The Bee’s Knees (The EMI Years 1957-1964)

~ Release by John Barry (see all versions of this release, 1 available)

Tracklist

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▼CD 1: 1957-1960
#TitleArtistRatingLength
1Let’s Have a Wonderful Time
recording of:
Let’s Have a Wonderful Time (on 1957-10-20)
composer:
John Barry (English score composer)
The John Barry Seven1:57
2Rock-A-Billy Boogie
recording of:
Rock-A-Billy Boogie (on 1957-10-20)
composer:
John Barry (English score composer)
The John Barry Seven1:48
3Zip Zip
alto saxophone:
Derek Myers (John Barry Seven) (on 1957-10-04)
bass guitar:
Fred Kirk (on 1957-10-04)
drums (drum set):
Ken Golder (JB7) (on 1957-10-04)
guitar:
Keith Kelly (John Barry Seven) (on 1957-10-04) and Ken Richards (on 1957-10-04)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1957-10-04)
trumpet:
John Barry (English score composer) (on 1957-10-04)
cover recording of:
Zip Zip (on 1957-10-04)
composer:
Harry Booros (wrote Zip Zip) and Barry Kaye (wrote Zip Zip)
The John Barry Seven2:05
4Three Little Fishes
alto saxophone:
Derek Myers (John Barry Seven) (on 1957-11-14)
bass guitar:
Fred Kirk (on 1957-11-14)
drums (drum set):
Ken Golder (JB7) (on 1957-11-14)
guitar:
Keith Kelly (John Barry Seven) (on 1957-11-14) and Ken Richards (on 1957-11-14)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1957-11-14)
trumpet:
John Barry (English score composer) (on 1957-11-14)
cover recording of:
Three Little Fishies (on 1957-11-14)
lyricist:
Josephine Carringer (writer of lyrics to "Three Little Fishies") and Bernice Idins (writer of lyrics to "Three Little Fishies")
composer:
Saxie Dowell
The John Barry Seven1:51
5Every Which Way
alto saxophone:
Derek Myers (John Barry Seven) (on 1957-11-14)
drums (drum set):
Ken Golder (JB7) (on 1957-11-14)
guitar:
Keith Kelly (John Barry Seven) (on 1957-11-14) and Ken Richards (on 1957-11-14)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1957-11-14)
trumpet:
John Barry (English score composer) (on 1957-11-14)
vocals:
John Barry (English score composer) (on 1957-11-14)
cover recording of:
Every Which Way (on 1957-11-14)
composer:
Mel Tormé ("The Velvet Fog")
The John Barry Seven2:34
6You’ve Gotta Way
alto saxophone:
Derek Myers (John Barry Seven) (on 1957-11-14)
drums (drum set):
Ken Golder (JB7) (on 1957-11-14)
guitar:
Keith Kelly (John Barry Seven) (on 1957-11-14) and Ken Richards (on 1957-11-14)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1957-11-14)
trumpet:
John Barry (English score composer) (on 1957-11-14)
vocals:
John Barry (English score composer) (on 1957-11-14)
recording of:
You’ve Gotta Way (on 1957-11-14)
composer:
John Barry (English score composer)
The John Barry Seven2:00
7Big Guitar
alto saxophone:
Derek Myers (John Barry Seven) (on 1958-03-06)
bass guitar:
Fred Kirk (on 1958-03-06)
drums (drum set):
Ken Golder (JB7) (on 1958-03-06)
guitar:
Keith Kelly (John Barry Seven) (on 1958-03-06) and Ken Richards (on 1958-03-06)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1958-03-06)
trumpet:
John Barry (English score composer) (on 1958-03-06)
cover recording of:
Big Guitar (on 1958-03-06)
writer:
Robert Genovese and Frank De Rosa
The John Barry Seven2:53
8Rodeo
alto saxophone:
Derek Myers (John Barry Seven) (on 1958-03-06)
bass guitar:
Fred Kirk (on 1958-03-06)
drums (drum set):
Ken Golder (JB7) (on 1958-03-06)
guitar:
Keith Kelly (John Barry Seven) (on 1958-03-06) and Ken Richards (on 1958-03-06)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1958-03-06)
trumpet:
John Barry (English score composer) (on 1958-03-06)
recording of:
Rodeo (on 1958-03-06)
composer:
John Barry (English score composer)
The John Barry Seven2:15
9Pancho
alto saxophone:
Derek Myers (John Barry Seven) (on 1958-05-23)
bass guitar:
Fred Kirk (on 1958-05-23)
drums (drum set):
Ken Golder (JB7) (on 1958-05-23)
guitar:
Keith Kelly (John Barry Seven) (on 1958-05-23) and Ken Richards (on 1958-05-23)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1958-05-23)
