Louis Armstrong & Guests

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Annotation

compilation of :
CD 0206 - CD 0215 - CD 0250

Annotation last modified on 2020-12-02 20:16 UTC.

Tracklist

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CD 1: Louis Amstrong & Guests - CD 0250
#TitleRatingLength
1You Can’t Lose a Broken Heart3:12
2My Sweet Hunk o’ Trash3:19
3Rockin' Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:09
4You Won't Be Satisfied (Until You Break My Heart)
2:52
5The Frim Fram Sauce
recording of:
The Frim‐Fram Sauce
lyricist:
Redd Evans (in 1945)
composer:
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
3:13
6Fifty-Fifty Blues
recording of:
Fifty-Fifty Blues
writer:
Billy Moore, Jr. (40s US composer/arranger)
2:59
7Oops
recording of:
Oops! (The Belle of New York, 1952 film)
lyricist:
Johnny Mercer
composer:
Harry Warren (US composer and lyricist)
3:12
8Dream a Little Dream of Me3:05
9Jack-Armstrong Blues3:03
10Can Anyone Explain? (No, No, No!)
recording of:
Can Anyone Explain?
lyricist and composer:
Bennie Benjamin and George David Weiss
3:12
11You Rascal You
3:07
12All That Meat and No Potatoes
recorded in:
New York, New York, United States (on 1955-04-27)
producer:
George Avakian (in 1955)
clarinet:
Barney Bigard (in 1955, on 1955-04-27)
double bass:
Arvell Shaw (in 1955, on 1955-04-27)
drums (drum set):
Barrett Deems (in 1955, on 1955-04-27)
piano:
Billy Kyle (in 1955, on 1955-04-27)
trombone:
Trummy Young (in 1955, on 1955-04-27)
trumpet:
Louis Armstrong (in 1955, on 1955-04-27)
vocals:
Louis Armstrong (in 1955, on 1955-04-27) and Velma Middleton (in 1955, on 1955-04-27)
recording of:
All That Meat and No Potatoes (on 1955-04-27)
writer:
Ed Kirkeby (also known as Ed Lloyd and Ted Wallace) and Fats Waller
recording of:
All That Meat and No Potatoes (in 1955)
writer:
Ed Kirkeby (also known as Ed Lloyd and Ted Wallace) and Fats Waller
5:19
13Life Is So Peculiar
recording of:
Life Is So Peculiar
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc.
3:20
14Necessary Evil
recording of:
Necessary Evil
lyricist and composer:
Redd Evans
2:33
15Boog It
recorded in:
New York, New York, United States (on 1940-04-10)
guitar:
Norman Brown (Jazz guitar player active in the 1930s & 1940s) (on 1940-04-10)
trumpet:
Louis Armstrong (on 1940-04-10)
baritone vocals:
Harry Mills
bass vocals:
John Mills, Sr.
tenor vocals:
Donald Mills and Herbert Mills
vocals:
Louis Armstrong (on 1940-04-10), The Mills Brothers (on 1940-04-10), Donald Mills (on 1940-04-10), Harry Mills (on 1940-04-10), Herbert Mills (on 1940-04-10) and John Mills, Sr. (on 1940-04-10)
recording of:
Boog It (on 1940-04-10)
writer:
Cab Calloway, Jack Palmer (Jazz pianist and composer) and Buck Ram
recording of:
Boog It (in 1940)
writer:
Cab Calloway, Jack Palmer (Jazz pianist and composer) and Buck Ram
2:38
16That’s My Desire
recording of:
That’s My Desire
lyricist:
Carroll Loveday
composer:
Helmy Kresa
publisher:
Mills Music, Inc.
4:48
17Struttin’ With Some Barbecue2:48
18Honeysuckle Rose
cover recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
2:59
19Lazy Bones
recording of:
Lazy Bones
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
2:57
20Long Gone
5:13
21Who Walks In When I Walk Out2:19
22Now You Has Jazz
recording of:
Now You Has Jazz (High Society musical romantic comedy film)
lyricist and composer:
Cole Porter (composer) (in 1956)
4:18
CD 2: Ella & Louis CD 0215
#TitleRatingLength
1Cheek to Cheek
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Top Hat (1935 film)
4.25:51
2Don't Be That Way
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
recording of:
Don’t Be That Way (on 1957-08-13)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (soundtrack of the 1977 film)
5:00
3Let's Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-08-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
44:14
4Stars Fell on Alabama
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
43:32
5A Fine Romance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
lead vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (on 1957-08-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
43:52
6The Nearness of You
recording of:
