl, Ted Malia and Andrew Roshberg
- engineer:
- Clif Norrell
- producer:
- Scott Litt and R.E.M.
- mixer:
- Scott Litt and Clif Norrell
- guest cello:
- Kathleen Kee, Daniel Laufer and Elizabeth Proctor Murphy
- guest oboe:
- Deborah Workman
- guest viola:
- Reid Harris, Paul Murphy and Heidi Nitchie
- guest violin:
- Denise Berginson-Smith , Patti Gouvas, Lonnie Ottzen , Sandy Salzinger , Sou-Chun Su and Jody Taylor
- vocals:
- Michael Stipe
- conductor:
- George Hanson
- orchestrator:
- John Paul Jones
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1992)
- additionally recorded at:
- Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios in New Orleans, Louisiana, United States
- recorded at:
- Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
- mixed at:
- Bad Animals Studio in Seattle, Washington, United States
- recording of:
- Drive
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Night Garden Music
| R.E.M. | 4.1 | 4:29 |
| 6 | I’d Lie for You (and That’s the Truth) | Meat Loaf | 2 | 5:26 |
| 7 | Father and Son | Cat Stevens | 4.25 | 3:41 |
| 8 | How Deep Is Your Love- cover recording of:
- How Deep Is Your Love
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Songs of Universal, Inc., Universal Music Careers, Universal Music Publishing Group Japan , Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
- sub-publisher:
- Warner/Chappell Music Taiwan Ltd.
| Take That | 4 | 3:40 |
| 9 | Where Do Broken Hearts Go- recording engineer and mixer:
- David Frazer
- synthesizer [synths] programming:
- Preston Glass
- additional assistant engineer:
- Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda and Ross Williams
- additional engineer:
- Lincoln Clapp , Maureen Droney, Ken Kessie, Gordon Lyon and Jay Rifkin
- assistant engineer:
- Dana Jon Chappelle
- producer:
- Narada Michael Walden
- bass synthesizer [bass synth]:
- Randy Jackson
- bell:
- Preston Glass
- drums (drum set):
- Narada Michael Walden
- electronic drum set [Simmons]:
- Greg “Gigi” Gonaway
- guitar synthesizer [Charvel GTM6 midi guitar synth]:
- Corrado Rustici
- piano and synthesizer [synths]:
- Frank Martin
- background vocals:
- Kitty Beethoven, Jim Gilstrap, Jennifer Hall and Nikki Harris
- lead vocals:
- Whitney Houston
- conductor:
- Michael Gibbs
- strings arranger:
- Michael Gibbs
- arranger:
- Narada Michael Walden
- phonographic copyright (℗) by:
- RCA Records (in 1987)
- recorded at:
- Clinton Recording Studios in New York, New York, United States, Right Track Recording in Manhattan, New York, New York, United States, Tarpan Studios in San Rafael, California, United States and The Plant Studios in Sausalito, California, United States
- recording of:
- Where Do Broken Hearts Go
- writer:
- Chuck Jackson and Frank Wildhorn
| Whitney Houston | 5 | 4:37 |
| 10 | Father Figure | George Michael | 3.5 | 5:39 |
| 11 | You Don’t Understand Me | Roxette | 2.5 | 4:28 |
| 12 | Always Tomorrow | Gloria Estefan | 2 | 4:52 |
| 13 | Missing You | Chris de Burgh | | 3:52 |
| 14 | Anywhere Is | Enya | 2.65 | 3:46 |
| 15 | Where the Wild Roses Grow | Nick Cave & the Bad Seeds & Kylie Minogue | 4.35 | 3:56 |
| 16 | Let It Rain | Amanda Marshall | 4 | 4:27 |
| 17 | The Day We Caught the Train | Ocean Colour Scene | 4 | 3:12 |
| 18 | Don’t Look Back in Anger | Oasis | 4.2 | 4:48 |
