| # | Title | Artist | Rating | Length |
|---|
| 1 | Ave Maria | Johann Sebastian Bach, Charles-François Gounod | | 3:19 |
| 2 | Messe h-moll: Et incarnatus est- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- choir vocals:
- Münchener Bach‐Chor (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:43 |
| 3 | Hirtenmusik- recording engineer:
- Hans-Peter Schweigmann
- executive producer:
- Gerd Ploebsch and Prof. Dr. Hans Hickmann
- producer:
- Hans Weber
- bassoon:
- Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
- cello:
- Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
- double bass:
- Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
- horn [corno da caccia I]:
- Kurt Richter (from 1965-02 until 1965-06)
- horn [corno da caccia II]:
- Willy Beck (from 1965-02 until 1965-06)
- oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
- Edgar Shann (from 1965-02 until 1965-06)
- oboe [oboe II] and oboe d'amore [oboe d'amore II]:
- Kurt Hausmann (from 1965-02 until 1965-06)
- oboe da caccia [oboe da caccia II]:
- Gustav Meyer (from 1965-02 until 1965-06)
- organ:
- Hedwig Bilgram (from 1965-02 until 1965-06)
- transverse flute:
- Paul Meisen (from 1965-02 until 1965-06)
- trumpet [trumpet I]:
- Maurice André (from 1965-02 until 1965-06)
- trumpet [trumpet II]:
- Bernhard Gediga (from 1965-02 until 1965-06)
- trumpet [trumpet III]:
- Wilhelm Oppermann (from 1965-02 until 1965-06)
- violin:
- Otto Büchner (from 1965-02 until 1965-06)
- orchestra:
- Münchener Bach‐Orchester (from 1965-02 until 1965-06)
- conductor:
- Karl Richter (from 1965-02 until 1965-06)
- balance engineer:
- Hans-Peter Schweigmann (from 1965-02 until 1965-06)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1965-02 until 1965-06)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 7:17 |
| 4 | Stabat mater: Sancta mater istud agas | Giovanni Battista Pergolesi | | 5:17 |
| 5 | Ave Maria | Anton Bruckner | | 4:07 |
| 6 | Stabat mater: Virgo virginum praeclara | Antonín Dvořák | | 6:32 |
| 7 | Magnificat from Magnificat, BWV 243- executive producer:
- Prof. Dr. Hans Hickmann
- producer:
- Karl-Heinz Schneider
- choir vocals:
- Münchener Bach‐Chor (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- balance engineer:
- Walter Alfred Wettler
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1961-04)
- premiered in:
- Leipzig, Sachsen, Germany (on 1733-07-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1728 until 1731)
- composer:
- Johann Sebastian Bach
- part of:
- Magnificat D-Dur, BWV 243
| Johann Sebastian Bach | | 3:01 |
| 8 | Et exsultavit apiritus meus from Magnificat, BWV 243- executive producer:
- Prof. Dr. Hans Hickmann
- producer:
- Karl-Heinz Schneider
- alto vocals:
- Hertha Töpper (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- balance engineer:
- Walter Alfred Wettler
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1961-04)
- premiered in:
- Leipzig, Sachsen, Germany (on 1733-07-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1728 until 1731)
- composer:
- Johann Sebastian Bach
- part of:
- Magnificat D-Dur, BWV 243
| Johann Sebastian Bach | | 2:49 |
| 9 | Ruf zur Maria no. 5 from the Marien-Liedern, op. 22 | Johannes Brahms | | 3:47 |
| 10 | Ave Maria | Wolfgang Amadeus Mozart | | 3:55 |
| 11 | Ave Maria | Franz Schubert | | 5:18 |
| 12 | Weihnachtskantate: Sinfonia | Alessandro Stradella | | 2:45 |
| 13 | Tu virginum corona - Allelujah from Exsultate, jubilate, KV 165 | Wolfgang Amadeus Mozart | | 8:51 |
