Gold

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
▼CD 1
Nr.TitelBewertungLänge
1I Loves You Porgy (live)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
2:30
2Images (live)
live recording of:
Images
Texter:
Waring Cuney
Komponist(in):
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
2:50
3See Line Woman (live)
live cover recording of:
See-Line Woman
Verfasser(in):
George Bass und Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
basiert auf:
Sea Lion Woman
2:35
4Mississippi Goddam
Gitarre:
Rudy Stevenson (am 1964-04-04)
Klavier und Sologesang:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1964-04-04)
Kontrabass:
Lisle Atkinson (am 1964-04-04)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-04)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-04-04)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 172)
live recording of:
Mississippi Goddam (am 1964-04-04)
Texter und Komponist(in):
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (LDN) Ltd. und Sam Fox Publishing Company (publisher; do NOT use as release label)
44:54
5Don’t Let Me Be Misunderstood
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
Dirigent(in):
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
Verfasser(in):
Bennie Benjamin, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
42:44
6A Monster
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
Orchester:
Horace Ott's Orchestra
Dirigent(in):
Horace Ott
arranger:
Horace Ott
52:44
7Don’t Take All Night
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
Dirigent(in):
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Take All Night (in 1964-06)
Verfasser(in):
Bennie Benjamin und Sol Marcus
32:50
8I Put a Spell on You
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1965-01-15)
Dirigent(in):
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (am 1965-01-15)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
4.32:34
9Ne me quitte pas
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
Dirigent(in):
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Ne me quitte pas (original French version) (in 1965-01)
Texter und Komponist(in):
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales und Warner Chappell Music France
43:34
10Tomorrow Is My Turn
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
Dirigent(in):
Horace Ott (in 1965-01)
arranger:
Horace Ott
cover recording of:
Tomorrow Is My Turn (in 1965-01)
Texter:
Yves Stéphane
Komponist(in):
Charles Aznavour
Übersetzer:
Marcel Stellman
übersetzte Version von:
L’amour c’est comme un jour
4.52:48
11Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1965-01-15)
Dirigent(in):
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
4.152:53
12Gimme Some
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
Dirigent(in):
Horace Ott (in 1965-01)
arranger:
Horace Ott
4.52:57
13Take Care of Business
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
Dirigent(in):
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Take Care of Business
Texter und Komponist(in):
Andy Stroud (former husband of Nina Simone.)
42:03
14I Love Your Loving Ways
52:35
15Be My Husband
Produzent(in):
Hal Mooney
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (vom 1965-05-19 bis 1965-05-20)
recording of:
Be My Husband (vom 1965-05-19 bis 1965-05-20)
Komponist(in):
Andy Stroud (former husband of Nina Simone.)
2.653:20
16Ain’t No Use
Produzent(in):
Hal Mooney
recording of:
Ain’t No Use (vom 1965-05-19 bis 1965-05-20)
Verfasser(in):
Rudy Stevenson
publisher:
EMI Tunes Ltd
4.53:00
17Sinnerman
Produzent(in):
Hal Mooney
live cover recording of:
Sinnerman (vom 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
[traditional] (special purpose artist)
4.8510:19
▼CD 2
Nr.TitelBewertungLänge
1Four Women
recording of:
Four Women (in 1965)
Texter und Komponist(in):
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
EMI Tunes Ltd
3.54:26
2For Myself
recording of:
For Myself
Texter und Komponist(in):
Van McCoy
2.52:05
3The Other Woman (live)
live cover recording of:
The Other Woman
Verfasser(in):
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
3:05
4Either Way I Lose
Bassgitarre und Perkussion:
Lisle Atkinson
Flöte und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
arranger:
Horace Ott
cover recording of:
Either Way I Lose
Verfasser(in):
Van Allen Mc Coy
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) und Van McCoy Music Inc.
42:43
5Break Down and Let It All Out
cover recording of:
Break Down and Let It All Out
Texter und Komponist(in):
Van McCoy
42:37
6Don’t You Pay Them No Mind
Bassgitarre und Perkussion:
Lisle Atkinson
Flöte und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
cover recording of:
Don’t You Pay Them No Mind
Verfasser(in):
Richard Ahlert und Bobby Scott (vocals, piano, US musician & producer)
33:05
7I’m Gonna Leave You
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1966-04-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1966-04-01)
Dirigent(in):
Hal Mooney (am 1966-04-01)
arranger:
Hal Mooney
recording of:
I’m Gonna Leave You (am 1966-04-01)
Texter und Komponist(in):
Rudy Stevenson
32:20
8Brown Eyed Handsome Man
cover recording of:
Brown Eyed Handsome Man
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
22:05
9Keeper of the Flame
recording of:
Keeper of the Flame
Verfasser(in):
Charles Anthony Derringer
43:22
10I Hold No Grudge
recording of:
I Hold No Grudge
Verfasser(in):
Angelo Badalamenti (American score composer) und John W. Clifford
3:22
11Do What You Gotta Do
cover recording of:
Do What You Gotta Do
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing, LLC (1995–2020) und Sosahamu Music Inc. (publisher; do NOT use as release label)
2:59
12Peace of Mind
2:35
13Ain’t Got No – I Got Live
live cover recording of:
Ain’t Got No, I Got Life
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Medley von:
I Got Life (from “Hair”)
Medley von:
Ain’t Got No (from “Hair”)
2:08
14To Love Somebody
cover recording of:
To Love Somebody
geschrieben in:
New York, New York, Vereinigte Staaten (in 1967)
Verfasser(in):
Barry Gibb (in 1967) und Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. und Universal Music Careers
Teil von:
50/50
2:39
15Revolution (Part 1)
2:50
16To Be Young, Gifted and Black
recording of:
To Be Young, Gifted and Black
Texter:
Weldon Irvine
Komponist(in):
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
2:52
17If You Knew / Let It Be Me (live)
5:22
18My Baby Just Cares for Me (live)
live cover recording of:
My Baby Just Cares for Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Company, Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS-affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
3:01

Nennungen