The Perfect Miles Davis Collection

~ Release by Miles Davis (see all versions of this release, 1 available)

Annotation

Alternative collection titles:
Miles - The Perfect Miles Davis Collection - 20 Original Albums
Miles - La Discotheque Ideale Miles Davis - En 20 Albums Originaux

Annotation last modified on 2017-09-10 13:44 UTC.

Tracklist

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CD 1: 'Round About Midnight
#TitleArtistRatingLength
1’Round Midnight
engineer:
Ray Moore (engineer)
producer:
George Avakian
double bass:
Paul Chambers (US jazz bassist) (on 1956-09-10)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-09-10)
recorded at:
Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1955-10-27, on 1956-06-05), CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10) and Columbia Studios in New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
’Round Midnight (on 1956-09-10)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Miles Davis Quintet3.655:58
2Ah‐Leu‐Cha
engineer:
Ray Moore (engineer)
producer:
George Avakian
double bass:
Paul Chambers (US jazz bassist)
drums (drum set):
Philly Joe Jones (US jazz drummer)
piano:
Red Garland
tenor saxophone:
John Coltrane
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recorded at:
Columbia Studios in New York, New York, United States (on 1955-10-26), Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1955-10-27, on 1956-06-05) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
recording of:
Ah-Leu-Cha
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Miles Davis Quintet45:53
3All of You
engineer:
Ray Moore (engineer)
producer:
George Avakian
double bass:
Paul Chambers (US jazz bassist)
drums (drum set):
Philly Joe Jones (US jazz drummer)
piano:
Red Garland
tenor saxophone:
John Coltrane
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
arranger:
Gil Evans and Teo Macero
recorded at:
Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1955-10-27, on 1956-06-05), CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10) and Columbia Studios in New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
All of You (Silk Stockings musical)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
Miles Davis Quintet47:03
4Bye Bye Blackbird
double bass:
Paul Chambers (US jazz bassist) (on 1956-06-05)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-06-05)
cover recording of:
Bye Bye Blackbird (on 1956-06-05)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Miles Davis Quintet7:57
5Tadd’s Delight
engineer:
Ray Moore (engineer)
producer:
George Avakian
double bass:
Paul Chambers (US jazz bassist) (on 1956-06-05)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-06-05)
recorded at:
Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1955-10-27, on 1956-06-05), Columbia Studios in New York, New York, United States (on 1956-06-05) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
recording of:
Tadd's Delight (on 1956-06-05)
composer:
Tadd Dameron
arranger:
Joe Lovano (American jazz artist)
publisher:
Carbaby Music Company
Miles Davis Quintet3.54:29
6Dear Old Stockholm
engineer:
Ray Moore (engineer)
producer:
George Avakian
double bass:
Paul Chambers (US jazz bassist) (on 1956-06-05)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-06-05)
recorded at:
Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1955-10-27, on 1956-06-05), Columbia Studios in New York, New York, United States (on 1956-06-05) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
cover recording of:
Dear Old Stockholm
writer:
[traditional] (special purpose artist)
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
Miles Davis Quintet47:52
7Two Bass Hit
double bass:
Paul Chambers (US jazz bassist) (on 1955-10-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1955-10-26)
piano:
Red Garland (on 1955-10-26)
tenor saxophone:
John Coltrane (on 1955-10-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1955-10-26)
recording of:
Two Bass Hit (on 1955-10-26)
composer:
Dizzy Gillespie and John Lewis (pianist, member of Modern Jazz Quartet)
Miles Davis Quintet3:45
8Little Melonae
recorded in:
New York, New York, United States (on 1955-10-27)
producer:
George Avakian
bass:
Paul Chambers (US jazz bassist) (on 1955-10-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1955-10-27)
piano:
Red Garland (on 1955-10-27)
tenor saxophone:
John Coltrane (on 1955-10-27)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1955-10-27)
remaster of:
Little Melonae by Miles Davis
recording of:
Little Melonae (on 1955-10-27)
composer:
Jackie McLean (jazz saxophonist)
Miles Davis Quintet7:22
9Budo
recorded in:
New York, New York, United States (on 1955-10-27)
producer:
George Avakian
bass:
Paul Chambers (US jazz bassist) (on 1955-10-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1955-10-27)
piano:
Red Garland (on 1955-10-27)
tenor saxophone:
John Coltrane (on 1955-10-27)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1955-10-27)
remaster of:
Budo by Miles Davis
recording of:
Budo (on 1955-10-27)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bud Powell
is based on:
Hallucinations
Miles Davis Quintet4:17
10Sweet Sue, Just You
double bass:
Paul Chambers (US jazz bassist) (on 1956-09-10)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-09-10)
recording of:
Sweet Sue, Just You (on 1956-09-10)
lyricist:
Will J. Harris (early 1900s songwriter/lyricist)
composer:
Will J. Harris (early 1900s songwriter/lyricist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
Miles Davis Quintet3:40
CD 2: Miles Ahead
#TitleRatingLength
1Springsville3:28
2The Maids of Cadiz
remix of:
The Maids of Cadiz by Miles Davis + 19, Gil Evans
recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
3:53
3The Duke
remix of:
The Duke by Miles Davis + 19
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
3:35
4My Ship
remix of:
My Ship by Miles Davis + 19, Gil Evans
cover recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
version of:
Lady in the Dark: My Ship
4:28
5Miles Ahead
remix of:
Miles Ahead by Miles Davis
recording of:
Miles Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans
3:30
6Blues for Pablo5:18
7New Rhumba
remix of:
New Rhumba by Miles Davis + 19, Gil Evans
cover recording of:
New Rhumba
composer:
Ahmad Jamal
4:37
8The Meaning of the Blues2:49
9Lament
remaster of:
Lament by Miles Davis + 19, Gil Evans
cover recording of:
Lament
composer:
J.J. Johnson (Jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:14
10I Don't Wanna Be Kissed (By Anyone but You)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-27)
bass clarinet:
Danny Banks (on 1957-05-27)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-27)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-27) and Romeo Penque (on 1957-05-27)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-27)
drums (drum set):
Art Taylor (on 1957-05-27)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-27)
French horn:
Willie Ruff (on 1957-05-27)
trombone:
Joe Bennett (trombonist) (on 1957-05-27), Jimmy Cleveland (on 1957-05-27) and Frank Rehak (on 1957-05-27)
trumpet:
John Carisi (on 1957-05-27), Bernie Glow (on 1957-05-27), Taft Jordan (on 1957-05-27), Louis R. Mucci (trumpetist) (on 1957-05-27) and Ernie Royal (on 1957-05-27)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-27)
cover recording of:
I Don't Wanna Be Kissed (by Anyone but You) (on 1957-05-27)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
3:11
11Springsville (remake take 7)
recording of:
Springsville
composer:
John Carisi
3:16
12Blues for Pablo (take 1)
recording of:
Blues for Pablo
composer:
Gil Evans
3:32
13Medley: The Meaning of the Blues / Lament (rehearsal)
5:10
14I Don't Wanna Be Kissed (By Anyone but You) (alternate take)
3:12
CD 3: 1958 Miles
#TitleRatingLength
1On Green Dolphin Street
producer:
Teo Macero
alto saxophone:
Cannonball Adderley (on 1958-05-26)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1958-05-26)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-05-26)
piano:
Bill Evans (pianist) (on 1958-05-26)
tenor saxophone:
John Coltrane (on 1958-05-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-05-26)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-05-26)
instrumental recording of:
On Green Dolphin Street (on 1958-05-26)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist, Inc. and Patti Washington Music
cover recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist, Inc. and Patti Washington Music
3.559:50
2Fran-Dance
recording of:
Fran‐Dance
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
5:50
3Stella by Starlight
cover recording of:
Stella by Starlight
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:47
4Love for Sale
cover recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
4.3511:49
5Fran-Dance (alternate)
recording of:
Fran‐Dance
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
5:52
CD 4: Porgy and Bess
#TitleRatingLength
1Buzzard Song
remaster of:
The Buzzard Song by Miles Davis
instrumental cover recording of:
Porgy and Bess: Act II, Scene I. “Buzzard keep on flyin’”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
4:10
2Bess, You Is My Woman Now
alto saxophone:
Cannonball Adderley (on 1958-07-29)
bass:
Paul Chambers (US jazz bassist) (on 1958-07-29)
bass clarinet:
Danny Bank (reeds) (on 1958-07-29)
bass trombone:
Dick Nixon (on 1958-07-29) and Dick Hixson (on 1958-07-29)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-07-29)
flugelhorn and trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-29)
flute:
Phil Bodner (Woodwind player) (on 1958-07-29) and Romeo Penque (on 1958-07-29)
French horn:
Willie Ruff (on 1958-07-29), Gunther Schuller (horn player, conductor, composer) (on 1958-07-29) and Julius Watkins (on 1958-07-29)
trombone:
Joe Bennett (trombonist) (on 1958-07-29), Jimmy Cleveland (on 1958-07-29) and Frank Rehak (on 1958-07-29)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-07-29), Bernie Glow (on 1958-07-29), Louis Mucci (trumpetist) (on 1958-07-29) and Ernie Royal (on 1958-07-29)
tuba:
Bill Barber (Jazz tuba player) (on 1958-07-29)
conductor:
Gil Evans (on 1958-07-29)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-29)
instrumental cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (on 1958-07-29)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, you is my woman now”
recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, you is my woman now”
5:13
3Gone
