Oscar Peterson - Seven Classic Albums Vol.2

~ Release by Oscar Peterson (see all versions of this release, 1 available)

Tracklist

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▼CD 1: My Fair Lady / Ben Webster Meets Oscar Peterson
#TitleRatingLength
1On the Street Where You Live
instrumental recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
5:32
2I Could Have Danced All Night
instrumental recording of:
I Could Have Danced All Night (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
5:18
3Show Me
instrumental recording of:
Show Me (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
6:19
4Get Me to the Church on Time
instrumental recording of:
Get Me to the Church on Time (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
6:41
5Wouldn't It Be Loverly
instrumental recording of:
Wouldn’t It Be Loverly (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
5:32
6I've Grown Accustomed to Her Face
instrumental recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
6:36
7The Rain in Spain
instrumental recording of:
The Rain in Spain (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
3:50
8The Touch of Your Lips
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
The Touch of Your Lips (on 1959-11-06)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
6:19
9When Your Lover Has Gone
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
When Your Lover Has Gone (on 1959-11-06)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
3:59
10Bye Bye Blackbird
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
Bye Bye Blackbird (on 1959-11-06)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
6:44
11How Deep Is the Ocean
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
How Deep Is the Ocean? (on 1959-11-06)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:34
12In the Wee Small Hours of the Morning
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
In the Wee Small Hours of the Morning (on 1959-11-06)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
3:12
13Sunday
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
Sunday (Frank Sinatra song) (on 1959-11-06)
writer:
Chester Conn, Benny Krueger (jazz saxophonist), Ned Miller (Nathan "Ned" Miller) and Jule Styne
publisher:
EMI United Partnership Ltd.
3:56
14This Can't Be Love
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
This Can’t Be Love (on 1959-11-06)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell
9:50
▼CD 2: Fiorello! / The Sound of the Trio
#TitleRatingLength
1When Did I Fall in Love
double bass:
Ray Brown (jazz bassist) (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1960-01)
instrumental recording of:
When Did I Fall in Love? (Fiorello!) (in 1960-01)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
part of:
Fiorello!
4:31
2Little Tin Box
double bass:
Ray Brown (jazz bassist) (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1960-01)
instrumental recording of:
Little Tin Box (Fiorello!) (in 1960-01)
composer:
Jerry Bock
part of:
Fiorello!
4:13
3Home Again
double bass:
Ray Brown (jazz bassist) (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1960-01)
3:01
4Till Tomorrow
double bass:
Ray Brown (jazz bassist) (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1960-01)
2:42
5Politics and Poker
double bass:
Ray Brown (jazz bassist) (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1960-01)
4:11
6Gentleman Jimmy
double bass:
Ray Brown (jazz bassist) (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1960-01)
3:28
7Unfair
double bass:
Ray Brown (jazz bassist) (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1960-01)
3:54
8On the Side of Angels
double bass:
Ray Brown (jazz bassist) (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1960-01)
6:33
9Where Do I Go From Here
double bass:
Ray Brown (jazz bassist) (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1960-01)
instrumental recording of:
Where Do I Go from Here? (in 1960-01)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
4:23
10Tricotism
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (on 1961-07-29)
drums (drum set):
Ed Thigpen (on 1961-07-29)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1961-07-29)
recorded at:
London House in Chicago, Illinois, United States (on 1961-07-29)
live recording of:
Tricotism (on 1961-07-29)
composer:
Oscar Pettiford
11:08
11On Green Dolphin Street
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (from 1961-07-27 until 1961-08-06)
drums (drum set):
Ed Thigpen (from 1961-07-27 until 1961-08-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1961-07-27 until 1961-08-06)
recorded at:
London House in Chicago, Illinois, United States (from 1961-07-27 until 1961-08-06)
recording of:
On Green Dolphin Street (from 1961-07-27 until 1961-08-06)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist, Inc. and Patti Washington Music
8:53
12Thag's Dance
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (on 1961-07-29)
drums (drum set):
Ed Thigpen (on 1961-07-29)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1961-07-29)
recorded at:
London House in Chicago, Illinois, United States (on 1961-07-29)
5:40
13Ill Wind
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (on 1961-07-29)
drums (drum set):
Ed Thigpen (on 1961-07-29)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1961-07-29)
recorded at:
London House in Chicago, Illinois, United States (on 1961-07-29)
live instrumental recording of:
Ill Wind (on 1961-07-29)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
5:33
14Kadota's Blues
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (from 1961-07-27 until 1961-08-06)
drums (drum set):
Ed Thigpen (from 1961-07-27 until 1961-08-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1961-07-27 until 1961-08-06)
recorded at:
London House in Chicago, Illinois, United States (from 1961-07-27 until 1961-08-06)
11:07
▼CD 3: West Side Story / Very Tall (with Milt Jackson)
#TitleRatingLength
1Something's Coming
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-01-24 until 1962-01-25)
instrumental recording of:
West Side Story: Something’s Coming (Tony) (in 1962-01)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and G. Schirmer Inc.
part of:
West Side Story
instrumental cover recording of:
West Side Story: Something’s Coming (Tony)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and G. Schirmer Inc.
part of:
West Side Story
3:52
2Somewhere
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-01-24 until 1962-01-25)
