# | Title | Rating | Length |
---|
1 | Dig- recorded in:
- New York, New York, United States (on 1951-10-05)
- alto saxophone:
- Jackie McLean (on 1951-10-05)
- bass:
- Tommy Potter (on 1951-10-05)
- double bass:
- Tommy Potter (on 1951-10-05, on 1954-10-05)
- drums (drum set):
- Art Blakey (on 1951-10-05, on 1954-10-05)
- piano:
- Walter Bishop, Jr. (on 1951-10-05, on 1954-10-05)
- tenor saxophone:
- Sonny Rollins (on 1951-10-05)
- trumpet:
- Miles Davis (on 1951-10-05, on 1954-10-05)
- phonographic copyright (℗) by:
- Fantasy, Inc. and Prestige
- recorded at:
- Apex Studios in New York, New York, United States (on 1951-10-05, on 1954-10-05)
- recording of:
- Dig (on 1951-10-05)
- composer:
- Miles Davis
| | 7:34 |
2 | It’s Only a Papermoon- recorded in:
- New York, New York, United States (on 1951-10-05)
- alto saxophone:
- Jackie McLean (on 1951-10-05)
- bass and double bass:
- Tommy Potter (on 1951-10-05)
- drums (drum set):
- Art Blakey (on 1951-10-05)
- piano:
- Walter Bishop, Jr. (on 1951-10-05)
- tenor saxophone:
- Sonny Rollins (on 1951-10-05)
- trumpet:
- Miles Davis (on 1951-10-05)
- phonographic copyright (℗) by:
- Fantasy, Inc. and Prestige
- recorded at:
- Apex Studios in New York, New York, United States (on 1951-10-05)
- instrumental recording of:
- It’s Only a Paper Moon (on 1951-10-05)
- lyricist:
- E.Y. Harburg (in 1933) and Billy Rose (in 1933)
- composer:
- Harold Arlen (in 1933)
- publisher:
- Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music
- recording of:
- It’s Only a Paper Moon (on 1951-10-05)
- lyricist:
- E.Y. Harburg (in 1933) and Billy Rose (in 1933)
- composer:
- Harold Arlen (in 1933)
- publisher:
- Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music
| | 5:24 |
3 | Denial | | 5:40 |
4 | Bluing | | 9:56 |
5 | Donna | | 3:12 |
6 | Yesterdays | | 3:44 |
7 | Chance It | | 3:02 |
8 | How Deep Is the Ocean | | 4:38 |
9 | Dear Old Stockholm | | 4:12 |
10 | Woody ’n’ You | | 3:24 |
11 | Compulsion | | 5:49 |
12 | The Serpent’s Tooth (Take 1) | | 7:00 |
13 | The Serpent’s Tooth (Take 2) | | 6:17 |
14 | Tasty Pudding | | 3:21 |
15 | Floppy | | 6:01 |
16 | Willie the Wailer | | 4:26 |
17 | For Adults Only | | 5:34 |
18 | Ray’s Idea | | 3:44 |
19 | Kelo | | 3:18 |
20 | Enigma | | 3:23 |
21 | Tempus Fugit | | 3:51 |
22 | I Waited for You | | 3:51 |
23 | C.T.A. | | 3:34 |
24 | Tune Up | | 3:51 |
25 | Smooch | | 3:06 |
26 | Well You Needn’t | | 5:22 |
27 | Take Off | | 3:40 |
28 | Weirdo | | 4:43 |
29 | Lazy Susan | | 4:02 |
30 | It Never Entered My Mind | | 4:02 |
31 | The Leap | | 4:31 |
32 | Old Devil Moon | 4 | 3:23 |
33 | I’ll Remember April | 5 | 7:51 |
34 | Solar | | 4:42 |
35 | You Don’t Know What Love Is | | 4:22 |
36 | Love Me or Leave Me | | 6:57 |
37 | Walkin’ | 4 | 13:26 |
38 | Blue ’n’ Boogie | | 8:18 |
39 | But Not for Me | | 4:38 |
40 | Airegin | | 4:59 |
41 | Oleo | | 5:12 |
42 | Doxy | 4 | 4:53 |
43 | Bags’ Groove (Take 2) | | 9:22 |
44 | Green Haze | 4 | 5:49 |
45 | Easy Living | | 5:06 |
46 | Nature Boy | | 6:16 |
47 | Dr. Jackle | | 8:52 |
48 | Just Squeeze Me | | 7:27 |
49 | There Is No Greater Love | | 5:19 |
50 | Bemsha Swing | | 9:28 |
51 | Swing Spring | | 10:43 |
52 | The Man I Love | | 7:57 |
53 | No Line | | 5:40 |
54 | Vierd Blues | 4 | 6:52 |