trumpet:
John Barry (English score composer) (on 1958-05-23)
recording of:
Pancho (on 1958-05-23)
composer:
John Barry (English score composer)
The John Barry Seven2:04
10Hideaway
alto saxophone:
Derek Myers (John Barry Seven) (on 1958-05-23)
bass guitar:
Fred Kirk (on 1958-05-23)
drums (drum set):
Ken Golder (JB7) (on 1958-05-23)
guitar:
Keith Kelly (John Barry Seven) (on 1958-05-23) and Ken Richards (on 1958-05-23)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1958-05-23)
trumpet:
John Barry (English score composer) (on 1958-05-23)
recording of:
Hideaway (on 1958-05-23)
composer:
John Barry (English score composer)
The John Barry Seven2:09
11Farrago
alto saxophone:
Derek Myers (John Barry Seven) (on 1958-10-17)
bass guitar:
Fred Kirk (on 1958-10-17)
drums (drum set):
Ken Golder (JB7) (on 1958-10-17)
guitar:
Keith Kelly (John Barry Seven) (on 1958-10-17) and Ken Richards (on 1958-10-17)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1958-10-17)
trumpet:
John Barry (English score composer) (on 1958-10-17)
recording of:
Farrago (on 1958-10-17)
composer:
White (Leroy Small)
The John Barry Seven2:10
12Bee’s Knees
alto saxophone:
Derek Myers (John Barry Seven) (on 1958-10-17)
bass guitar:
Fred Kirk (on 1958-10-17)
drums (drum set):
Ken Golder (JB7) (on 1958-10-17)
guitar:
Keith Kelly (John Barry Seven) (on 1958-10-17) and Ken Richards (on 1958-10-17)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1958-10-17)
trumpet:
John Barry (English score composer) (on 1958-10-17)
recording of:
Bee’s Knees (on 1958-10-17)
composer:
John Barry (English score composer)
The John Barry Seven2:08
13When the Saints Go Marching In
cover recording of:
When the Saints Go Marching In (Barry arrangement) (on 1958-10-19)
writer:
[traditional] (special purpose artist)
arranger:
John Barry (English score composer)
arrangement of:
When the Saints Go Marching In
The John Barry Seven1:48
14Pancho
recording of:
Pancho (on 1958-10-19)
composer:
John Barry (English score composer)
The John Barry Seven1:53
15Long John
recording of:
Long John (on 1959-02-04)
composer:
White (Leroy Small)
The John Barry Seven2:24
16Snap ’n’ Whistle
recording of:
Snap ’n’ Whistle (on 1959-02-04)
composer:
John Barry (English score composer)
The John Barry Seven2:06
17Little John
alto saxophone:
Jimmy Stead (on 1959-04-23)
bass guitar:
Mike Peters (John Barry Seven) (on 1959-04-23)
drums (drum set):
Dougie Wright (on 1959-04-23)
electric piano:
Les Reed (on 1959-04-23)
guitar [lead guitar]:
Vic Flick (on 1959-04-23)
tenor saxophone:
Dennis King (John Barry Seven) (on 1959-04-23)
trumpet:
John Barry (English score composer) (on 1959-04-23)
recording of:
Little John (on 1959-04-23)
composer:
John Barry (English score composer)
The John Barry Seven1:43
18For Pete’s Sake
alto saxophone:
Jimmy Stead (on 1959-04-23)
bass guitar:
Mike Peters (John Barry Seven) (on 1959-04-23)
drums (drum set):
Dougie Wright (on 1959-04-23)
electric piano:
Les Reed (on 1959-04-23)
guitar [lead guitar]:
Vic Flick (on 1959-04-23)
tenor saxophone:
Dennis King (John Barry Seven) (on 1959-04-23)
trumpet:
John Barry (English score composer) (on 1959-04-23)
recording of:
For Pete’s Sake (on 1959-04-23)
composer:
John Barry (English score composer)
The John Barry Seven1:44
19Bee’s Knees (‘Drumbeat’ version)
recording of:
Bee’s Knees (on 1959-05-10)
composer:
John Barry (English score composer)
The John Barry Seven and Bob Miller & The Millermen2:09
20Little John
recording of:
Little John (on 1959-05-10)
composer:
John Barry (English score composer)
The John Barry Seven1:41
21Rebel Rouser
cover recording of:
Rebel‐’Rouser (on 1959-05-10)
composer:
Duane Eddy and Lee Hazlewood
The John Barry Seven1:57
22Mab Mab
recording of:
Mab Mab (on 1959-05-10)
composer:
John Barry (English score composer)
The John Barry Seven2:00
23Good Rockin’ Tonight
cover recording of:
Good Rockin’ Tonight (on 1959-05-10)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher) and Trio Music Co., Inc.