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (reeds) (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Nixon (from 1958-07-22 until 1958-08-18) and Dick Hixson (from 1958-07-22 until 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (Woodwind player) (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (horn player, conductor, composer) (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (trombonist) (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (from 1958-07-22 until 1958-08-18) and Frank Rehak (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1958-07-22 until 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (trumpetist) (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (from 1958-07-22 until 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
recording of:
Gone (Gil Evans composition) (from 1958-07-22 until 1958-08-18)
composer:
Gil Evans
3:38
4Gone, Gone, Gone
alto saxophone:
Cannonball Adderley (on 1958-07-22)
bass:
Paul Chambers (US jazz bassist) (on 1958-07-22)
bass clarinet:
Danny Bank (reeds) (on 1958-07-22)
bass trombone:
Dick Nixon (on 1958-07-22) and Dick Hixson (on 1958-07-22)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-22)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-22)
flute:
Phil Bodner (Woodwind player) (on 1958-07-22) and Romeo Penque (on 1958-07-22)
French horn:
Willie Ruff (on 1958-07-22), Gunther Schuller (horn player, conductor, composer) (on 1958-07-22) and Julius Watkins (on 1958-07-22)
trombone:
Joe Bennett (trombonist) (on 1958-07-22), Jimmy Cleveland (on 1958-07-22) and Frank Rehak (on 1958-07-22)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-07-22), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-22), Bernie Glow (on 1958-07-22), Louis Mucci (trumpetist) (on 1958-07-22) and Ernie Royal (on 1958-07-22)
tuba:
Bill Barber (Jazz tuba player) (on 1958-07-22)
conductor:
Gil Evans (on 1958-07-22)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-22)
instrumental cover recording of:
Porgy and Bess: Act I, Scene II. “Gone, gone, gone (Where is brudder Robbins?)” (on 1958-07-22)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene II
2:05
5Summertime
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-18)
bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
bass trombone:
Dick Nixon (on 1958-08-18) and Dick Hixson (on 1958-08-18)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-18) and Philly Joe Jones (US jazz drummer) (on 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (on 1958-08-18) and Frank Rehak (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
lyrics quoted on:
Doin’ Time
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
lyrics quoted on:
Doin’ Time
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:21
6Oh Bess, Oh Where's My Bess4:31
7Prayer (Oh Doctor Jesus)
alto saxophone:
Cannonball Adderley (on 1958-08-04)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-04)
bass clarinet:
Danny Bank (reeds) (on 1958-08-04)
bass trombone:
Dick Nixon (on 1958-08-04) and Dick Hixson (on 1958-08-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-04) and Philly Joe Jones (US jazz drummer) (on 1958-08-04)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-04)
flute:
Romeo Penque (on 1958-08-04) and Jerome Richardson (on 1958-08-04)
French horn:
Willie Ruff (on 1958-08-04), Gunther Schuller (horn player, conductor, composer) (on 1958-08-04) and Julius Watkins (on 1958-08-04)
trombone:
Joe Bennett (trombonist) (on 1958-08-04), Jimmy Cleveland (on 1958-08-04) and Frank Rehak (on 1958-08-04)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-04), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-04), Bernie Glow (on 1958-08-04), Louis Mucci (trumpetist) (on 1958-08-04) and Ernie Royal (on 1958-08-04)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-04)
conductor:
Gil Evans (on 1958-08-04)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-04)
instrumental cover recording of:
Porgy and Bess: Act II. “Oh, Doctor Jesus” (this title appears several times in Act II) (on 1958-08-04)
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act II
4:42
8Fishermen, Strawberry and Devil Crab4:07
9My Man's Gone Now6:17
10It Ain't Necessarily So
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (reeds) (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Nixon (from 1958-07-22 until 1958-08-18) and Dick Hixson (from 1958-07-22 until 1958-08-18)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (Woodwind player) (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (horn player, conductor, composer) (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (trombonist) (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (from 1958-07-22 until 1958-08-18) and Frank Rehak (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1958-07-22 until 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (trumpetist) (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (from 1958-07-22 until 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1958-07-22 until 1958-08-18)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
4:25
11Here Come de Honey Man1:21
12I Loves You, Porgy
remaster of:
I Loves You, Porgy by Miles Davis
instrumental cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3.73:43