55 | In Your Own Sweet Way | | 4:35 |
56 | Something I Dreamed Last Night | | 6:15 |
57 | Salt Peanuts | | 6:09 |
58 | Surrey With the Fringe on Top | | 9:06 |
59 | It Never Entered My Mind | | 5:25 |
60 | Four | | 7:16 |
61 | In Your Own Sweet Way | | 5:45 |
62 | If I Were a Bell | 3 | 8:06 |
63 | You’re My Everything | | 4:48 |
64 | I Could Write a Book | | 5:08 |
65 | ’round Midnight- engineer:
- Ray Moore
- producer:
- George Avakian
- double bass:
- Paul Chambers (on 1956-09-10)
- drums (drum set):
- Philly Joe Jones (on 1956-09-10)
- piano:
- Red Garland (on 1956-09-10)
- tenor saxophone:
- John Coltrane (on 1956-09-10)
- trumpet:
- Miles Davis (on 1956-09-10)
- recorded at:
- Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1955-10-27, on 1956-06-05), CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10) and Columbia Studios in New York, New York, United States (on 1956-09-10)
- instrumental cover recording of:
- ’Round Midnight (on 1956-09-10)
- lyricist:
- Bernie Hanighen
- composer:
- Thelonious Monk and Cootie Williams
- publisher:
- Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation , Ultra Empire Music, Warner Bros. Music , Warner Bros., Inc. , Warner Chappell Music Ltd. , Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
- is based on:
- I Need You So
| 3.65 | 5:56 |
66 | Ah-Leu-Cha- engineer:
- Ray Moore
- producer:
- George Avakian
- double bass:
- Paul Chambers
- drums (drum set):
- Philly Joe Jones
- piano:
- Red Garland
- tenor saxophone:
- John Coltrane
- trumpet:
- Miles Davis
- recorded at:
- Columbia Studios in New York, New York, United States (on 1955-10-26), Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1955-10-27, on 1956-06-05) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
- recording of:
- Ah-Leu-Cha
- composer:
- Charlie Parker
| 4 | 5:51 |
67 | All of You- engineer:
- Ray Moore
- producer:
- George Avakian
- double bass:
- Paul Chambers
- drums (drum set):
- Philly Joe Jones
- piano:
- Red Garland
- tenor saxophone:
- John Coltrane
- trumpet:
- Miles Davis
- arranger:
- Gil Evans and Teo Macero
- recorded at:
- Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1955-10-27, on 1956-06-05), CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10) and Columbia Studios in New York, New York, United States (on 1956-09-10)
- instrumental cover recording of:
- All of You
- lyricist and composer:
- Cole Porter (in 1954)
- publisher:
- Chappell & Co., Chappell & Co., Inc. and Chappell Music
- part of:
- Silk Stockings
| 4 | 7:02 |
68 | Bye Bye Blackbird- engineer:
- Ray Moore
- producer:
- George Avakian
- double bass:
- Paul Chambers (on 1956-06-05)
- drums (drum set):
- Philly Joe Jones (on 1956-06-05)
- piano:
- Red Garland (on 1956-06-05)
- tenor saxophone:
- John Coltrane (on 1956-06-05)
- trumpet:
- Miles Davis (on 1956-06-05)
- recorded at:
- Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1955-10-27, on 1956-06-05), Columbia Studios in New York, New York, United States (on 1956-06-05) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
- instrumental recording of:
- Bye Bye Blackbird (on 1956-06-05)
- lyricist:
- Mort Dixon (in 1926)
- composer:
- Ray Henderson (in 1926)
- publisher:
- Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. and Warner Bros., Inc.