The Nearness of You
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing, LLC (1995–2020)
5:39
7Can't We Be Friends
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
Can’t We Be Friends? (on 1956-08-16)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
43:49
8A Foggy Day in London Town
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
A Foggy Day (in London Town) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
44:33
9I'm Puttin' All My Eggs in One Basket
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
3:25
10Moonlight in Vermont3:39
11Love Is Here to Stay
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
recording of:
Love Is Here to Stay (on 1957-08-23)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
33:59
12They Can't Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
4:36
13Isn't This a Lovely Day
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (in 1956)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (on 1956-08-16)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3.56:13
14Under a Blanket of Blue
recording of:
Under a Blanket of Blue
additional lyricist:
Al J. Neiburg (lyricist) (in 1933)
lyricist:
Marty Symes (lyricist) (in 1933)
composer:
Jerry Livingston (songwriter) (in 1933)
4:14
15Tenderly
recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
5:00
16I've Got My Love to Keep Me Warm
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
recording of:
I’ve Got My Love to Keep Me Warm (on 1957-08-13)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
43:09
CD 5: Louis Amstrong and his All-Stars CD 0206
#TitleRatingLength
1Cabaret
recording of:
Cabaret (title song from the Kander & Ebb musical)
lyricist:
Fred Ebb
composer:
John Kander
part of:
Cabaret (musical)
3:59
2A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The Strip (1951 film)
3:02
3Mack the Knife
3:28
4Blueberry Hill
recording of:
Blueberry Hill
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
3:21
5That’s My Desire
recording of:
That’s My Desire
lyricist:
Carroll Loveday
composer:
Helmy Kresa
publisher:
Mills Music, Inc.
2:53
6Ramona
recorded in:
New York, New York, United States (on 1953-04-21)
alto saxophone:
Dick Jacobs (on 1953-04-21) and Milt Yaner (on 1953-04-21)
clarinet:
Barney Bigard (on 1953-04-21)
double bass:
Arvell Shaw (on 1953-04-21)
drums (drum set):
Cozy Cole (on 1953-04-21)
guitar:
Everett Barksdale (on 1953-04-21)
piano:
Joe Bushkin (on 1953-04-21)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1953-04-21)
trombone:
Trummy Young (on 1953-04-21)
trumpet:
Louis Armstrong (on 1953-04-21)
vocals:
Louis Armstrong (on 1953-04-21)
recording of:
Ramona (English version) (on 1953-04-21)
lyricist:
L. Wolfe Gilbert
composer:
Mabel Wayne (in 1928)
2:42
7Black and Blue
recording of:
Black and Blue
lyricist:
Harry Brooks (jazz pianist & songwriter) and Andy Razaf
composer:
Fats Waller
publisher:
Memory Lane Music Ltd. and Redwood Music Ltd. (Carlin)
4:41
8La vie en rose
3:20
9I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:22
10New Orleans Function6:38
11C’est si bon
recording of:
C’est si bon (English version)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (in 1947)
translator:
Jerry Seelen (in 1949)
publisher:
Éditions Beuscher Arpège
translated version of:
C’est si bon (original French version)
3:00
12Only You
3:09
13The Gipsy
recording of:
The Gypsy
lyricist and composer:
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. and MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
3:16
14St James Infirmary
recording of:
St. James Infirmary (Joe Primrose's arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
1:43
15Hello Dolly
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
part of:
Hello, Dolly!
2:31
16When It’s Sleepy Time Down South2:41
17Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
4:03
18I’ve Got a Feeling I’m Falling
recording of:
I’ve Got a Feeling I’m Falling
lyricist:
Billy Rose (lyricist and Broadway producer)
composer:
Harry Link (US vaudeville actor & songwriter) and Fats Waller
3:13
19When the Saints Go Marchin’ In
recording of:
When the Saints Go Marching In (Louis Armstrong’s version)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
3:27