13There's a Boat That's Leaving Soon for New York
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-18)
bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
bass trombone:
Dick Nixon (on 1958-08-18) and Dick Hixson (on 1958-08-18)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-18) and Philly Joe Jones (US jazz drummer) (on 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (on 1958-08-18) and Frank Rehak (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” (on 1958-08-18)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene II
3:26
14I Loves You, Porgy (take 1, Second version)
instrumental cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:17
15Gone (take 4)
recording of:
Gone (Gil Evans composition)
composer:
Gil Evans
3:40
CD 5: Kind of Blue
#TitleRatingLength
1So What
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recording of:
So What (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
49:25
2Freddie Freeloader
recorded in:
New York, New York, United States (on 1959-03-02)
engineer:
Fred Plaut
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Wynton Kelly (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
Freddie Freeloader (stereo) by Miles Davis
recording of:
Freddie Freeloader (original Miles Davis instrumental version) (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation
part of:
The Real Book (compilation of jazz standards, Volume I)
3.659:49
3Blue in Green
recorded in:
New York, New York, United States (on 1959-03-02)
engineer:
Fred Plaut
producer:
Irving Townsend
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
Blue in Green (stereo) by Miles Davis
recording of:
Blue in Green (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.25:38
4All Blues
recorded in:
New York, New York, United States (on 1959-04-22)
engineer:
Fred Plaut (on 1959-04-22)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
bass and double bass:
Paul Chambers (US jazz bassist) (on 1959-04-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-22)
piano:
Bill Evans (pianist) (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
All Blues (on 1959-04-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
4.411:36
5Flamenco Sketches
recorded in:
New York, New York, United States (on 1959-04-22)
engineer:
Fred Plaut
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-22)
piano:
Bill Evans (pianist) (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
Flamenco Sketches (on 1959-04-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
4.259:26
6Flamenco Sketches (alternate take)
engineer:
Fred Plaut
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-04-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-22)
piano:
Bill Evans (pianist) (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
Flamenco Sketches (on 1959-04-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
49:32
CD 6: Sketches of Spain
#TitleRatingLength
1Concierto de Aranjuez
bass clarinet:
Danny Bank (reeds) (on 1959-11-15, on 1959-11-20)
clarinet:
Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-11-15, on 1959-11-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-20)
drums (drum set) [drums]:
Jimmy Cobb (US jazz drummer) (on 1959-11-15)
flugelhorn:
Al Block (US jazz flute/saxaphone) and Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20)
flute:
Albert Block (US jazz flute/saxaphone) (on 1959-11-15, on 1959-11-20) and Eddie Caine (saxophone player, not the rapper) (on 1959-11-15, on 1959-11-20)
French horn:
John Barrows (American wind instrumentalist) (on 1959-11-15, on 1959-11-20), Earl Chapin (on 1959-11-15, on 1959-11-20) and Jim Buffington (US jazz, studio and classical hornist) (on 1959-11-15, on 1959-11-20)
harp:
Janet Putnam (harpist) (on 1959-11-15) and Janet Putman (on 1959-11-20)
oboe:
Romeo Penque and Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1959-11-15, on 1959-11-20)
trombone:
Dick Hixson (on 1959-11-15, on 1959-11-20) and Frank Rehak (on 1959-11-15, on 1959-11-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20), Bernie Glow (on 1959-11-15, on 1959-11-20), Taft Jordan (on 1959-11-15, on 1959-11-20), Louis Mucci (trumpetist) (on 1959-11-15, on 1959-11-20) and Ernie Royal (on 1959-11-15, on 1959-11-20)
tuba:
Jimmy McAllister (tuba) (on 1959-11-15) and Jimmy McAllister (on 1959-11-20)
conductor:
Gil Evans (on 1959-11-15, on 1959-11-20)
arranger:
Gil Evans
recorded at:
Columbia 30th Street Studios in Manhattan, New York, New York, United States (on 1959-11-15) and Columbia Studios in New York, New York, United States (on 1959-11-20)
remaster of:
Concierto de Aranjuez (1959-11-20, master take, mono) by Miles Davis
recording of:
Concierto de Aranjuez: II. Adagio (on 1959-11-15)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
music quoted on:
Alma vieja
part of:
Concierto de Aranjuez
partial recording of:
Concierto de Aranjuez (on 1959-11-20)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
cover recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
partial cover recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
16:20
2Will O' the Wisp
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putman (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
