Have a Nice Decade: The ’70s Pop Culture Box

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶CD 1
▼CD 2
#TitleArtistRatingLength
1Theme From Shaft
edit of:
Theme From Shaft by Isaac Hayes
recording of:
Theme From Shaft
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
Academy Award for Best Original Song (number: 44)
Isaac Hayes4.53:18
2Family Affair
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 57) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 138)
recording of:
Family Affair
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.653:06
3Whatcha See Is Whatcha Get
edit of:
Whatcha See Is Whatcha Get by The Dramatics
recording of:
Whatcha See Is Whatcha Get
lyricist and composer:
Tony Hester
publisher:
Groovesville Music (publishing) (ended), EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Dramatics53:33
4Treat Her Like a Lady
recording of:
Treat Her Like a Lady
lyricist and composer:
Eddie Cornelius
Cornelius Brothers & Sister Rose2:46
5Have You Seen Her
recording of:
Have You Seen Her
writer:
Barbara Acklin and Eugene Record
publisher:
Intersong Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites4:49
6Want Ads
recording of:
Want Ads
writer:
General Johnson (US soul singer, R&B songwriter & producer), Barney Perkins and Greg Perry
Honey Cone2:48
7Let’s Stay Together
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges
organ and piano:
Charles Hodges (Soul Organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys))
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
vocals:
Al Green
phonographic copyright (℗) by:
Cream Records (70s Los Angeles) (in 1971) and HI Records Inc. (in 1971)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 60) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 84)
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4.553:18
8Do You Know What I Mean
recording of:
Do You Know What I Mean
composer:
Lee Michaels
Lee Michaels53:15
9Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood) (in 1971)
acoustic guitar:
Martin Quittenton (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
writer:
Martin Quittenton and Rod Stewart
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS-affiliated), H. G. Music Inc, Rightsong Music Inc. and Unichappell Music, Inc.
Rod Stewart4.255:19
10Mr. Big Stuff
recording of:
Mr. Big Stuff
writer:
Joseph Broussard, Carrol Washington and Ralph Williams (US soul composer)
publisher:
Caraljo Music Inc., Malaco Music Company and Peermusic III, Ltd. (BMI)
Jean Knight2:31
11Chick‐A‐Boom (Don’t Ya Jes’ Love It)
recording of:
Chick-a-Boom (Don’t Ya Jes’ Love It)
composer:
Richard Delvy and Janis Gwin
Daddy Dewdrop2:52
12Brand New Key
recording of:
Brand New Key
lyricist and composer:
Melanie Anne Safka‐Schekeryk (US singer-songwriter Melanie Safka)
Melanie2:26
13One Tin Soldier (The Legend of Billy Jack)
Coven3:38
14School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the musician Vincent Damon Furnier)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician Vincent Damon Furnier), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
BMG Platinum Songs US, Carlin Music Corporation, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
Alice Cooper4.253:30
15Popcorn
cover recording of:
Popcorn (in 1972)
composer:
Gershon Kingsley
music quoted on:
2 Die 4
recording of:
Popcorn
composer:
Gershon Kingsley
music quoted on:
2 Die 4
Hot Butter4.42:34
16Joy
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Mans Desiring; catch-all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Apollo 10032:47
17I Am Woman
brass and strings arranger:
Jim Horn (saxophonist, hornist, flutist and oboist)
recording of:
I Am Woman (in 1970)
lyricist:
Helen Reddy
composer:
Ray Burton (Australian singer/songwriter)
Helen Reddy53:17
18A Horse With No Name
recording of:
A Horse With No Name
lyricist and composer:
Dewey Bunnell
America3:51
19I’ll Take You There
edit of:
I’ll Take You There by The Staple Singers
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 186) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 276)
recording of:
I’ll Take You There
lyricist and composer:
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers53:23
20Everybody Plays the Fool
recording of:
Everybody Plays the Fool
writer:
J. Ralph Bailey, Rudy Clark (songwriter) and Ken Williams (songwriter)
publisher:
Trio Music Company, Alley Music Corp. (in 1991) and Trio Music Co., Inc. (in 1991)
The Main Ingredient3:39
21I Gotcha
producer:
Buddy Killen
phonographic copyright (℗) by:
Dial Records (Late 40s jazz label focused on bop) (in 1972) and Tree Productions (in 1972)
recording of:
I Gotcha
lyricist and composer:
Joe Tex (American southern soul musician)
Joe Tex3.52:29
22I’ll Be Around
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (Former member of The Spinners) (in 1973), Bobbie Smith (US R&B singer) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
I’ll Be Around (in 1973)
composer:
Thom Bell (keyboards, songwriter, producer) and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:12
23Lean on Me
recording of:
Lean on Me
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Interior Music Corp., Songs of Universal, Inc., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Bill Withers53:42
24Day by Day
Stephen Schwartz3:15
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▶CD 5
▶CD 6
▶CD 7