Dance to Swingin' Things From Cole Porter's Can-Can

~ Release by Skip Martin Avec Les Video All-Stars (see all versions of this release, 1 available)

Tracklist

▼12" Vinyl 1
#TitleRatingLength
A1I Love Paris
producer:
David L. Miller (American record producer)
mixer:
Bill Putnam
alto saxophone:
Gus Bivona (in 1960)
baritone saxophone:
Pete Terry (in 1960)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1960)
drums (drum set):
Irv Cottler (in 1960)
guitar:
Al Hendrickson (in 1960)
piano:
Jimmy Rowles (in 1960)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (in 1960) and Jules Jacob (US jazz woodwind player) (in 1960)
trombone:
Joe Howard (american trombone player) (in 1960), Dick Nash (in 1960), George Roberts (american bass trombone) (in 1960) and Frank Rosolino (in 1960)
trumpet:
Pete Candoli (in 1960), Conrad Gozzo (in 1960), Jimmy Salko (in 1960), Joe Triscari (in 1960) and Ray Linn (in 1960)
vibraphone:
Larry Bunker (in 1960)
woodwind [alto saxophone, flute]:
Paul Horn (in 1960)
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (in 1960)
cover recording of:
I Love Paris (Can-Can [Pistache, Company]) (in 1960)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
?:??
A2You Do Something to Me
producer:
David L. Miller (American record producer)
mixer:
Bill Putnam
alto saxophone:
Gus Bivona (in 1960)
baritone saxophone:
Pete Terry (in 1960)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1960)
drums (drum set):
Irv Cottler (in 1960)
guitar:
Al Hendrickson (in 1960)
piano:
Jimmy Rowles (in 1960)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (in 1960) and Jules Jacob (US jazz woodwind player) (in 1960)
trombone:
Joe Howard (american trombone player) (in 1960), Dick Nash (in 1960), George Roberts (american bass trombone) (in 1960) and Frank Rosolino (in 1960)
trumpet:
Pete Candoli (in 1960), Conrad Gozzo (in 1960), Jimmy Salko (in 1960), Joe Triscari (in 1960) and Ray Linn (in 1960)
vibraphone:
Larry Bunker (in 1960)
woodwind [alto saxophone, flute]:
Paul Horn (in 1960)
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (in 1960)
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (in 1960)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
?:??
A3Can Can
producer:
David L. Miller (American record producer)
mixer:
Bill Putnam
alto saxophone:
Gus Bivona (in 1960)
baritone saxophone:
Pete Terry (in 1960)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1960)
drums (drum set):
Irv Cottler (in 1960)
guitar:
Al Hendrickson (in 1960)
piano:
Jimmy Rowles (in 1960)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (in 1960) and Jules Jacob (US jazz woodwind player) (in 1960)
trombone:
Joe Howard (american trombone player) (in 1960), Dick Nash (in 1960), George Roberts (american bass trombone) (in 1960) and Frank Rosolino (in 1960)
trumpet:
Pete Candoli (in 1960), Conrad Gozzo (in 1960), Jimmy Salko (in 1960), Joe Triscari (in 1960) and Ray Linn (in 1960)
vibraphone:
Larry Bunker (in 1960)
woodwind [alto saxophone, flute]:
Paul Horn (in 1960)
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (in 1960)
cover recording of:
Can-Can (Can-Can [Pistache, Women]) (in 1960)
lyricist and composer:
Cole Porter (composer)
part of:
Can‐Can (1960 musical film)
?:??
A4Come Along With Me
producer:
David L. Miller (American record producer)
mixer:
Bill Putnam
alto saxophone:
Gus Bivona (in 1960)
baritone saxophone:
Pete Terry (in 1960)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1960)
drums (drum set):
Irv Cottler (in 1960)
guitar:
Al Hendrickson (in 1960)
piano:
Jimmy Rowles (in 1960)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (in 1960) and Jules Jacob (US jazz woodwind player) (in 1960)
trombone:
Joe Howard (american trombone player) (in 1960), Dick Nash (in 1960), George Roberts (american bass trombone) (in 1960) and Frank Rosolino (in 1960)
trumpet:
Pete Candoli (in 1960), Conrad Gozzo (in 1960), Jimmy Salko (in 1960), Joe Triscari (in 1960) and Ray Linn (in 1960)
vibraphone:
Larry Bunker (in 1960)
woodwind [alto saxophone, flute]:
Paul Horn (in 1960)
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (in 1960)
cover recording of:
Come Along With Me (from Can-Can) (in 1960)
lyricist and composer:
Cole Porter (composer)
part of:
Can‐Can (1960 musical film)
?:??
A5Just One of Those Things
producer:
David L. Miller (American record producer)
mixer:
Bill Putnam
alto saxophone:
Gus Bivona (in 1960)
baritone saxophone:
Pete Terry (in 1960)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1960)
drums (drum set):
Irv Cottler (in 1960)
guitar:
Al Hendrickson (in 1960)
piano:
Jimmy Rowles (in 1960)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (in 1960) and Jules Jacob (US jazz woodwind player) (in 1960)
trombone:
Joe Howard (american trombone player) (in 1960), Dick Nash (in 1960), George Roberts (american bass trombone) (in 1960) and Frank Rosolino (in 1960)
trumpet:
Pete Candoli (in 1960), Conrad Gozzo (in 1960), Jimmy Salko (in 1960), Joe Triscari (in 1960) and Ray Linn (in 1960)
vibraphone:
Larry Bunker (in 1960)
woodwind [alto saxophone, flute]:
Paul Horn (in 1960)
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (in 1960)
cover recording of:
Just One of Those Things (in 1960)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