The John Barry Seven and Bob Miller & The Millermen1:38
24Twelfth Street Rag
alto saxophone:
Jimmy Stead (on 1959-08-26)
bass guitar:
Mike Peters (John Barry Seven) (on 1959-08-26)
drums (drum set):
Dougie Wright (on 1959-08-26)
electric piano:
Les Reed (on 1959-08-26)
guitar:
Vic Flick (on 1959-08-26)
tenor saxophone:
Dennis King (John Barry Seven) (on 1959-08-26)
trumpet:
John Barry (English score composer) (on 1959-08-26)
cover recording of:
Twelfth Street Rag (on 1959-08-26)
lyricist:
Andy Razaf
composer:
Euday L. Bowman
The John Barry Seven1:36
25Christella
alto saxophone:
Jimmy Stead (on 1959-08-26)
bass guitar:
Mike Peters (John Barry Seven) (on 1959-08-26)
drums (drum set):
Dougie Wright (on 1959-08-26)
electric piano:
Les Reed (on 1959-08-26)
guitar:
Vic Flick (on 1959-08-26)
tenor saxophone:
Dennis King (John Barry Seven) (on 1959-08-26)
trumpet:
John Barry (English score composer) (on 1959-08-26)
recording of:
Christella (on 1959-08-26)
composer:
John Barry (English score composer)
The John Barry Seven2:03
26Beat Girl (main Title)
recording of:
Beat Girl (main title) (on 1959-12-28)
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra1:49
27Hit & Miss
producer:
John Barry (English score composer)
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar [lead guitar]:
Vic Flick
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
John Barry (English score composer)
violin:
Alec Firman (John Barry Seven "plus Four"), Charlie Katz (John Barry Seven "Plus Four"), Sidney Margo (violinist and orchestra contractor) and Bernard Monshin (session violinist)
arranger:
John Barry (English score composer)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1960-01-14)
recording of:
Hit & Miss (on 1960-01-14)
composer:
John Barry (English score composer), Freddie Poser (English composer, publisher & producer) and Russell Turner (BBC Producer)
publisher:
EMI Mills Music Limited (PRS for Music-affiliated)
The John Barry Seven Plus Four2:03
28Rockin’ Already
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
John Barry (English score composer)
violin:
Bernard Monshin (session violinist)
recording of:
Rockin’ Already (on 1960-01-14)
composer:
John Barry (English score composer)
The John Barry Seven Plus Four1:54
29Beat for Beatniks
producer:
John Barry (English score composer)
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar:
Vic Flick
instruments:
The John Barry Seven
saxophone:
Johnny Scott (saxophonist)
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
Dickie Hawdon
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Beat for Beatniks (on 1960-03-14)
composer:
John Barry (English score composer)
John Barry and His Orchestra2:09
30Big Fella
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar:
Vic Flick
instruments:
The John Barry Seven
saxophone:
Johnny Scott (saxophonist)
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
Dickie Hawdon
recording of:
Big Fella (on 1960-03-14)
composer:
John Barry (English score composer)
John Barry and His Orchestra2:14
31Blueberry Hill
performer:
The John Barry Seven
cover recording of:
Blueberry Hill (on 1960-05-29)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
The John Barry Orchestra1:45
32Never Let Go (From the Film)
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Never Let Go (From the Film) (on 1960-05-29)
composer:
John Barry (English score composer)
The John Barry Orchestra2:10
33Walk Don’t Run
guitar [lead guitar]:
Vic Flick
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1960-05-29)
recording of:
Walk, Don’t Run (on 1960-05-29)
composer:
Johnny Smith (jazz guitarist)
publisher:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) and Windswept Pacific Music Ltd.
