The Complete Collection 1956-1962

~ Release by Cecil Taylor (see all versions of this release, 1 available)

Tracklist

| |
▼CD 1
#TitleRatingLength
1Bemsha Swing
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Bemsha Swing (instrumental) (on 1956-09-14)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd. and Thelonious Music
7:28
2Charge 'Em Blues
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1956-09-14)
recording of:
Charge 'em Blues (on 1956-09-14)
composer:
Cecil Taylor
11:08
3Azure
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Azure (on 1956-09-14)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
7:29
4Song
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1956-09-14)
recording of:
Song (on 1956-09-14)
composer:
Cecil Taylor
5:19
5You'd Be So Nice to Come Home To
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
You’d Be So Nice to Come Home To (on 1956-09-14)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
9:17
6Rick Kick Shaw
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
recording of:
Rick Kick Shaw (on 1956-09-14)
composer:
Cecil Taylor
6:05
7Johnny Come Lately
double bass:
Buell Neidlinger (on 1957-07-06)
drums (drum set):
Denis Charles (drums) (on 1957-07-06)
piano:
Cecil Taylor (on 1957-07-06)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live cover recording of:
Stomp (Johnny Come Lately) (on 1957-07-06)
composer:
Billy Strayhorn
7:14
8Nona's Blues
double bass:
Buell Neidlinger (on 1957-07-06)
drums (drum set):
Denis Charles (drums) (on 1957-07-06)
piano:
Cecil Taylor (on 1957-07-06)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live recording of:
Nona’s Blues (on 1957-07-06)
composer:
Cecil Taylor
7:40
9Tune 2
double bass:
Buell Neidlinger (on 1957-07-06)
drums (drum set):
Denis Charles (drums) (on 1957-07-06)
piano:
Cecil Taylor (on 1957-07-06)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live recording of:
Tune 2 (on 1957-07-06)
composer:
Cecil Taylor
10:24
▼CD 2
#TitleRatingLength
1Luyah! The Glorious Step
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1958-06-09)
recording of:
Luyah! The Glorious Step
composer:
Cecil Taylor
6:27
2African Violets
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1958-06-09)
recording of:
African Violets
composer:
Earl Griffith (vibraphonist, organist) and Cecil Taylor
5:12
3Of What
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1958-06-09)
recording of:
Of What
composer:
Massimo Bottini and Cecil Taylor
8:18
4Wallering
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1958-06-09)
recording of:
Wallering
composer:
Cecil Taylor
5:23
5Toll
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1958-06-09)
recording of:
Toll
composer:
Cecil Taylor
7:40
6Excursion On a Wobbly Rail
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1958-06-09)
recording of:
Excursion on a Wobbly Rail
composer:
Cecil Taylor
9:01
7Shifting Down
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
double bass and double bass [bass]:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (on 1958-10-13)
recording of:
Shifting Down (on 1958-10-13)
composer:
Kenny Dorham
10:39
8Just Friends
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
double bass:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (on 1958-10-13)
recording of:
Just Friends (on 1958-10-13)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
instrumental recording of:
Just Friends
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
6:13
9Like Someone in Love
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
double bass:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (on 1958-10-13)
instrumental cover recording of:
Like Someone in Love (on 1958-10-13)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
cover recording of:
Like Someone in Love
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
8:08
10Double Clutching
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
double bass:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (on 1958-10-13)
8:20
▼CD 3
#TitleRatingLength
1Get Out of Town
double bass:
Buell Neidlinger (on 1959-04-15)
membranophone:
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1959-04-15)
9:13
2I Love Paris
double bass:
Buell Neidlinger (on 1959-04-15)
membranophone:
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1959-04-15)
5:12
3Love for Sale
double bass:
