| # | Title | Artist | Rating | Length |
|---|
| 1 | Doctor Who | Ron Grainer | | 2:22 |
| 2 | The Man From U.N.C.L.E. (theme) | Jerry Goldsmith | | 2:01 |
| 3 | Joe 90 (title theme) | Barry Gray | | 2:17 |
| 4 | Captain Scarlet (feat. Gary Miller) | Barry Gray | | 1:51 |
| 5 | The Champions (theme from) | The Tony Hatch Orchestra | | 2:07 |
| 6 | High Wire (theme from Danger Man) | Edwin T. Astley | | 1:50 |
| 7 | Return of the Saint | The Saint Orchestra | | 2:49 |
| 8 | New Avengers Theme | Laurie Johnson | | 2:14 |
| 9 | Theme From “The Detectives” | Alan Tew | | 1:34 |
| 10 | Pink Panther Theme | Henry Mancini | 3 | 2:36 |
| 11 | Accroche Toi Caroline (theme from “Vision On”) | Caravelli | | 2:19 |
| 12 | Theme From “Animal Magic” | Laurie Johnson | | 0:40 |
| 13 | Black Beauty | The South Bank Orchestra | | 2:25 |
| 14 | Theme From “World of Sport” | [unknown] | | 1:29 |
| 15 | Theme From “Superstars” | [unknown] | | 1:30 |
| 16 | Eye Level (theme from Van der Valk) | Simon Park Orchestra | | 2:21 |
| 17 | Tales of the Unexpected | Ron Grainer | | 2:06 |
| 18 | Crossroads | The Tony Hatch Orchestra | | 2:01 |
| 19 | Lovejoy | Denis King | | 2:10 |
| 20 | Theme From “Bergerac” | George Fenton | | 2:43 |
| 21 | The Sweeney | Simon Wallace and Simon Brint | | 2:36 |
| 22 | The Professionals | Laurie Johnson | 4 | 1:54 |
| 23 | I Could Be So Good for You | Dennis Waterman | | 3:15 |
| 24 | That’s Livin’ Alright | Joe Fagin | | 3:02 |
| 25 | Theme From “Grange Hill” | Alan Hawkshaw | | 1:21 |
| 26 | Roobarb & Custard | Johnny Hawksworth | | 0:39 |
| 27 | Blake’s 7 | Dudley Simpson | | 3:21 |
| 28 | Budgie Theme (The Loner) | The South Bank Orchestra | | 2:44 |
| 29 | Angela (theme from “Taxi”)- recorded in:
- New York, New York, United States (in 1978)
- assistant engineer:
- Tim Bomba, Ted Brosnan and Harold Torowsky
- producer:
- Bob James
- alto saxophone:
- Phil Bodner (in 1978) and Jerry Dodgion (in 1978)
- baritone saxophone:
- Howard Johnson (in 1978)
- bass:
- Gary King (in 1978)
- cello:
- Jonathan Abramowitz (in 1978), Seymour Barab (in 1978), Richard Locker (in 1978) and Charles McCracken (in 1978)
- clarinet:
- Harvey Estrin (in 1978)
- cor anglais, flute, oboe and tenor saxophone:
- George Marge (in 1978)
- drums (drum set):
- Idris Muhammad (in 1978)
- electric piano, piano and synthesizer:
- Bob James (in 1978)
- percussion:
- Ralph MacDonald (in 1978)
- trombone:
- Wayne Andre (in 1978), Dave Bargeron (in 1978) and Alan Raph (in 1978)
- trumpet:
- Randy Brecker (in 1978), Jon Faddis (in 1978), Mike Lawrence (in 1978) and Ron Tooley (in 1978)
- viola:
- Jean Dane (in 1978), Theodore Israel (in 1978), Sue Pray (in 1978) and Emanuel Vardi (in 1978)
- violin:
- Harry Cykman (in 1978), Lewis Eley (in 1978), Max Ellen (in 1978), Louis Gabowitz (in 1978), Diana Halprin (in 1978), Harold Kohon (in 1978), Harry Lookofsky (in 1978), John Pintavalle (in 1978), Matthew Raimondi (in 1978), Herbert Sorkin (in 1978) and Richard Sortomme (in 1978)
- arranger:
- Bob James
- recording of:
- Angela (in 1978)
- composer:
- Bob James
| Bob James | 5 | 5:42 |
| 30 | Theme From “Hill Street Blues” (feat. Larry Carlton) | Mike Post | | 3:12 |
| 31 | Gotcha (theme from “Starsky & Hutch”) | Tom Scott | | 3:36 |
| 32 | The Six Million Dollar Man | John Gregory & His Orchestra | | 2:35 |