The John Barry Orchestra2:16
34I’m Movin’ On
violin:
Alec Firman (John Barry Seven "plus Four"), Charlie Katz (John Barry Seven "Plus Four"), Sidney Margo (violinist and orchestra contractor) and Bernard Monshin (session violinist)
cover recording of:
I’m Movin’ On No. 2 (on 1960-08-14)
writer:
Henry D. Haynes, Kenneth C. Burns and Hank Snow
parody version of:
I’m Moving On
The John Barry Seven Plus Four1:51
35Saturday’s Child
recording of:
Saturday’s Child (on 1960-09-23)
composer:
John Barry (English score composer)
The John Barry Seven2:31
36Black Stockings
producer:
John Barry (English score composer)
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar:
Vic Flick
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
John Barry (English score composer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Black Stockings (on 1960-11-11)
composer:
John Barry (English score composer)
The John Barry Seven With Accompaniment Directed by John Barry2:23
37Get Lost Jack Frost
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar:
Vic Flick
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
John Barry (English score composer)
recording of:
Get Lost Jack Frost (on 1960-11-11)
composer:
John Barry (English score composer)
The John Barry Seven With Accompaniment Directed by John Barry1:42
▼CD 2: 1961
#TitleArtistRatingLength
1The Magnificent Seven (From the Film of the Same Name)
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar:
Vic Flick
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
John Barry (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recording of:
Main Theme (The Magnificent Seven) (on 1961-02-07)
composer:
Elmer Bernstein (American score composer)
The John Barry Seven1:58
2Skid Row
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar:
Vic Flick
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
John Barry (English score composer)
recording of:
Skid Row (on 1961-02-07)
composer:
John Barry (English score composer)
The John Barry Seven1:53
3Dark Rider
violin:
Alec Firman (John Barry Seven "plus Four"), Charlie Katz (John Barry Seven "Plus Four"), Sidney Margo (violinist and orchestra contractor) and Bernard Monshin (session violinist)
recording of:
Dark Rider (on 1961-04-19)
composer:
Brian Fahey
The John Barry Seven Plus Four2:13
4Iron Horse
cover recording of:
Iron Horse (on 1961-05-03)
writer:
Bellers (wrote Iron Horse) and Proudley (wrote Iron Horse)
John Barry2:20
5The Menace
recording of:
The Menace (on 1961-05-03)
writer:
John Barry (English score composer)
The John Barry Orchestra2:04
6A Matter of Who
violin:
Alec Firman (John Barry Seven "plus Four"), Charlie Katz (John Barry Seven "Plus Four"), Sidney Margo (violinist and orchestra contractor) and Bernard Monshin (session violinist)
recording of:
A Matter of Who (on 1961-04-19)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
The John Barry Seven Plus Four2:27
7Rocco’s Theme (From the Film ‘Rocco & His Friends’)
recording of:
Rocco’s Theme (on 1961-08-22)
writer:
Nino Rota (composer)
part of:
Rocco e i suoi fratelli
Michael Angelo & His Orchestra2:05
8Spinneree
recording of:
Spinnerree (on 1961-07-14)
composer:
Michael Angelo (English score composer)
Michael Angelo & His Orchestra2:02
9It Doesn’t Matter Any More
cover recording of:
It Doesn’t Matter Anymore (on 1961-05-03)
lyricist and composer:
Paul Anka
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS-affiliated)
John Barry1:54
10Sweet Talk
recording of:
Sweet Talk (on 1961-05-03)
composer:
John Barry (English score composer)
John Barry2:04
11Moody River
recording of:
Moody River (on 1961-11-03)
composer:
Chase Webster
John Barry2:25
12There’s Life in the Old Boy Yet
recording of:
There’s Life in the Old Boy Yet (on 1961-05-03)
composer:
John Barry (English score composer)
John Barry1:53
13A Handful of Songs
cover recording of:
A Handful of Songs (on 1961-07-14)