Buell Neidlinger (on 1959-04-15)
membranophone:
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1959-04-15)
8:15
4Little Lees
double bass:
Buell Neidlinger (on 1959-04-15)
membranophone:
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
tenor saxophone:
Bill Barron (on 1959-04-15)
trumpet:
Ted Curson (on 1959-04-15)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1959-04-15)
9:05
5Matie's Trophies
double bass:
Buell Neidlinger (on 1959-04-15)
membranophone:
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
tenor saxophone:
Bill Barron (on 1959-04-15)
trumpet:
Ted Curson (on 1959-04-15)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1959-04-15)
10:14
6O.P.
double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1961-01-09 until 1961-01-10)
9:13
7Cell Walk for Celeste
double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Denis Charles (drums) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1961-01-09 until 1961-01-10)
11:38
8Cindy's Main Mood
double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1961-01-09 until 1961-01-10)
5:13
9Things Ain't What They Used to Be
baritone saxophone:
Charles Davis (saxophone player) (from 1961-01-09 until 1961-01-10)
double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
soprano saxophone:
Steve Lacey (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
trombone:
Roswell Rudd (from 1961-01-09 until 1961-01-10)
trumpet:
Clark Terry (American swing trumpeter) (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1961-01-09 until 1961-01-10)
instrumental recording of:
Things Ain’t What They Used to Be (in 1961-01)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
10:11
▼CD 4
#TitleRatingLength
1Air
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1960-10-12 until 1960-10-13)
8:40
2This Nearly Was Mine
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1960-10-12 until 1960-10-13)
10:49
3Port of Call
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1960-10-12 until 1960-10-13)
4:19
4E.B.
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1960-10-12 until 1960-10-13)
9:57
5Lazy Afternoon
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1960-10-12 until 1960-10-13)
14:52
6Pots
alto saxophone:
Jimmy Lyons (saxophone player) (on 1961-10-10)
double bass:
Henry Grimes (US free jazz bassist) (on 1961-10-10)
drums (drum set):
Sunny Murray (on 1961-10-10)
piano:
Cecil Taylor (on 1961-10-10)
tenor saxophone:
Archie Shepp (on 1961-10-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1961-10-10)
5:44
7Bulbs
alto saxophone:
Jimmy Lyons (saxophone player) (on 1961-10-10)
double bass:
Henry Grimes (US free jazz bassist) (on 1961-10-10)
drums (drum set):
Sunny Murray (on 1961-10-10)
piano:
Cecil Taylor (on 1961-10-10)
tenor saxophone:
Archie Shepp (on 1961-10-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1961-10-10)
6:52
8Mixed
alto saxophone:
Jimmy Lyons (saxophone player) (on 1961-10-10)
double bass:
Henry Grimes (US free jazz bassist) (on 1961-10-10)
drums (drum set):
Sunny Murray (on 1961-10-10)
piano:
Cecil Taylor (on 1961-10-10)
tenor saxophone:
Archie Shepp (on 1961-10-10)
trombone:
Roswell Rudd (on 1961-10-10)
trumpet:
Ted Curson (on 1961-10-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1961-10-10)
10:14
▼CD 5
#TitleRatingLength
1Trance
producer:
Anders Stefansen
alto saxophone:
Jimmy Lyons (saxophone player) (on 1962-11-23)
drums (drum set):
Sunny Murray (on 1962-11-23)
piano:
Cecil Taylor (on 1962-11-23)
recorded at:
Jazzhus Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (on 1962-11-23)
9:13
2Call
producer:
Anders Stefansen
alto saxophone:
Jimmy Lyons (saxophone player) (on 1962-11-23)
drums (drum set):
Sunny Murray (on 1962-11-23)
piano:
Cecil Taylor (on 1962-11-23)
recorded at:
Jazzhus Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (on 1962-11-23)
9:01
3Lena
producer:
Anders Stefansen
alto saxophone:
Jimmy Lyons (saxophone player) (on 1962-11-23)
drums (drum set):
Sunny Murray (on 1962-11-23)
piano:
Cecil Taylor (on 1962-11-23)
recorded at:
Jazzhus Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (on 1962-11-23)
6:59
4D Trad, That's What
producer:
Anders Stefansen
alto saxophone:
Jimmy Lyons (saxophone player) (on 1962-11-23)
drums (drum set):
Sunny Murray (on 1962-11-23)
piano:
Cecil Taylor (on 1962-11-23)
recorded at:
Jazzhus Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (on 1962-11-23)
21:28