Classic Cuts, Volume 160: Legends

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

Digital Media 1
#TitleArtistRatingLength
1S.O.S.
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass guitar:
Mike Watson (English-Swedish rock musician) (from 1974-08-22 until 1974-08-23)
drums (drum set):
Ola Brunkert (from 1974-08-22 until 1974-08-23)
guitar:
Janne Schaffer (from 1974-08-22 until 1974-08-23) and Björn Ulvaeus (from 1974-08-22 until 1974-08-23)
keyboard:
Benny Andersson (ABBA) (from 1974-08-22 until 1974-08-23)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music AB (in 1975) and Polar Music International AB (in 2001, in 2014)
recorded at:
Glen Studio in Stockholms län, Sweden (from 1974-08-22 until 1974-08-23)
mixed at:
Metronome Studio in Stockholm, Stockholms län, Sweden
part of:
The Downloader’s Music Source Book (number: 59)
recording of:
SOS (ABBA) (from 1974-08-22 until 1974-08-23)
writer:
Stig Anderson, Benny Andersson (ABBA) and Björn Ulvaeus
premiered by:
ABBA (Swedish pop group)
publisher:
EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Polar Music AB, Union Songs AB (publisher), Universal Music Publishing Group, Universal‐Songs of PolyGram International, Inc., Universal/Union Songs Musikförlag AB, シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and Union Songs Music (in 1975)
translated version of:
S.O.S.
part of:
Mamma Mia! (1999 musical)
ABBA4.13:21
2You Should Be Dancing
co-producer:
Albhy Galuten and Karl Richardson
producer:
Bee Gees
additional guest percussion:
Stephen Stills (from 1976-01 until 1976-06)
bass:
Maurice Gibb (from 1976-01 until 1976-06)
brass [Boneroo Horns]:
Neal Bonsanti (from 1976-01 until 1976-06), Peter Graves (trombonist) (from 1976-01 until 1976-06), Ken Faulk (trumpet player) (from 1976-01 until 1976-06), Bill Purse (songwriter, keyboard player, producer and horn chart arranger) (from 1976-01 until 1976-06) and Whit Sidener (from 1976-01 until 1976-06)
drums (drum set):
Dennis Bryon (Welch drummer, author) (from 1976-01 until 1976-06)
guitar [rhythm guitar] and lead vocals:
Barry Gibb (from 1976-01 until 1976-06)
keyboard and synthesizer:
Blue Weaver (from 1976-01 until 1976-06)
percussion:
Joe Lala (from 1976-01 until 1976-06)
solo electric guitar:
Alan Kendall (from 1976-01 until 1976-06)
background vocals:
Maurice Gibb (from 1976-01 until 1976-06) and Robin Gibb (from 1976-01 until 1976-06)
phonographic copyright (℗) by:
Barry Gibb (in 1976), Maurice Gibb (in 1976) and Robin Gibb (in 1976)
phonographic copyright (℗) by:
Robert Stigwood Organisation Ltd. (from 1976 to present), Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 1976), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1976) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1976)
recording of:
You Should Be Dancing (from 1976-01 until 1976-06)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Gibb Brothers Music, Casserole Music Corp. (from 1976 to present) and Unichappell Music (from 1976 to present)
Bee Gees4.754:17
3Roll Over Beethoven
recording of:
Roll Over Beethoven
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Dualtone Words and Songs, Fujipacific Music, Inc., Isalee Music Publishing Company, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Rock ’n’ Roll Music
Chuck Berry2:22
4Changes
recording of:
Changes (David Bowie song)
lyricist:
David Bowie
composer:
David Bowie and Daniel Licht
publisher:
Chrysalis Music Ltd. (music publisher) and Tintoretto Music
David Bowie3:34
5I Walk the Line
recorded in:
Memphis, Tennessee, United States (on 1956-04-02)
producer:
Bob Johnston (American record producer) and Sam Phillips (founder of Sun Records)
acoustic guitar:
Johnny Cash (country music legend) (on 1956-03-30, on 1956-04-02)
double bass:
Marshall Grant (on 1956-03-30, on 1956-04-02)
electric guitar:
Luther Perkins (on 1956-03-30, on 1956-04-02)
vocals:
Johnny Cash (country music legend) (on 1956-03-30, on 1956-04-02)
phonographic copyright (℗) by:
Sun Entertainment Corporation (company credits only; do not use as release label!) (in 1956) and Sun Record Company (in 1956)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1956-03-30)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 30), Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 33) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 76)
