Classics for Lovers

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Elvira Madigan (Andante)
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:38
2The Sleeping Waltz Beauty Waltz
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский4:26
3Musical Clock (Allegro)
Joseph Haydn1:26
4Symphony (Divertimento) In D Major 'Salzburg' (Andante)
orchestra:
Camerata Romana (an Alfred Scholz pseudonym) and Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
Wolfgang Amadeus Mozart5:24
5Clair de LuneClaude Debussy5:12
6La Vaillance (Heldenmusik)Georg Philipp Telemann1:38
7La Gráce (Heldenmusik)Georg Philipp Telemann2:45
8Scherzo (Symphony No 2 in D Major)
orchestra:
Staatskapelle Berlin (from 1999-05 until 1999-07)
conductor:
Daniel Barenboim (pianist and conductor) (from 1999-05 until 1999-07)
recorded at:
Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (from 1999-05 until 1999-07)
recording of:
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro (from 1999-05 until 1999-07)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven3:38
9Sonata in D Minor
Domenico Scarlatti4:00
10Dance of the Sugar Plum Fairy (The Nutcracker)
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
arrangement of:
The Nutcracker, Op. 71: Dance of the Sugarplum Fairy, Extract (Arrangement for solo piano by Pauline Hall)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский2:08
11Dance of the Swans (Swan Lake)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Пётр Ильич Чайковский1:38
12The Lake in the Moonlight (Swan Lake)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский3:13
13Meditation from 'Thais'
violin:
Barry Griffiths (violinist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Frank Shipway (British conductor)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Thaïs: Acte II
Jules Massenet5:19
14Giselle (Apothéose)
Adolphe Adam2:29
15Morning (Peer Gynt)
orchestra:
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic, Košice) and Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Róbert Stankovský and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:55
16Love Dream (No 3)Franz Liszt4:21
17The Four Seasons (Winter, 2nd Movement)Antonio Vivaldi1:46
18Aria of the PostillonJohann Sebastian Bach1:31
19Waltz in A Flat Major
recording of:
Waltz, op. 39 no. 15 (catch-all for unknown arrangements)
composer:
Johannes Brahms (German composer) (in 1865)
arrangement of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
Johannes Brahms1:27
20Polovtźian Dance (Prince Igor)
Александр Порфирьевич Бородин2:20
21Divertimento No 1, Chorale St AntoniHaydn Wood2:43
22Caprice Viennoise
Fritz Kreisler3:21
23Solveig's Song (Peer Gynt)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (do not use if there is a singer)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg5:23
24The Trumpet Voluntary
trumpet:
Maurice André (French trumpeter)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (in 1700)
Jeremiah Clarke2:52