writer:
Lionel Bart, Michael Pratt and Tommy Steele ('50s English singer)
John Barry1:56
14Like Waltz
recording of:
Like Waltz (on 1961-07-14)
composer:
John Barry (English score composer)
John Barry2:19
15Rodeo (1961 version)
recording of:
Rodeo (1961 version) (on 1961-05-03)
composer:
John Barry (English score composer)
John Barry2:29
16Donna’s Theme
recording of:
Donna’s Theme (on 1961-07-14)
composer:
Les Reed
John Barry2:07
17Starfire
recording of:
Starfire (on 1961-07-31)
writer:
Jerry Lordan
John Barry2:07
18Baubles, Bangles and Beads (From Kismet)
recording of:
Baubles, Bangles and Beads (from “Kismet”) (on 1961-07-14)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
John Barry1:51
19Zapata
recording of:
Zapata (on 1961-05-03)
writer:
Vic Flick
John Barry2:14
20Rum-Dee-Dum-Dee-Dah
recording of:
Rum-Dee-Dum-Dee-Dah (on 1961-07-14)
writer:
Les Vandyke
John Barry1:57
21Spanish Harlem
cover recording of:
Spanish Harlem (on 1961-05-03)
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
John Barry2:23
22Man From Madrid
cover recording of:
Man From Madrid (on 1961-07-14)
writer:
Tony Osborne
John Barry1:48
23The Challenge
recording of:
The Challenge (on 1961-07-14)
writer:
John Barry (English score composer)
John Barry2:33
24Watch Your Step (orchestral version)
cover recording of:
Watch Your Step (on 1961-09-28)
lyricist and composer:
Bobby Parker (blues rock guitarist)
publisher:
Marcia Music
The John Barry Orchestra2:56
25Twist It
recording of:
Twist It (on 1961-11-01)
composer:
John Barry (English score composer)
The John Barry Seven2:05
26Watch Your Step
cover recording of:
Watch Your Step (on 1961-09-28)
lyricist and composer:
Bobby Parker (blues rock guitarist)
publisher:
Marcia Music
The John Barry Seven2:22
27Satin Smooth
recording of:
Satin Smooth (on 1961-10-03)
writer:
John Barry (English score composer)
The John Barry Orchestra2:34
28The Aggressor
recording of:
The Aggressor (on 1961-11-22)
writer:
John Barry (English score composer)
The John Barry Orchestra2:53
▼CD 3: 1962-1964
#TitleArtistRatingLength
1The James Bond Theme (From the Film ‘Dr No)
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
James Bond Theme (on 1962-07-23)
composer:
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) and EMI United Partnership
is based on:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
music quoted on:
Chew Me in Grisly Land (The Man With the Golden Gun)
music quoted on:
Komodo Dragon
music quoted on:
Let’s Go Get ’em (The Man With the Golden Gun)
music quoted on:
Space Doubt
The John Barry Seven and Orchestra1:59
2The Blacksmith Blues
cover recording of:
The Blacksmith Blues (1951 song) (on 1962-08-19)
lyricist and composer:
Jack Holmes (composer, arranger)
is based on:
Happy Pay-Off Day
The John Barry Seven and Orchestra2:13
3Cutty Sark (Dateline TV Theme)
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Cutty Sark (Dateline TV theme) (on 1962-02-20)
composer:
John Barry (English score composer)
The John Barry Seven and Orchestra2:42
4Lost Patrol
recording of:
Lost Patrol (on 1962-02-12)
writer:
Robert Maxwell (American harpist, songwriter, and teacher)
The John Barry Seven and Orchestra2:07
5Theme From ‘Roman Spring of Mrs Stone’
recording of:
Theme From ‘Roman Spring of Mrs Stone’ (on 1962-02-27)
writer:
Richard Addinsell (composer)
Michael Angelo & His Orchestra2:01
6Tears
recording of:
Tears (on 1962-02-26)
writer:
Richard Addinsell (composer)
Michael Angelo & His Orchestra2:28
7Blueberry Hill
cover recording of:
Blueberry Hill (on 1962-01-11)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
The John Barry Orchestra2:12
8Cherry Pink and Apple Blossom White
cover recording of:
Cherry Pink and Apple Blossom White (1951 song, version of "Cerisier rose et pommier blanc") (on 1962-01-11)
composer:
Louiguy (french composer Louis Guglielmi)
translator:
Mack David (American lyricist and songwriter)
is based on:
Cerisier rose et pommier blanc (1950 song)
The John Barry Orchestra1:59
9Smokey Joe
recording of:
Smokey Joe (on 1962-07-14)
writer:
Wesley Prince
John Barry2:00
10Unchained Melody
cover recording of:
Unchained Melody (on 1962-11-28)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing, Unchained Melody Publishing, LLC and 日音 Synch事業部
The John Barry Orchestra2:27
11The Party’s Over (From the Film of the Same Name)
recording of:
The Party’s Over (From the Film of the Same Name)) (on 1962-11-09)
composer:
John Barry (English score composer)
The John Barry Seven and Orchestra2:52
12The Lolly Theme (From the Film ‘The Amorous Prawn’)
recording of:
The Lolly Theme (From the Film ‘The Amorous Prawn’) (on 1962-11-09)
composer:
John Barry (English score composer)
The John Barry Seven and Orchestra2:13
13March of the Mandarins
recording of:
March of the Mandarins (on 1962-11-22)
composer:
John Barry (English score composer)
The John Barry Seven and Orchestra53:07
14The Human Jungle (alternate version)
recording of:
The Human Jungle (on 1962-12-03)
composer:
Bernard Ebbinghouse
The John Barry Seven and Orchestra3:07
15The Big Safari (From the Film ‘Call Me Bwana’)
recording of:
The Big Safari (From the Film ‘Call Me Bwana’) (on 1963-04-17)
writer:
Monty Norman
John Barry2:15
16Mouse on the Moon (From the Film of the Same Name)
recording of:
Mouse on the Moon (From the Film of the Same Name) (on 1963-02-28)
writer:
Monty Norman
John Barry1:58
17Twangin’ Cheek
recording of:
Twangin’ Cheek (on 1963-02-21)
writer:
John Barry (English score composer)
The John Barry Seven and Orchestra1:54
18I’ll Be With You in Apple Blossom Time
cover recording of:
(I’ll Be With You) In Apple Blossom Time (on 1962-01-11)
lyricist:
Neville Fleeson
composer:
Albert Von Tilzer
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and Francis, Day & Hunter Ltd.
The John Barry Orchestra2:18
19Volare (Nei Blue Dipinto di Blu)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (on 1962-01-11)
lyricist:
Franco Migliacci and Domenico Modugno
composer:
Domenico Modugno
translator:
Mitchell Parish
publisher:
Robbins Music Corp.
translated version of:
Nel blu dipinto di blu (Volare)
The John Barry Orchestra2:15
20The Human Jungle
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Human Jungle (on 1963-02-18)
composer:
Bernard Ebbinghouse
The John Barry Seven and Orchestra2:24
21Onward Christian Spacemen
recording of:
Onward Christian Spacemen (on 1961-11-22)
composer:
John Barry (English score composer)
The John Barry Seven and Orchestra2:43
22Seven Faces
keyboard:
Mike O’Neill (British pianist/keyboarder and singer)
recording of:
Seven Faces
writer:
Alan Bown and Keith Mansfield
The John Barry Seven3:09
23Twenty Four Hours Ago
keyboard and lead vocals:
Mike O’Neill (British pianist/keyboarder and singer)
recording of:
Twenty Four Hours Ago
writer:
Suede, Mr
The John Barry Seven2:31
24Theme From ‘A Jolly Bad Fellow’
recording of:
Theme From ‘A Jolly Bad Fellow’
writer:
John Barry (English score composer)
Alan Haven2:05
25Oublie Ca
recording of:
Oublie Ça
writer:
John Barry (English score composer)
The John Barry Orchestra1:50
26Theme From ‘Seance on a Wet Afternoon’
recording of:
Theme From ‘Seance on a Wet Afternoon’
writer:
John Barry (English score composer)
The John Barry Orchestra1:51
27That Fatal Kiss (From ‘A View to a Kill’)
producer:
John Barry (English score composer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
A View to a Kill
orchestrator:
John Barry (English score composer)
writer:
John Barry (English score composer), Simon Le Bon (Singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
composer:
John Barry (English score composer) and Duran Duran (English rock band)
publisher:
EMI Songs and Gloucester Place Music Ltd.
part of:
A View to a Kill (from the James Bond film)
Duran Duran52:30