recording of:
I Walk the Line (on 1956-03-30)
lyricist and composer:
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (Publisher), Carlin Music Corporation, Hill and Range Songs, Inc., Hill and Range Southwind Mus S A (BMI-affiliated) and House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
recording of:
I Walk the Line (on 1956-04-02)
lyricist and composer:
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (Publisher), Carlin Music Corporation, Hill and Range Songs, Inc., Hill and Range Southwind Mus S A (BMI-affiliated) and House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.152:44
6In the Air Tonight
recording of:
In the Air Tonight
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishers) Limited, Imagem Music, Effectsound Ltd. (publisher) (in 1980) and Hit & Run Music (Publishing) Ltd (in 1980)
part of:
Risky Business (film soundtrack)
Phil Collins5:07
7Life in the Fast Lane
engineer:
Allan Blazek, Bruce Hensal, Ed Mashal and Bill Szymczyk
producer and mixer:
Bill Szymczyk
bass guitar:
Randy Meisner
clavinet:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
drums (drum set) and lead vocals:
Don Henley
guitar [lead] and guitar [rhythm]:
Don Felder and Joe Walsh (Eagles/James Gang)
background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Randy Meisner
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976) and Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (in 1976)
recorded at:
Criteria Studios in Miami, Florida, United States (from 1976-03 until 1976-10) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1976-03 until 1976-10)
recording of:
Life in the Fast Lane
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley and Joe Walsh (Eagles/James Gang)
publisher:
Cass County Music, Red Cloud Music, Songs of Universal, Inc., Sony/ATV Smash Hits and Wow & Flutter Music
The Eagles44:45
8The ChainFleetwood Mac4:27
9Mercy Mercy Me (The Ecology)
producer:
Marvin Gaye
mixer:
Lawrence Miles (, on 1971-05-06)
instruments:
The Funk Brothers (in 1971-03)
mellotron, piano and lead vocals:
Marvin Gaye (in 1971-03)
solo tenor saxophone:
Wild Bill Moore (jazz and R&B saxophonist) (in 1971-03)
background vocals:
The Andantes (in 1971-03) and Marvin Gaye (in 1971-03)
conductor:
David Van dePitte (in 1971-03)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1971-03)
recording of:
Mercy Mercy Me (The Ecology) (in 1971-03)
lyricist and composer:
Marvin Gaye
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan
Marvin Gaye4.73:15
10Daniel
recording of:
Daniel
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Songs of PolyGram International and Universal‐Songs of PolyGram International, Inc.
Elton John3:54
11She's a Lady
cover recording of:
She’s a Lady (in 1971)
lyricist and composer:
Paul Anka
publisher:
Spanka Music Corp.
Tom Jones42:54
12Freedom '90
producer:
George Michael
arranger:
George Michael
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1990)
later releases:
Freedom 90 by Justin McRoberts
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 126)
recording of:
Freedom 90
lyricist and composer:
George Michael
George Michael3.656:28
13Shakermaker
engineer:
Mark Coyle, Anjali Dutt, Dave Scott (UK sound mixer & engineer) and Roy Spong
additional producer:
Owen Morris
producer:
Mark Coyle and Oasis (1991-2009 Britpop)
mixer:
Owen Morris
bass guitar:
Paul McGuigan (Oasis)
drums (drum set):
Tony McCarroll
guitar:
Paul Arthurs (Oasis) and Noel Gallagher
background vocals:
Noel Gallagher
vocals:
Liam Gallagher (English musician, lead singer of Oasis)
music videos:
Shakermaker by Oasis
recording of:
Shakermaker
lyricist:
Noel Gallagher
additional composer:
Noel Gallagher
composer:
Bill Backer, Roger Cook (singer, songwriter, producer), Roquel Davis and Roger Greenaway
is based on:
I’d Like to Teach the World to Sing
Oasis3.45:08
14Blue Bayou
recording of:
Blue Bayou
lyricist:
Joe Melson (in 1963) and Roy Orbison (in 1963)
composer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
Roy Orbison2:29
15Moody Blue
engineer:
Brian Christian
executive producer:
Elvis Presley (“The King of Rock and Roll”)
bass:
Dennis Linde (on 1976-02-04) and Jerry Scheff (on 1976-02-04)
congas and timpani:
Farrell Morris (on 1976-02-04)
drums (drum set):
Ronnie Tutt (on 1976-02-04)
electric piano:
David Briggs (English organist and composer) (on 1976-02-04) and Bobby Emmons (on 1976-02-04)
guitar:
James Burton (guitarist) (on 1976-02-04), Charlie Hodge (on 1976-02-04), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1976-02-04) and Chip Young (American session guitarist, bassist, producer in the genre of country) (on 1976-02-04)
Moog:
Shane Keister (on 1976-02-04)
piano:
David Briggs (English organist and composer) (on 1976-02-04) and Glen D. Hardin (on 1976-02-04)
background vocals:
Myrna Smith (on 1976-02-04) and J.D. Sumner & The Stamps (on 1976-02-04)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1976-02-04)
vocals:
Myrna Smith (from 1976-02-02 until 1976-02-07), J.D. Sumner & The Stamps (from 1976-02-02 until 1976-02-07), Dolores Edgin (on 1976-02-04), Wendellyn Suits (on 1976-02-04), Kathy Westmoreland (on 1976-02-04) and Hurshel Wiginton (on 1976-02-04)
horn arranger and strings arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographic copyright (℗) by:
BMG Music (in 1976), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1976), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1976) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2003)
recorded at:
Graceland in Memphis, Tennessee, United States (on 1976-02-04)
recording of:
Moody Blue (from 1976-02-02 until 1976-02-07)
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sweet Glory Music, Inc.
recording of:
Moody Blue (on 1976-02-04)
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sweet Glory Music, Inc.
Elvis Presley2:49
16Kiss
recording engineer:
Coke Johnson, David Leonard (US producer and engineer), Peggy McCreary, Susan Rogers (US sound engineer), David Tickle and David Z. (producer/engineer David Rivkin)
producer:
Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
background vocals:
Mazarati
lead vocals:
Prince (“The Artist Formerly Known as…”)
performer:
Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
arranger:
David Z. (producer/engineer David Rivkin)
recorded at:
Paisley Park Studios in Chanhassen, Minnesota, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 85) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 461)
recording of:
Kiss
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince & The Revolution2.853:46
17Fat Bottomed Girls
engineer:
John Etchells and Geoff Workman
producer:
Roy Thomas Baker (producer) and Queen (UK rock group)
bass guitar:
John Deacon
drums (drum set):
Roger Taylor (Queen drummer)
electric guitar:
Brian May (Queen guitarist)
background vocals:
Brian May (Queen guitarist) and Freddie Mercury
lead vocals:
Freddie Mercury
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1978) and Raincloud Productions Ltd. (in 1978)
recorded at:
Mountain Studios in Attalens, Fribourg, Switzerland (from 1978-07 until 1978-10) and Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (from 1978-07 until 1978-10)
recording of:
Fat Bottomed Girls
written in:
Montreux, Vaud, Switzerland and Nice, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France
lyricist and composer:
Brian May (Queen guitarist) (from 1978-07 until 1978-10)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
We Will Rock You (German version of the Queen musical)
Queen3.83:23
18Miss You
producer:
The Glimmer Twins (production name for Mick Jagger & Keith Richards)
guest electric piano:
Ian McLagan
harmonica:
Sugar Blue
saxophone:
Mel Collins
phonographic copyright (℗) by:
Promotone B.V. (not for release label use!) (in 1978)
recording of:
Miss You
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
The Rolling Stones2.653:34
19The Way You Look Tonight
recorded in:
Los Angeles, California, United States (on 1964-01-27)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-01-27)
conductor:
Nelson Riddle (on 1964-01-27)
arranger:
Nelson Riddle
cover recording of:
The Way You Look Tonight (from “Swing Time”) (on 1964-01-27)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
Frank Sinatra3.83:22
20Masterblaster (Jammin')Stevie Wonder4.755:09

Credits

Release Group

part of:Mastermix Classic Cuts (number: 160) (order: 160)