- cover recording of:
- Bye Bye Blackbird
- lyricist:
- Mort Dixon (in 1926)
- composer:
- Ray Henderson (in 1926)
- publisher:
- Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. and Warner Bros., Inc.
| 4 | 7:55 |
69 | Well, You Needn’t | | 6:21 |
70 | Diane | | 7:51 |
71 | When I Fall in Love- recorded in:
- Hackensack, New Jersey, United States (on 1956-05-11)
- producer:
- Bob Weinstock
- bass:
- Paul Chambers (on 1956-05-11)
- drums (drum set):
- Philly Joe Jones (on 1956-05-11)
- piano:
- Red Garland (on 1956-05-11)
- tenor saxophone:
- John Coltrane (on 1956-05-11)
- trumpet:
- Miles Davis (on 1956-05-11)
- recording of:
- When I Fall in Love (on 1956-05-11)
- lyricist:
- Edward Heyman
- composer:
- Victor Young
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Chappell Music Ltd., Intersong U.S.A. , Northern Music , Victor Young Publishing, Inc., Warner/Chappell North America Limited , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| | 4:25 |
72 | Trane’s Blues | | 8:34 |
73 | Ahmad’s Blues | | 7:27 |
74 | Half Nelson | | 4:47 |
75 | Oleo | | 5:52 |
76 | It Could Happen to You | | 6:30 |
77 | Woody ’n’ You | | 4:54 |
78 | Dear Old Stockholm- engineer:
- Ray Moore
- producer:
- George Avakian
- double bass:
- Paul Chambers (on 1956-06-05)
- drums (drum set):
- Philly Joe Jones (on 1956-06-05)
- piano:
- Red Garland (on 1956-06-05)
- tenor saxophone:
- John Coltrane (on 1956-06-05)
- trumpet:
- Miles Davis (on 1956-06-05)
- recorded at:
- Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1955-10-27, on 1956-06-05), Columbia Studios in New York, New York, United States (on 1956-06-05) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
- cover recording of:
- Dear Old Stockholm
- writer:
- [traditional]
- arranger:
- Stan Getz
- version of:
- Ack, Värmeland, du sköna
| 4 | 7:49 |
79 | Tadd’s Delight- engineer:
- Ray Moore
- producer:
- George Avakian
- double bass:
- Paul Chambers (on 1956-06-05)
- drums (drum set):
- Philly Joe Jones (on 1956-06-05)
- piano:
- Red Garland (on 1956-06-05)
- tenor saxophone:
- John Coltrane (on 1956-06-05)
- trumpet:
- Miles Davis (on 1956-06-05)
- recorded at:
- Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1955-10-27, on 1956-06-05), Columbia Studios in New York, New York, United States (on 1956-06-05) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
- recording of:
- Tadd's Delight (on 1956-06-05)
- composer:
- Tadd Dameron
- arranger:
- Joe Lovano
- publisher:
- Carbaby Music Company
| 3.5 | 4:28 |
80 | Sweet Sue, Just You | | 3:40 |
81 | My Funny Valentine | | 5:59 |
82 | Israel | 4 | 2:16 |
83 | Rouge | 4 | 3:14 |
84 | Darn That Dream | 4 | 3:23 |
85 | Odjenar | | 2:52 |
86 | Hibeck | | 3:05 |
87 | Yesterdays | | 2:25 |
88 | Ezz-Thetic | | 2:52 |
89 | Morpheus | | 2:22 |
90 | Down | | 2:51 |