Party Power Pack: Partyhits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Polygram International Publishing I (existed only since ca. 1998), Universal‐Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
KISS4.74:31
2Boys Don’t Cry
recording of:
Boys Don’t Cry
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
writer and composer:
Michael Dempsey, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Laurence Tolhurst
publisher:
APB Music Co.
The Cure2:41
3The Bad Touch
producer:
Jimmy Pop (member of Bloodhound Gang)
mixer:
Raahu
guitar:
Lüpüs Thünder
membranophone:
Spanky G
Moog and lead vocals and spoken vocals:
Jimmy Pop (member of Bloodhound Gang)
background vocals:
DJ Q-Ball
music videos:
The Bad Touch by Bloodhound Gang
recording of:
The Bad Touch
lyricist and composer:
James Franks
publisher:
Universal‐Songs of PolyGram International, Inc., PolyGram Music Publishing (from 2000 to ????), Hey Rudy Music Publishing (from 2000 to present) and The Jimmy Franks Publishing Company (from 2000 to present)
Bloodhound Gang3.84:21
4Two PrincesSpin Doctors4:13
5The Shoop Shoop Song (It’s in His Kiss)
producer:
Peter Asher
phonographic copyright (℗) by:
Geffen Records (in 1990)
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
lyricist and composer:
Rudy Clark (songwriter)
publisher:
By the Bay Music, TM Music Ltd. and Trio Music Company
Cher3.352:50
6Walking on Sunshine
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
Kyboside Music, Megasongs Limited and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.353:44
7Al No Corrida
cover recording of:
Ai no corrida
writer:
Chaz Jankel and Kenny Young
publisher:
Lazy Lizard Music Inc.
Quincy Jones4:16
8Upside DownDiana Ross4:05
9Car Wash
recording of:
Car Wash
lyricist and composer:
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) and USI B Music Publishing
Rose Royce3:19
10Saddle Up
recording of:
Saddle Up
lyricist:
Philo Jack Robinson (production music composer)
composer:
James Bolden
publisher:
Baierle Music (in 1982) and Roba (publisher) (in 1982)
David Christie5:44
11Finally
recording of:
Finally (CeCe Peniston song)
writer:
Cecilia Peniston, Felipe Delgado, Rodney Jackson and Elbert Linnear
publisher:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group), Urban Tracks Music and Wax Museum Music
CeCe Peniston4:08
12Played‐A‐Live (The Bongo Song)Safri Duo3:16
13ConnectedStereo MCs33:47
14Dub Be Good to Me
producer:
Norman Cook
mixer:
Simon Thornton (Big beat mixing engineer)
lead vocals:
Lindy Layton
performer:
Lindy Layton
samples:
C'era una volta il West: L'uomo dell'armonica by Ennio Morricone and The Guns of Brixton (original studio mix) by The Clash
recording of:
Dub Be Good to Me
composer:
Norman Cook, James Harris III and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
version of:
Just Be Good to Me
Beats International3:40
15Ladies NightKool & the Gang4.353:33
16Somebody’s Watching Me
recording of:
Somebody’s Watching Me
lyricist and composer:
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music
Rockwell3:57
17Sunny
Bobby Hebb2:44
CD 2
#TitleArtistRatingLength
1It’s My Party
Lesley Gore2:14
2Flashdance (What a Feeling)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
Academy Award for Best Original Song (number: 56)
Irene Cara4:04
3Sexbomb
producer:
Mousse T.
bass guitar and horn:
Peter Hinterthür
Hammond organ:
Lutz Krajenski
horn:
Uwe Granitza
vocals:
Tom Jones (Welsh pop singer)
recorded at:
Bunk, Junk and Genius in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom and Peppermint Park Studios in Hannover, Niedersachsen, Germany
recording of:
Sexbomb (Mousse T. / Errol Rennalls song)
lyricist and composer:
Mousse T. and Errol Rennalls
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tom Jones feat. Mousse T.3:32
4Murder on the DancefloorSophie Ellis‐Bextor3:38
5Rama Lama Ding Dong
Rocky Sharpe & the Replays2:20
6Shout
Lulu & The Luvvers2:53
7I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (“The Godfather of Soul”)
alto saxophone:
Nat Jones (on 1965-05-06) and Maceo Parker (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (on 1965-05-06)
lead vocals:
James Brown (“The Godfather of Soul”) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (“The Godfather of Soul”)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.62:44
8Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:27
9Let the Music Play
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page and Barry White
edit of:
Let the Music Play (LP version) by Barry White
recording of:
Let the Music Play
lyricist and composer:
Barry White
Barry White43:29
10Don’t Leave Me This Way
producer:
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright
edit of:
Don’t Leave Me This Way by Thelma Houston
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 355)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble, Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston53:38
11Keep Me Hangin’ On
cover recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division, EMI Music Publishing Japan C.F. division (until 2021-06-30), Jobete Music Co., Inc. (in 1986) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Kim Wilde4:14
12Come On Eileen
producer:
Clive Langer, Kevin Rowland and Alan Winstanley (English record producer)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
lyrics quoted on:
Kom igen Lena!
Dexys Midnight Runners54:07
13Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell
part of:
New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
Soft Cell3.92:39
14Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (Producer. aka Merrick)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Phonogram Ltd. (in 1985) and Mercury Records Ltd. (not for release label use!) (in 2014)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (Producer. aka Merrick), Roland Orzabal and Ian Stanley
composer:
Mark Lettieri
