Live at the Berlin Philharmonic Hall

~ Veröffentlichung von Duke Ellington, Sarah Vaughan (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

▼DVD-Video 1
Nr.TitelKünstlerBewertungLänge
1Things Ain’t What They Used to Be
Orchester:
Duke Ellington and His Orchestra (in 1969)
aufgenommen bei:
Berlin Philharmonic Hall in Berlin, Deutschland (in 1969)
live recording of:
Things Ain’t What They Used to Be (in 1969)
Texter:
Ted Persons
Komponist(in):
Mercer Ellington (in 1942)
Duke Ellington & His Orchestra?:??
2Mood Indigo
Orchester:
Duke Ellington and His Orchestra (in 1969)
aufgenommen bei:
Berlin Philharmonic Hall in Berlin, Deutschland (in 1969)
live recording of:
Mood Indigo (1930 jazz composition and song) (in 1969)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS-affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington & His Orchestra?:??
3Mack the Knife
Orchester:
Duke Ellington and His Orchestra (in 1969)
aufgenommen bei:
Berlin Philharmonic Hall in Berlin, Deutschland (in 1969)
live recording of:
Mack the Knife (1954 Blitzstein translation) (in 1969)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Duke Ellington & His Orchestra?:??
4Don’t Get Around Much Anymore
Orchester:
Duke Ellington and His Orchestra (in 1969)
aufgenommen bei:
Berlin Philharmonic Hall in Berlin, Deutschland (in 1969)
live recording of:
Don’t Get Around Much Anymore (in 1969)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp., Sony/ATV Harmony, フジパシフィックミュージック SBK事業部 und ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
Version von:
Never No Lament
Duke Ellington & His Orchestra?:??
5Triplicate
Orchester:
Duke Ellington and His Orchestra (in 1969)
aufgenommen bei:
Berlin Philharmonic Hall in Berlin, Deutschland (in 1969)
Duke Ellington & His Orchestra?:??
6Happy Reunion
Orchester:
Duke Ellington and His Orchestra (in 1969)
aufgenommen bei:
Berlin Philharmonic Hall in Berlin, Deutschland (in 1969)
live recording of:
Happy Reunion (in 1969)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Orchestra?:??
7Take the “A” Train
Orchester:
Duke Ellington and His Orchestra (in 1969)
aufgenommen bei:
Berlin Philharmonic Hall in Berlin, Deutschland (in 1969)
live recording of:
Take the “A” Train (in 1969)
publisher:
Billy Strayhorn (am 1941-06-12)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Tempo (am 1943-02-19)
Version von:
Take the “A” Train (original instrumental version)
Duke Ellington & His Orchestra?:??
8Clear Day
Klavier:
Johnny Veith (in 1969)
Kontrabass:
Gus Mancuso (in 1969)
Schlagzeug:
Eddy Pucci (in 1969)
Sologesang:
Sarah Vaughan (in 1969)
aufgenommen bei:
Berlin Philharmonic Hall in Berlin, Deutschland (in 1969)
live recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (in 1969)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Sarah Vaughan?:??
9’Scat Blues
Klavier:
Johnny Veith (in 1969)
Kontrabass:
Gus Mancuso (in 1969)
Schlagzeug:
Eddy Pucci (in 1969)
Sologesang:
Sarah Vaughan (in 1969)
aufgenommen bei:
Berlin Philharmonic Hall in Berlin, Deutschland (in 1969)
live recording of:
Scat Blues (in 1969)
Verfasser(in):
[traditional] (special purpose artist)
Sarah Vaughan?:??
10Misty
Klavier:
Johnny Veith (in 1969)
Kontrabass:
Gus Mancuso (in 1969)
Schlagzeug:
Eddy Pucci (in 1969)
Sologesang:
Sarah Vaughan (in 1969)
aufgenommen bei:
Berlin Philharmonic Hall in Berlin, Deutschland (in 1969)
live cover recording of:
Misty (in 1969)
Texter:
Johnny Burke (American lyricist, 1908-1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
Sarah Vaughan?:??
11I Cried for You
Klavier:
Johnny Veith (in 1969)
Kontrabass:
Gus Mancuso (in 1969)
Schlagzeug:
Eddy Pucci (in 1969)
Sologesang:
Sarah Vaughan (in 1969)
aufgenommen bei:
Berlin Philharmonic Hall in Berlin, Deutschland (in 1969)
live cover recording of:
I Cried for You (in 1969)
Texter:
Arthur Freed
Komponist(in):
Gus Arnheim und Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. und Miller Music Corp.
Sarah Vaughan?:??
12My Funny Valentine
Klavier:
Johnny Veith (in 1969)
Kontrabass:
Gus Mancuso (in 1969)
Schlagzeug:
Eddy Pucci (in 1969)
Sologesang:
Sarah Vaughan (in 1969)
aufgenommen bei:
Berlin Philharmonic Hall in Berlin, Deutschland (in 1969)
live cover recording of:
My Funny Valentine (from “Babes in Arms”) (in 1969)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Teil von:
Waiting to Exhale (1995 film)
Sarah Vaughan?:??
13All of Me
Klavier:
Johnny Veith (in 1969)
Kontrabass:
Gus Mancuso (in 1969)
Schlagzeug:
Eddy Pucci (in 1969)
Sologesang:
Sarah Vaughan (in 1969)
aufgenommen bei:
Berlin Philharmonic Hall in Berlin, Deutschland (in 1969)
live cover recording of:
All of Me (in 1969)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Peermusic, Round Hill Songs, Sony/ATV Tunes LLC und 日音 Synch事業部
Sarah Vaughan?:??

Nennungen