instrumental recording of:
El amor brujo: X. Canción del fuego fatuo (on 1960-03-11)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
23:47
3The Pan Piper
bass clarinet:
Danny Bank (reeds) (on 1960-03-10)
bassoon:
Jack Knitzer (on 1960-03-10)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-10)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-10)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-10) and Harold Feldman (woodwind player) (on 1960-03-10)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-10), Joe Singer (on 1960-03-10) and Tony Miranda (on 1960-03-10)
harp:
Janet Putman (on 1960-03-10)
oboe:
Romeo Penque (on 1960-03-10)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-10)
trombone:
Dick Hixson (on 1960-03-10) and Frank Rehak (on 1960-03-10)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-10), Bernie Glow (on 1960-03-10) and Ernie Royal (on 1960-03-10)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-10)
conductor:
Gil Evans (on 1960-03-10)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-10)
recording of:
The Pan Piper (on 1960-03-10)
composer:
Gil Evans
3:55
4Saeta
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putman (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Saeta (on 1960-03-11)
composer:
Gil Evans
4:57
5Solea
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putman (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Solea (on 1960-03-11)
composer:
Gil Evans
3.512:08
6Song of Our Country
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans (on 1960-03-11)
recording of:
Song of Our Country (on 1960-03-11)
composer:
Heitor Villa‐Lobos
arranger:
Gil Evans
3:24
7Concierto de Aranjuez (Part 1, Alt. Take)
bass clarinet:
Danny Bank (reeds)
double bass [bass]:
Paul Chambers (US jazz bassist)
drums (drum set):
Jimmy Cobb (US jazz drummer)
oboe:
Romeo Penque
percussion:
Elvin Jones (jazz drummer) and José Mangual
trombone:
Dick Hixson and Frank Rehak
trumpet:
Johnny Coles (US jazz trumpeter), Bernie Glow and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
partial cover recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
12:04
8Concierto de Aranjuez (Part 2, Alt. Take)
bass clarinet:
Danny Bank (reeds)
double bass [bass]:
Paul Chambers (US jazz bassist)
drums (drum set):
Jimmy Cobb (US jazz drummer)
flugelhorn:
Al Block (US jazz flute/saxaphone) and Miles Davis (jazz trumpeter, bandleader, songwriter)
French horn:
John Barrows (American wind instrumentalist), Earl Chapin and Jim Buffington (US jazz, studio and classical hornist)
oboe:
Romeo Penque
percussion:
Elvin Jones (jazz drummer) and José Mangual
trombone:
Dick Hixson and Frank Rehak
trumpet:
Taft Jordan and Louis R. Mucci (trumpetist)
cover recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
partial recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
partial cover recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
music quoted on:
Alma vieja
part of:
Concierto de Aranjuez
3:34
CD 7: Someday My Prince Will Come
#TitleArtistRatingLength
1Someday My Prince Will Come
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1961-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1961-03)
piano:
Wynton Kelly (in 1961-03)
tenor saxophone:
John Coltrane (in 1961-03) and Hank Mobley (US jazz tenor saxophonist) (in 1961-03)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1961-03)
instrumental recording of:
Someday My Prince Will Come (in 1961-03)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
Miles Davis Sextet9:06
2Old Folks
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1961-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1961-03)
piano:
Wynton Kelly (in 1961-03)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (in 1961-03)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1961-03)
instrumental recording of:
Old Folks (in 1961-03)
lyricist:
Dedette Lee Hill (in 1938)
composer:
Willard Robison (in 1938)
Miles Davis Sextet5:17
3Pfrancing (No Blues)
recording of:
Pfrancin'
writer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis Sextet8:33
4Drad-Dog
bass:
Paul Chambers (US jazz bassist)
drums (drum set):
Jimmy Cobb (US jazz drummer)
piano:
Wynton Kelly
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Drad‐Dog
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis Sextet4:51
5Teo
recording of:
Teo
writer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis Sextet9:36
6I Thought About You
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1961-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1961-03)
piano:
Wynton Kelly (in 1961-03)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (in 1961-03)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1961-03)
instrumental recording of:
I Thought About You (in 1961-03)
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Miles Davis Sextet4:55
7Blues No.2
Miles Davis Sextet7:09
8Someday My Prince Will Come (alternate take)
recording of:
Someday My Prince Will Come
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
Miles Davis Sextet5:34
CD 8: Seven Steps to Heaven
#TitleRatingLength
1Basin Street Blues
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1963-04-16)
drums (drum set):