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use!), Virgin Music (Publishers) Ltd., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Tears for Fears3.94:12
15Trapped
recording of:
Trapped
writer:
Colonel Abrams and Marston Freeman (songwriter)
publisher:
Moonwalk Music (publisher)
Colonel Abrams4:04
16You’re the Greatest Lover
producer:
Hans van Hemert
recording of:
You're the Greatest Lover
lyricist and composer:
Hans van Hemert and Piet Souer (composer)
Luv’2:52
17I Won’t Let the Sun Go Down on MeNik Kershaw3:21
18Que sera sera
cover recording of:
Que será, será (Whatever Will Be, Will Be)
lyricist:
Ray Evans (US lyricist)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
Academy Award for Best Original Song (number: 29)
Hermes House Band3:51
CD 3
#TitleArtistRatingLength
1What’s Up
recording engineer, producer and mixer:
David Tickle
mastering:
Stephen Marcussen (mastering engineer)
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
engineer:
Mark Hensley
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Sony/ATV Harmony UK and Stuck in the Throat
4 Non Blondes4.354:12
2Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer)
electric bass guitar:
Leon Wilkeson
electric guitar:
Allen Collins, Ed King (US guitarist, bassist & songwriter) and Gary Rossington
keyboard:
Billy Powell
background vocals:
Merry Clayton and Clydie King
lead vocals:
Ronnie Van Zant
phonographic copyright (℗) by:
Geffen Records (in 1974) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
produced for:
Sounds of the South Productions
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc. and Leeds Music Corp.
Lynyrd Skynyrd4.354:45
3All Right Now
engineer:
Roy Thomas Baker (producer)
producer:
Free (60s/70s UK blues rock group) and John Kelly (producer)
remixer:
Bob Clearmountain
recording of:
All Right Now
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Catherine’s Peak Music and Irving Music, Inc.
part of:
American Beauty
Free4.654:14
4Rockin’ All Over the World
assistant engineer:
Kevin Whyte
engineer:
John Eden (Producer), Barry Hammond and Simon Sullivan
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (in 1977), Phonogram Ltd. (London) (company name, NOT a label!) (in 1977, in 1988) and Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 1992)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom, Studio Bohus in Kungälv Municipality, Västra Götaland, Sweden and Sutton Park in Birmingham, West Midlands, England, United Kingdom (on 1992-08-30)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
music videos:
Rockin All Over the World by Status Quo
cover recording of:
Rockin’ All Over the World (on 1992-08-30)
lyricist and composer:
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music and Intersong Ltd. (publisher) (in 1977)
Status Quo43:35
5You Ain’t Seen Nothing Yet
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1974) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Ranbach Music Ltd. and Sony Songs Inc.
Bachman–Turner Overdrive4.353:37
6Word Up
engineer, producer and mixer:
Chris Sheldon (mixer, producer)
bass guitar:
Dante Gizzi
drums (drum set):
Mark Kerr
guitar:
Giuliano Gizzi
lead vocals:
Mark Rankin (Gun vocalist)
cover recording of:
Word Up!
writer:
Larry Blackmon and Tomi Jenkins
publisher:
Better Days Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gun44:17
7Na Na Hey Hey Kiss Him GoodbyeSteam53:43
8(You Gotta) Fight for Your Right (to Party)
engineer:
Steve Ett
co-producer:
Beastie Boys
producer:
Rick Rubin (American record producer and former co-president of Columbia Records)
electric guitar:
Kerry King
phonographic copyright (℗) by:
Def Jam Recordings (US) (in 1986)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 269)
recording of:
Fight for Your Right (to Party)
lyricist:
Adam Horovitz, Rick Rubin (American record producer and former co-president of Columbia Records) and Adam Yauch
composer:
Rick Rubin (American record producer and former co-president of Columbia Records)
publisher:
Brooklyn Dust Music and Def Jam Music
The Beastie Boys4.13:26
9You Get What You Give
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1998)
recording of:
You Get What You Give
writer:
Gregg Alexander and Rick Nowels
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), EMI Music Inc., Future Furniture Music Inc. and Grosse Point Harlem
New Radicals3.54:41
10Keep On Running
The Spencer Davis Group2:42
11Come to Sin
Bananafishbones3:24
12Wooly Bully
recording of:
Wooly Bully
lyricist and composer:
Domingo Samudio
publisher:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) and Melodie der Welt (publisher)
Sam the Sham & the Pharaohs2:22
13Girls, Girls, Girls
recording of:
Girls, Girls, Girls
lyricist and composer:
Georg Kajanus
Sailor3:36
14Turn On, Tune In, Cop Out
recording of:
Turn On, Tune In, Cop Out
lyricist and composer:
Norman Cook
publisher:
PolyGram Music Publishing Ltd.
Freak Power4:26
15How Bizarre
additional engineer and additional mixer:
Rick Huntington
engineer and producer:
Alan Jansson
accordion:
Hershal Herscher
guitar:
Lee Baker (NZ guitarist)
trumpet:
George Chisholm (jazz trombonist (1915-1997))
background vocals:
Sina Saipaia
phonographic copyright (℗) by:
Universal Music NZ Ltd. (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 1995)
recording of:
How Bizarre
writer:
Pauly Fuemana and Alan Jansson
publisher:
Lamont Music
OMC43:47
16Here We Go
producer:
Jonas von der Burg
background vocals:
Nanna Hedin (Swedish singer; also known as Na Na and Nana d’Aquini) and Katarina Wilczewski
samples:
Spirit in the Dark by Herbie Mann
recording of:
Here We Go
lyricist:
Johan Renck
composer:
Jonas von der Burg and Johan Renck
Stakka Bo3.353:58
17Rumors
Timex Social Club4:49
18Long Train Running
cover recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
Traks4:29

Credits

Release

ASIN:DE: B000TX6GMY [info]

Release Group

part of:Party Power Pack (Polystar, Germany) (order: 9)