Great 5 (Box-Set)

~ Release by Miles Davis (see all versions of this release, 1 available)

Annotation

Disc 1 ('Round About Midnight) recorded October 26, 1955 (2), June 5 (4-6) and September 10 (1, 3), 1956.
Disc 2 (Milestones) recorded February 4 (3-6) and March 4 (1, 2), 1958.
Disc 3 (Porgy And Bess) recorded July 22 (3, 4, 9) and 29 (2, 8, 10, 11), August 4 (1, 5-7, 13) and 18 (12), 1958.
Disc 4 (Sketches Of Spain) recorded November 20, 1959 (1), March 10 (3) and 11 (2, 4, 5), 1960.
Disc 5 (Miles Smiles) recorded October 24 (1, 2, 4, 5) and 25 (3, 6), 1966.

Five Hybrid SACDs in hardback book-style digipaks with affixed booklets each containing two sets of liner notes in Japanese.
Fold-out b/w facsimiles of original LP jackets (front and back) with original English liner notes included with each disc.
Four-page insert with two sets of liner notes in Japanese.
Slipcase with full-back obi.

企画・協力：東京電化株式会社 (Planning・Cooperation : Tokyo Denka Co. Ltd.)

Annotation last modified on 2022-10-31 18:00 UTC.

Tracklist

▶Hybrid SACD 1: 'Round About Midnight [MONO]
▶Hybrid SACD 2: Milestones [MONO]
▶Hybrid SACD 3: Porgy And Bess
▼Hybrid SACD 4: Sketches Of Spain
#TitleRatingLength
1Concierto De Aranjuez
bass clarinet:
Danny Bank (reeds) (on 1959-11-20)
clarinet and oboe:
Harold Feldman (woodwind player) (on 1959-11-20)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-11-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-20)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-20)
flute:
Albert Block (US jazz flute/saxaphone) (on 1959-11-20) and Eddie Caine (saxophone player, not the rapper) (on 1959-11-20)
French horn:
John Barrows (American wind instrumentalist) (on 1959-11-20), Earl Chapin (on 1959-11-20) and Jim Buffington (US jazz, studio and classical hornist) (on 1959-11-20)
harp:
Janet Putman (on 1959-11-20)
percussion:
Elvin Jones (jazz drummer) (on 1959-11-20)
trombone:
Dick Hixson (on 1959-11-20) and Frank Rehak (on 1959-11-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-20), Bernie Glow (on 1959-11-20), Taft Jordan (on 1959-11-20), Louis Mucci (trumpetist) (on 1959-11-20) and Ernie Royal (on 1959-11-20)
tuba:
Jimmy McAllister (on 1959-11-20)
conductor:
Gil Evans (on 1959-11-20)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1959-11-20)
remasters:
Concierto de Aranjuez (adagio) (1959-11-20, master take, stereo) by Miles Davis
partial recording of:
Concierto de Aranjuez (on 1959-11-20)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
16:28
2Will O' The Wisp
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putman (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
instrumental recording of:
El amor brujo: X. Canción del fuego fatuo (on 1960-03-11)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
23:54
3The Pan Piper
bass clarinet:
Danny Bank (reeds) (on 1960-03-10)
bassoon:
Jack Knitzer (on 1960-03-10)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-10)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-10)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-10) and Harold Feldman (woodwind player) (on 1960-03-10)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-10), Joe Singer (on 1960-03-10) and Tony Miranda (on 1960-03-10)
harp:
Janet Putman (on 1960-03-10)
oboe:
Romeo Penque (on 1960-03-10)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-10)
trombone:
Dick Hixson (on 1960-03-10) and Frank Rehak (on 1960-03-10)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-10), Bernie Glow (on 1960-03-10) and Ernie Royal (on 1960-03-10)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-10)
conductor:
Gil Evans (on 1960-03-10)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-10)
recording of:
The Pan Piper (on 1960-03-10)
composer:
Gil Evans
3:58
4Saeta
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putman (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Saeta (on 1960-03-11)
composer:
Gil Evans
5:38
5Solea
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putman (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Solea (on 1960-03-11)
composer:
Gil Evans
3.512:18
▶Hybrid SACD 5: Miles Smiles