Classics for Lovers

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Canon in D major
orchestra:
Collegium Aureum, The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Canon and Gigue in D major, T. 377: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel4:51
2Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: Andante
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:38
3Vesti la giubba from ‘Pagliacci’
tenor vocals:
José Perez (Peruvian tenor)
tenor vocals [Tenor]:
José Maria Pérez (Peruvian tenor)
orchestra:
Nuremberg Symphony Orchestra (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym))
recording of:
Pagliacci: Atto I. “Recitar!” - “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo3:24
4Madame Butterfly: Un bel di
soprano vocals:
Vanda Gerlovič (soprano)
orchestra:
Slavonic Philharmonic Orchestra (an Alfred Scholz pseudonym)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:21
5‘Romeo and Juliet’ Fantasy Overture
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (London orchestra, known as New Philharmonia Orchestra from 1964-1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra, Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alfred Gehardt (conductor), Alfred Scholz, Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created), Nodar Tsatishvili, George Ralph Warren and Peter Wohlert
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky18:09
6Prince Igor: Polovstian Dances 8 and 17
orchestra:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect)
recording of:
Polovtsian Dances no. 8, “Dance of the Polovtsian Maidens”: Presto, 6/8, F major
orchestrator:
Александр Константинович Глазунов (Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov)
composer:
Александр Порфирьевич Бородин (Alexander Borodin)
arrangement of:
Prince Igor: Act II. Dance of the Polovtsian Maidens
part of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
recording of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”
orchestrator:
Александр Константинович Глазунов (Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov)
composer:
Александр Порфирьевич Бородин (Alexander Borodin)
arrangement of:
Prince Igor: Act II. Polovtsian Dance with Choir
part of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
Alexander Borodin13:53
7Overture to ‘Tristan and Isolde’
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner10:43
8Symphony no. 3 in C minor, Op. 78 “Organ Symphony”
organ:
Ivar Sokoll
orchestra:
Slavonic Philharmonic Orchestra (an Alfred Scholz pseudonym)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: I. Adagio — Allegro moderato — Poco adagio
composer:
Camille Saint‐Saëns (composer) (in 1886)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns9:40

Credits

Release

manufactured in:the U.S.A.
manufactured by and distributed by:Intersound Inc.
copyrighted (©) by:Intersound Inc. (in 1993)
phonographic copyright (℗) by:Musikförderung (for copyrights use only) (in 1993)
Discogs:https://www.discogs.com/release/8372270 [info]