Magnificat in D major, BWV 243 / Kantate, BWV 140

~ Release by Johann Sebastian Bach; Orchestra of St. Luke’s, Blanche Honegger Moyse (see all versions of this release, 1 available)

Annotation

Henriette Schellenberg, soprano; Mary Westbrook-Geha, mezzo-soprano; Jon Humphrey, tenor; Sanford Sylvan, baritone; Mary Anne Kruger, soprano in Magnificat (Suscepit Israel); The Blanche Moyse Chorale

Annotation last modified on 2014-07-05 03:36 UTC.

Tracklist

▼CD 1
#TitleArtistRatingLength
1Magnificat in D major, BWV 243: I. Coro "Magnificat anima mea"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:55
2Magnificat in D major, BWV 243: II. Aria (Soprano II) "Et exsultavit spiritus meus"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:23
3Magnificat in D major, BWV 243: III. Aria (Soprano I) "Quia respexit humilitatem"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:13
4Magnificat in D major, BWV 243: IV. Coro "Omnes generationes"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:17
5Magnificat in D major, BWV 243: V. Aria (Basso) "Quia fecit mihi magna"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:17
6Magnificat in D major, BWV 243: VI. (Duetto: Alto, Tenore) "Et misericordia"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:39
7Magnificat in D major, BWV 243: VII. Coro "Fecit potentiam"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:53
8Magnificat in D major, BWV 243: VIII. Aria (Tenore) "Deposuit potentes"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:10
9Magnificat in D major, BWV 243: IX. Aria (Alto) "Esurientes implevit bonis"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:50
10Magnificat in D major, BWV 243: X. (Soprano I & II, Alto) "Suscepit Israel"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:15
11Magnificat in D major, BWV 243: XI. Coro "Sicut locutus est"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:51
12Magnificat in D major, BWV 243: XII. Coro "Gloria Patri"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:21
13Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme"
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach7:35
14Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenore) "Er kommt, er kommt, der Bräutgam kommt!"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!"
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach0:58
15Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto: Soprano, basso) "Wann kömmst du, mein Heil?" (Seele, Jesus)
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?"
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach6:11
16Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenore) "Zion hört die Wächter singen"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach4:31
17Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Basso) "So geh herein zu mir"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: V. Recitativo (Bass) "So geh herein zu mir"
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:26
18Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto: Soprano, basso) "Mein Freund ist mein" (Seele, Jesus)
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VI. Aria (Sop Bass) "Mein Freund ist mein"
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach5:43
19Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen"
orchestra:
Orchestra of St. Luke’s
conductor:
Blanche Honegger Moyse
recorded at:
River Valley Performing Arts Center Putney Vermont. in Vermont, United States
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VII. Choral "Gloria sei dir gesungen"
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:48