Vienna Master Series: Der Nußknacker / Schwanensee ("DIGITAL Classic" on the front)

~ Release by Pyotr Ilyich Tchaikovsky; London Festival Orchestra, Alberto Lizzio (see all versions of this release, 11 available)

Tracklist

▼CD 1
#	Title	Artist	Rating	Length
1	Overtüre Miniature orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto composer: Пётр Ильич Чайковский (Russian romantic composer) (until 1892) part of: The Nutcracker (suite from the ballet), op. 71a	Pyotr Ilyich Tchaikovsky		3:17
2	Marche orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (an Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques recording of: Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (March) composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)	Pyotr Ilyich Tchaikovsky		2:47
3	Dance de la Fee-Dragee orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy) recording of: Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy) composer: Пётр Ильич Чайковский (Russian romantic composer) arrangement of: The Nutcracker, Op. 71: Dance of the Sugarplum Fairy, Extract (Arrangement for solo piano by Pauline Hall) part of: Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)	Pyotr Ilyich Tchaikovsky		2:09
4	Dance rusee Trepak orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (an Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques	Pyotr Ilyich Tchaikovsky		1:15
5	Danse arabe orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques	Pyotr Ilyich Tchaikovsky		3:40
6	Dance chinoise orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques	Pyotr Ilyich Tchaikovsky		1:25
7	Dance des Mirlitons orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)	Pyotr Ilyich Tchaikovsky		2:40
8	Valse des fleurs orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Pietro di la Corona (Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers)	Pyotr Ilyich Tchaikovsky		7:10
9	1. Scene orchestra: London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created) recording of: The Swan Lake (suite from the ballet), op. 20a: I. Scène composer: Пётр Ильич Чайковский (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Pyotr Ilyich Tchaikovsky		3:14
10	Valse orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz) recording of: The Swan Lake (suite from the ballet), op. 20a: II. Valse composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Pyotr Ilyich Tchaikovsky		7:43
11	Valse orchestra: London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created) recording of: The Swan Lake (suite from the ballet), op. 20a: II. Valse composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements) recording of: The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes composer: Пётр Ильич Чайковский (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Pyotr Ilyich Tchaikovsky		1:39
12	Pas d'action orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz) recording of: The Swan Lake (suite from the ballet), op. 20a: IV. Scène composer: Пётр Ильич Чайковский (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Pyotr Ilyich Tchaikovsky		8:02
13	Dance Hongroise orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz) recording of: The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise composer: Пётр Ильич Чайковский (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Pyotr Ilyich Tchaikovsky		2:52
14	Dance Espagnola orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz) recording of: The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Pyotr Ilyich Tchaikovsky		2:25
15	Dance Napolitaine orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz) recording of: The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Pyotr Ilyich Tchaikovsky		2:07
16	Mazurka orchestra: Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created) recording of: The Swan Lake (suite from the ballet), op. 20a: VIII. Mazurka composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Pyotr Ilyich Tchaikovsky		3:47

Credits

Release

part of:	Vienna Master Series (PILZ) (order: 12)

Discogs:	https://www.discogs.com/release/6949610 [info]