?:??
B1C'Est Magnifique
producer:
David L. Miller (American record producer)
mixer:
Bill Putnam
alto saxophone:
Gus Bivona (in 1960)
baritone saxophone:
Pete Terry (in 1960)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1960)
drums (drum set):
Irv Cottler (in 1960)
guitar:
Al Hendrickson (in 1960)
piano:
Jimmy Rowles (in 1960)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (in 1960) and Jules Jacob (US jazz woodwind player) (in 1960)
trombone:
Joe Howard (american trombone player) (in 1960), Dick Nash (in 1960), George Roberts (american bass trombone) (in 1960) and Frank Rosolino (in 1960)
trumpet:
Pete Candoli (in 1960), Conrad Gozzo (in 1960), Jimmy Salko (in 1960), Joe Triscari (in 1960) and Ray Linn (in 1960)
vibraphone:
Larry Bunker (in 1960)
woodwind [alto saxophone, flute]:
Paul Horn (in 1960)
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (in 1960)
cover recording of:
C’est magnifique (Can-Can [Pistache, Judge Aristide Forestier]) (in 1960)
lyricist and composer:
Cole Porter (composer) (in 1953)
part of:
Can‐Can (1960 musical film)
?:??
B2Live and Let Live
producer:
David L. Miller (American record producer)
mixer:
Bill Putnam
alto saxophone:
Gus Bivona (in 1960)
baritone saxophone:
Pete Terry (in 1960)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1960)
drums (drum set):
Irv Cottler (in 1960)
guitar:
Al Hendrickson (in 1960)
piano:
Jimmy Rowles (in 1960)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (in 1960) and Jules Jacob (US jazz woodwind player) (in 1960)
trombone:
Joe Howard (american trombone player) (in 1960), Dick Nash (in 1960), George Roberts (american bass trombone) (in 1960) and Frank Rosolino (in 1960)
trumpet:
Pete Candoli (in 1960), Conrad Gozzo (in 1960), Jimmy Salko (in 1960), Joe Triscari (in 1960) and Ray Linn (in 1960)
vibraphone:
Larry Bunker (in 1960)
woodwind [alto saxophone, flute]:
Paul Horn (in 1960)
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (in 1960)
cover recording of:
Live and Let Live (in 1960)
lyricist and composer:
Cole Porter (composer)
part of:
Can‐Can (1960 musical film)
?:??
B3I Am in Love
producer:
David L. Miller (American record producer)
mixer:
Bill Putnam
alto saxophone:
Gus Bivona (in 1960)
baritone saxophone:
Pete Terry (in 1960)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1960)
drums (drum set):
Irv Cottler (in 1960)
guitar:
Al Hendrickson (in 1960)
piano:
Jimmy Rowles (in 1960)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (in 1960) and Jules Jacob (US jazz woodwind player) (in 1960)
trombone:
Joe Howard (american trombone player) (in 1960), Dick Nash (in 1960), George Roberts (american bass trombone) (in 1960) and Frank Rosolino (in 1960)
trumpet:
Pete Candoli (in 1960), Conrad Gozzo (in 1960), Jimmy Salko (in 1960), Joe Triscari (in 1960) and Ray Linn (in 1960)
vibraphone:
Larry Bunker (in 1960)
woodwind [alto saxophone, flute]:
Paul Horn (in 1960)
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (in 1960)
cover recording of:
I Am in Love (Can-Can musical) (in 1960)
lyricist and composer:
Cole Porter (composer) (in 1953)
?:??
B4It's All Right With Me
producer:
David L. Miller (American record producer)
mixer:
Bill Putnam
alto saxophone:
Gus Bivona (in 1960)
baritone saxophone:
Pete Terry (in 1960)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1960)
drums (drum set):
Irv Cottler (in 1960)
guitar:
Al Hendrickson (in 1960)
piano:
Jimmy Rowles (in 1960)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (in 1960) and Jules Jacob (US jazz woodwind player) (in 1960)
trombone:
Joe Howard (american trombone player) (in 1960), Dick Nash (in 1960), George Roberts (american bass trombone) (in 1960) and Frank Rosolino (in 1960)
trumpet:
Pete Candoli (in 1960), Conrad Gozzo (in 1960), Jimmy Salko (in 1960), Joe Triscari (in 1960) and Ray Linn (in 1960)
vibraphone:
Larry Bunker (in 1960)
woodwind [alto saxophone, flute]:
Paul Horn (in 1960)
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (in 1960)
cover recording of:
It’s All Right with Me (Can‐Can musical) (in 1960)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
?:??
B5Let's Do It
producer:
David L. Miller (American record producer)
mixer:
Bill Putnam
alto saxophone:
Gus Bivona (in 1960)
baritone saxophone:
Pete Terry (in 1960)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1960)
drums (drum set):
Irv Cottler (in 1960)
guitar:
Al Hendrickson (in 1960)
piano:
Jimmy Rowles (in 1960)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (in 1960) and Jules Jacob (US jazz woodwind player) (in 1960)
trombone:
Joe Howard (american trombone player) (in 1960), Dick Nash (in 1960), George Roberts (american bass trombone) (in 1960) and Frank Rosolino (in 1960)
trumpet:
Pete Candoli (in 1960), Conrad Gozzo (in 1960), Jimmy Salko (in 1960), Joe Triscari (in 1960) and Ray Linn (in 1960)
vibraphone:
Larry Bunker (in 1960)
woodwind [alto saxophone, flute]:
Paul Horn (in 1960)
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (in 1960)
cover recording of:
Let's Do It (Noël Coward version) (in 1960)
additional lyricist:
Noël Coward
lyricist and composer:
Cole Porter (composer)
version of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
?:??

Credits