Frank Butler (drummer) (on 1963-04-16)
piano:
Victor Feldman (jazz musician) (on 1963-04-16)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1963-04-16)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1963-04-16)
instrumental recording of:
Basin Street Blues (on 1963-04-16)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
4.9510:30
2Seven Steps to Heaven
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1963-05-14)
drums (drum set):
Tony Williams (American jazz drummer) (on 1963-05-14)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-05-14)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1963-05-14)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1963-05-14)
instrumental recording of:
Seven Steps to Heaven (on 1963-05-14)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1963) and Victor Feldman (jazz musician) (in 1963)
recording of:
Seven Steps to Heaven
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1963) and Victor Feldman (jazz musician) (in 1963)
6:26
3I Fall in Love Too Easily
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1963-04-16)
drums (drum set):
Frank Butler (drummer) (on 1963-04-16)
piano:
Victor Feldman (jazz musician) (on 1963-04-16)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1963-04-16)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1963-04-16)
instrumental recording of:
I Fall in Love Too Easily (on 1963-04-16)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
6:46
4So Near, So Far
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1963-05-14)
drums (drum set):
Tony Williams (American jazz drummer) (on 1963-05-14)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-05-14)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1963-05-14)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1963-05-14)
recording of:
So Near, So Far (on 1963-05-14)
composer:
Tony Crombie and Bennie Green (jazz trombonist)
publisher:
Songs of Peer, Ltd. (ASCAP)
6:59
5Baby Won't You Please Come Home
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1963-04-16)
drums (drum set):
Frank Butler (drummer) (on 1963-04-16)
piano:
Victor Feldman (jazz musician) (on 1963-04-16)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1963-04-16)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1963-04-16)
instrumental recording of:
Baby Won’t You Please Come Home (on 1963-04-16)
writer:
Charles Warfield and Clarence Williams (composer / pianist /bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
8:28
6Joshua
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1963-05-14)
drums (drum set):
Tony Williams (American jazz drummer) (on 1963-05-14)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-05-14)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1963-05-14)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1963-05-14)
recording of:
Joshua (on 1963-05-14)
composer:
Victor Feldman (jazz musician)
publisher:
New Fangled Music
7:00
7So Near, So Far (alternate)
recording of:
So Near, So Far
composer:
Tony Crombie and Bennie Green (jazz trombonist)
publisher:
Songs of Peer, Ltd. (ASCAP)
5:12
8Summer Night
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1963-04-17)
drums (drum set):
Frank Butler (drummer) (on 1963-04-17)
piano:
Victor Feldman (jazz musician) (on 1963-04-17)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1963-04-17)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1963-04-17)
instrumental recording of:
Summer Night (on 1963-04-17)
writer:
Al Dubin and Harry Warren (US composer and lyricist)
6:01
CD 9: Miles in Berlin
#TitleRatingLength
1Milestones
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-09-25)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-09-25)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-09-25)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1964-09-25)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1964-09-25)
live recording of:
Milestones (originally titled “Miles”) (on 1964-09-25)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, since 1972), Jazz Horn Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
8:58
2Autumn Leaves
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-09-25)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-09-25)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-09-25)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1964-09-25)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1964-09-25)
live instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1964-09-25)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney-related, NYC-based company)
translated version of:
Les Feuilles mortes
12:38
3So What
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-09-25)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-09-25)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-09-25)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1964-09-25)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1964-09-25)
live recording of:
So What (on 1964-09-25)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
10:27
4Stella by Starlight
bass:
