Stolen Moments

~ Release by Kenny Burrell (see all versions of this release, 1 available)

Tracklist

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▼CD 1: Tin Tin Deo
#TitleRatingLength
1Tin Tin Deo
double bass [bass]:
Reggie Johnson (in 1977-03)
drums (drum set):
Carl Burnett (Jazz funk drummer) (in 1977-03)
guitar:
Kenny Burrell (in 1977-03)
recording of:
Tin Tin Deo (in 1977-03)
composer:
Walter “Gil” Fuller (jazz composer & arranger) and Chano Pozo
publisher:
Consolidated Music (a division of Music Sales Corp.), EMI Robbins Catalog Inc. (ASCAP) and Music Sales Corp. (American copyright holder in both popular and classical music)
7:16
2Old Folks
double bass [bass]:
Reggie Johnson (in 1977-03)
drums (drum set):
Carl Burnett (Jazz funk drummer) (in 1977-03)
guitar:
Kenny Burrell (in 1977-03)
instrumental recording of:
Old Folks (in 1977-03)
lyricist:
Dedette Lee Hill (in 1938)
composer:
Willard Robison (in 1938)
4:32
3Have You Met Miss Jones
double bass [bass]:
Reggie Johnson (in 1977-03)
drums (drum set):
Carl Burnett (Jazz funk drummer) (in 1977-03)
guitar:
Kenny Burrell (in 1977-03)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (in 1977-03)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
2:50
4I Remember You
double bass [bass]:
Reggie Johnson (in 1977-03)
drums (drum set):
Carl Burnett (Jazz funk drummer) (in 1977-03)
guitar:
Kenny Burrell (in 1977-03)
instrumental recording of:
I Remember You (in 1977-03)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Paramount Music Corporation
5:42
5The Common Ground
double bass [bass]:
Reggie Johnson (in 1977-03)
drums (drum set):
Carl Burnett (Jazz funk drummer) (in 1977-03)
guitar:
Kenny Burrell (in 1977-03)
4:19
6If You Could See Me Now
double bass [bass]:
Reggie Johnson (in 1977-03)
drums (drum set):
Carl Burnett (Jazz funk drummer) (in 1977-03)
guitar:
Kenny Burrell (in 1977-03)
instrumental recording of:
If You Could See Me Now (jazz standard) (in 1977-03)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
6:14
7I Hadn't Anyone Till You
double bass [bass]:
Reggie Johnson (in 1977-03)
drums (drum set):
Carl Burnett (Jazz funk drummer) (in 1977-03)
guitar:
Kenny Burrell (in 1977-03)
instrumental recording of:
I Hadn’t Anyone Till You (in 1977-03)
lyricist and composer:
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:49
8La Petite Mambo
double bass [bass]:
Reggie Johnson (in 1977-03)
drums (drum set):
Carl Burnett (Jazz funk drummer) (in 1977-03)
guitar:
Kenny Burrell (in 1977-03)
recording of:
La Petite Mambo (in 1977-03)
composer:
Erroll Garner
4:17
▼CD 2: Moon and Sand
#TitleRatingLength
1Moon and Sand
engineer:
Phil Edwards (recording engineer) (in 1979-12)
producer:
Frank Dorritie
double bass [bass]:
John Heard (in 1979-12)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1979-12)
guitar:
Kenny Burrell (in 1979-12)
percussion:
Kenneth Nash
recorded at:
Coast Recorders in San Francisco, California, United States (in 1979-12)
instrumental recording of:
Moon and Sand (in 1979-12)
lyricist:
William Engvick
composer:
Morty Palitz and Alec Wilder
6:26
2My Ship
engineer:
Phil Edwards (recording engineer) (in 1979-12)
producer:
Frank Dorritie
double bass [bass]:
John Heard (in 1979-12)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1979-12)
guitar:
Kenny Burrell (in 1979-12)
percussion:
Kenneth Nash
recorded at:
Coast Recorders in San Francisco, California, United States (in 1979-12)
instrumental recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context) (in 1979-12)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
version of:
Lady in the Dark: My Ship
6:33
3For Once in My Life
engineer:
Phil Edwards (recording engineer) (in 1979-12)
producer:
Frank Dorritie
double bass [bass]:
John Heard (in 1979-12)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1979-12)
guitar:
Kenny Burrell (in 1979-12)
percussion:
Kenneth Nash
recorded at:
Coast Recorders in San Francisco, California, United States (in 1979-12)
instrumental recording of:
For Once in My Life (in 1979-12)
writer:
Cy Coleman and Robert Wells (songwriter)
4:18
4U.M.M.G.
engineer:
Phil Edwards (recording engineer) (in 1979-12)
producer:
Frank Dorritie
double bass [bass]:
John Heard (in 1979-12)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1979-12)
guitar:
Kenny Burrell (in 1979-12)
percussion:
Kenneth Nash
recorded at:
Coast Recorders in San Francisco, California, United States (in 1979-12)
recording of:
Upper Manhattan Medical Group (in 1979-12)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
2:58
5Blue Bossa
engineer:
Phil Edwards (recording engineer) (in 1979-12)
producer:
Frank Dorritie
double bass [bass]:
John Heard (in 1979-12)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1979-12)
guitar:
Kenny Burrell (in 1979-12)
percussion:
Kenneth Nash
recorded at:
Coast Recorders in San Francisco, California, United States (in 1979-12)
recording of:
Blue Bossa (in 1979-12)
composer:
Kenny Dorham
4:10
6Stolen Moments
engineer:
Phil Edwards (recording engineer) (in 1979-12)
producer:
Frank Dorritie
double bass [bass]:
John Heard (in 1979-12)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1979-12)
guitar:
Kenny Burrell (in 1979-12)
percussion:
Kenneth Nash
recorded at:
Coast Recorders in San Francisco, California, United States (in 1979-12)
instrumental recording of:
Stolen Moments (in 1979-12)
lyricist:
Mark Murphy (US jazz singer)
composer:
Oliver Nelson (saxophone, arranger, composer) (in 1960)
publisher:
Alameda Music Co, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Noslen Music Company, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
7:55
7Love for Sale
engineer:
Phil Edwards (recording engineer) (in 1979-12)
producer:
Frank Dorritie
double bass [bass]:
John Heard (in 1979-12)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1979-12)
guitar:
Kenny Burrell (in 1979-12)
percussion:
Kenneth Nash
recorded at:
Coast Recorders in San Francisco, California, United States (in 1979-12)
instrumental recording of:
Love for Sale (in 1979-12)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
3:49
8Lost in the Stars
engineer:
Phil Edwards (recording engineer) (in 1979-12)
producer:
Frank Dorritie
double bass [bass]:
John Heard (in 1979-12)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1979-12)
guitar:
Kenny Burrell (in 1979-12)
percussion:
Kenneth Nash
recorded at:
Coast Recorders in San Francisco, California, United States (in 1979-12)
instrumental recording of:
Lost in the Stars (Song, Ulysses Africanus) (in 1979-12)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA) and Hampshire House Publishing Corp.
part of:
Lost in the Stars, Act I
3:21