The Rock 'n' Roll Era: 1964

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

12"-Vinyl 1
Nr.TitelKünstlerBewertungLänge
A1Where Did Our Love Go
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
foot stomps [footstomps]:
Mikchael Valvano (am 1964-04-08)
Instrumente:
The Funk Brothers (am 1964-04-08)
Hintergrundgesang:
Florence Ballard (am 1964-04-08) und Mary Wilson (am 1964-04-08)
Sologesang:
Diana Ross (am 1964-04-08)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (am 1964-04-08)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 9) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 472)
recording of:
Where Did Our Love Go (am 1964-04-08)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music Co., Inc.
The Supremes52:34
A2California Sun
cover recording of:
California Sun
Verfasser(in):
Henry Glover und Morris Levy
The Rivieras2:26
A3Under the Boardwalk
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-21)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1964-05-21)
Baritongesang:
Gene Pearson (vocals, Drifters) (am 1964-05-21)
Bass-Gesang:
Winifred Terry (am 1964-05-21)
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1964-05-21)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1964-05-21)
Dirigent(in):
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) und Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 6) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 487)
recording of:
Under the Boardwalk (am 1964-05-21)
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. und Trio Music Company
The Drifters4.52:42
A4It Hurts to be in Love
recording of:
It Hurts to Be in Love
Texter:
Howard Greenfield
Komponist(in):
Helen Miller (US songwriter)
Gene Pitney2:35
A5The Little Old Lady (from Pasadena)
Jan & Dean2:45
A6You Don't Own Me
Produzent(in):
Qunicy Jones
arranger:
Claus Ogerman
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 28)
recording of:
You Don’t Own Me (in 1963)
Verfasser(in):
John Madara (in 1963) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (in 1963)
publisher:
Merjoda Music Inc. und Unichappell Music, Inc.
Lesley Gore3.12:32
B1Oh, Pretty Woman
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
phonographic copyright (℗) by:
Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (publisher) (in 1972)
Roy Orbison4.32:58
B2My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:52
B3Keep Searchin' (We'll Follow the Sun)
recording of:
Keep Searching (We'll Follow the Sun)
Texter, Verfasser(in) und Komponist(in):
Del Shannon
Del Shannon2:14
B4C'mon and Swim
Bobby Freeman2:46
B5Last Kiss
cover recording of:
Last Kiss
Texter und Komponist(in):
Wayne Cochran
publisher:
Boblo Music, Fort Knox Music Inc. und Trio Music Co., Inc.
J. Frank Wilson & The Cavaliers2:28
C1Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 130)
recording of:
Dancing in the Street
Verfasser(in):
Marvin Gaye, Ivy Jo Hunter und William Stevenson (Motown songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
Martha and the Vandellas3.62:44
C2G.T.O.
recording of:
G.T.O.
Texter und Komponist(in):
John Buck Wilkin (Ronny of Ronny & the Daytonas)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ronny & the Daytonas2:30
C3Suspicion
recording of:
Suspicion
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
Terry Stafford4.52:32
C4No Particular Place to Go
Produzent(in):
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) und Willie Dixon
Gitarre und Sologesang:
Chuck Berry (am 1964-03-26)
Klavier:
Paul Williams (US blues/jazz saxophonist) (am 1964-03-26)
Schlagzeug:
Odie Payne (Drummer, born in 1926) (am 1964-03-26)
aufgenommen bei:
Ter-Mar Recording Studios in Chicago, Illinois, Vereinigte Staaten (am 1964-03-26)
recording of:
No Particular Place to Go (am 1964-03-26)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry52:45
C5Leader of the Pack
The Shangri‐Las2:55
C6Hi-Heel Sneakers
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1963)
Produzent(in):
Herb Abramson
Bassgitarre [bass]:
Brenda Lee Jones (in 1963)
Gitarre:
Dean "Cousin Sugar" Young (in 1963)
Klavier und Orgel:
Tommy Tucker (blues) (in 1963)
vocals:
Tommy Tucker (blues) (in 1963)
recording of:
Hi‐Heel Sneakers (in 1963)
Texter und Komponist(in):
Robert Higginbotham (blues)
publisher:
Lily Pond Music und Robert Higginbotham Publisher
Tommy Tucker2:52
D1Chapel of LoveThe Dixie Cups42:50
D2Louie Louie
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 3), New York Post: 100 Greatest Covers (2007) (Nummer: 26), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 55) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 156)
cover recording of:
Louie Louie (in 1963)
Texter und Komponist(in):
Richard Berry (US singer/songwriter, composed Louie Louie)
publisher:
EMI Music Ltd., Windswept Pacific Music Ltd. und World Wide Music
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Kingsmen3.652:46
D3Goin' Out of My HeadLittle Anthony & the Imperials52:31
D4The Shoop Shoop Song (It's in His Kiss)
cover recording of:
It’s in His Kiss (The Shoop Shoop Song) (in 1964)
Texter und Komponist(in):
Rudy Clark (songwriter)
publisher:
By the Bay Music, TM Music Ltd. und Trio Music Company
recording of:
It’s in His Kiss (The Shoop Shoop Song)
Texter und Komponist(in):
Rudy Clark (songwriter)
publisher:
By the Bay Music, TM Music Ltd. und Trio Music Company
Betty Everett2:17
D5Surfin' Bird
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 7)
recording of:
Surfin’ Bird
Verfasser(in):
Al Frazier, Sonny Harris, Carl White (60s soul vocalist, member of the Rivingtons) und Turner Wilson
Version von:
Papa-Oom-Mow-Mow
Version von:
The Bird’s the Word
The Trashmen4.352:20

Nennungen

Veröffentlichungsgruppe

Teil von:The Rock 'n' Roll Era (Time-Life Music) (Nummer: 10) (Reihenfolge: 10)
Discogs:https://www.discogs.com/master/404004 [Info]