Ron Carter (US jazz double-bassist) (on 1964-02-12, on 1964-09-25)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-02-12, on 1964-09-25)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-02-12, on 1964-09-25)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1964-02-12) and Wayne Shorter (US jazz saxophonist and composer) (on 1964-09-25)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1964-02-12, on 1964-09-25)
live instrumental recording of:
Stella by Starlight (on 1964-09-25)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
cover recording of:
Stella by Starlight
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
12:53
5Walkin'
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-09-25)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-09-25)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-09-25)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1964-09-25)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1964-09-25)
recording of:
Walkin' (usually credited to Richard Carpenter)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
10:39
6Go-Go (The Theme) + Announcement
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-09-25)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-09-25)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-09-25)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1964-02-12)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1964-09-25)
1:45
CD 10: E.S.P.
#TitleRatingLength
1E.S.P.
double bass:
Ron Carter (US jazz double-bassist) (on 1965-01-20)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-01-20)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-01-20)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1965-01-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1965-01-20)
recorded at:
Columbia Studio ‘D’ in Hollywood, Los Angeles, California, United States (on 1965-01-20)
recording of:
E.S.P. (on 1965-01-20)
lyricist:
Cassandra Wilson
composer:
Wayne Shorter (US jazz saxophonist and composer)
5:32
2Eighty-One
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1965-01-21)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-01-21)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-01-21)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1965-01-21)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1965-01-21)
recorded at:
Columbia Studio ‘D’ in Hollywood, Los Angeles, California, United States (on 1965-01-21)
recording of:
Eighty-One (on 1965-01-21)
composer:
Ron Carter (US jazz double-bassist)
6:17
3Little One
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1965-01-21)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-01-21)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-01-21)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1965-01-21)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1965-01-21)
recorded at:
Columbia Studio ‘D’ in Hollywood, Los Angeles, California, United States (on 1965-01-21)
recording of:
Little One (on 1965-01-21)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
7:24
4R.J.
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1965-01-20)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-01-20)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-01-20)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1965-01-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1965-01-20)
recorded at:
Columbia Studio ‘D’ in Hollywood, Los Angeles, California, United States (on 1965-01-20)
recording of:
R.J. (on 1965-01-20)
composer:
Ron Carter (US jazz double-bassist)
3:59
5Agitation
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1965-01-22)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-01-22)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-01-22)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1965-01-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1965-01-22)
recorded at:
Columbia Studio ‘D’ in Hollywood, Los Angeles, California, United States (on 1965-01-22)
recording of:
Agitation (on 1965-01-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
7:48
6Iris
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1965-01-22)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-01-22)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-01-22)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1965-01-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1965-01-22)
recorded at:
Columbia Studio ‘D’ in Hollywood, Los Angeles, California, United States (on 1965-01-22)
recording of:
Iris (on 1965-01-22)
composer:
Wayne Shorter (US jazz saxophonist and composer)
8:33
7Mood
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1965-01-22)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-01-22)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-01-22)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1965-01-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1965-01-22)
recorded at:
Columbia Studio ‘D’ in Hollywood, Los Angeles, California, United States (on 1965-01-22)
recording of:
Mood (on 1965-01-22)
composer:
Ron Carter (US jazz double-bassist)
8:49
CD 11: Miles Smiles
CD 12: Nefertiti
CD 13: Filles de Kilimanjaro
CD 14: In a Silent Way
CD 15: Bitches Brew (CD 1)
CD 16: Bitches Brew (CD 2)
CD 17: A Tribute to Jack Johnson
CD 18: On The Corner
CD 19: We Want Miles (CD 1)
CD 20: We Want Miles (CD 2)
CD 21: Star People
CD 22: Decoy