instrumental recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (from 1962-01-24 until 1962-01-25)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
lyrics quoted on:
West Side Story: Ballet Sequence: Procession and Nightmare (Jets, Sharks)
music quoted on:
West Side Story: Ballet Sequence: Procession and Nightmare (Jets, Sharks)
music quoted on:
West Side Story: End Credits (2021 motion picture)
music quoted on:
West Side Story: Finale (2021 motion picture version)
music quoted on:
West Side Story: Finale
part of:
West Side Story: Ballet Sequence
instrumental cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
lyrics quoted on:
West Side Story: Ballet Sequence: Procession and Nightmare (Jets, Sharks)
music quoted on:
West Side Story: Ballet Sequence: Procession and Nightmare (Jets, Sharks)
music quoted on:
West Side Story: End Credits (2021 motion picture)
music quoted on:
West Side Story: Finale (2021 motion picture version)
music quoted on:
West Side Story: Finale
part of:
West Side Story: Ballet Sequence
5:33
3Jet Song
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-01-24 until 1962-01-25)
instrumental recording of:
West Side Story: Jet Song (in 1962-01)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
part of:
West Side Story
instrumental cover recording of:
West Side Story: Jet Song
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
part of:
West Side Story
7:46
4Tonight
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-01-24 until 1962-01-25)
instrumental recording of:
West Side Story: Tonight (Maria, Tony) (in 1962-01)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (US composer & conductor) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
music quoted on:
West Side Story: End Credits (2021 motion picture)
music quoted on:
West Side Story: Finale (2021 motion picture version)
part of:
West Side Story
instrumental cover recording of:
West Side Story: Tonight (Maria, Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (US composer & conductor) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
music quoted on:
West Side Story: End Credits (2021 motion picture)
music quoted on:
West Side Story: Finale (2021 motion picture version)
part of:
West Side Story
4:34
5Maria
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-01-24 until 1962-01-25)
instrumental recording of:
West Side Story: Maria (Tony) (from 1962-01-24 until 1962-01-25)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (US composer & conductor) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
music quoted on:
West Side Story: End Credits (2021 motion picture)
music quoted on:
West Side Story: The Dance at the Gym: Cha-Cha
part of:
West Side Story
instrumental cover recording of:
West Side Story: Maria (Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (US composer & conductor) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
music quoted on:
West Side Story: End Credits (2021 motion picture)
music quoted on:
West Side Story: The Dance at the Gym: Cha-Cha
part of:
West Side Story
4:52
6I Feel Pretty
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-01-24 until 1962-01-25)
instrumental recording of:
West Side Story: I Feel Pretty (in 1962-01)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
music quoted on:
West Side Story: End Credits (2021 motion picture)
part of:
West Side Story
instrumental cover recording of:
West Side Story: I Feel Pretty
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
music quoted on:
West Side Story: End Credits (2021 motion picture)
part of:
West Side Story
4:26
7Reprise
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-01-24 until 1962-01-25)
3:55
8On Green Dolphin Street
double bass [bass]:
Ray Brown (jazz bassist) (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
instrumental recording of:
On Green Dolphin Street (in 1961-09)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist, Inc. and Patti Washington Music
7:28
9Heartstrings
double bass [bass]:
Ray Brown (jazz bassist) (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
5:41
10Work Song
double bass [bass]:
Ray Brown (jazz bassist) (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
recording of:
Work Song (original instrumental) (in 1961-09)
composer:
Nat Adderley
7:29
11John Brown's Body
double bass [bass]:
Ray Brown (jazz bassist) (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
instrumental recording of:
John Brown’s Body (in 1961-09)
writer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 771)
7:47
12A Wonderful Guy
double bass [bass]:
Ray Brown (jazz bassist) (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
instrumental recording of:
I’m in Love With a Wonderful Guy (South Pacific) (in 1961-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
4:52
13Reunion Blues
double bass [bass]:
Ray Brown (jazz bassist) (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
recording of:
Reunion Blues
composer:
Milt Jackson
7:20
▼CD 4: Night Train
#TitleRatingLength
1Night Train
recorded in:
Los Angeles, California, United States (on 1962-12-15)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1962-12-15)
drums (drum set):
Ed Thigpen (on 1962-12-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-12-15)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest's original instrumental version) (on 1962-12-15)
composer:
Jimmy Forrest
4:49
2C Jam Blues
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
“C” Jam Blues
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
3:24
3Georgia on My Mind
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
piano:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), ピアーミュージック (Japan, subsidiary of Nichion), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
arrangement of:
Georgia On My Mind (Solo piano arrangement)
3:45
4Bags' Groove
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
Bags’ Groove
composer:
Milt Jackson
5:41
5Moten Swing
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
Moten Swing
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
2:54
6Easy Does It
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
Easy Does It
writer:
James Oliver Young and Sy Oliver
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Warock Corp.
2:44
7The Honeydripper
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
The Honeydripper
lyricist and composer:
Joe Liggins
2:23
8Things Ain't What They Used to Be
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
piano:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
Things Ain’t What They Used to Be
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
4:46
9I Got It Bad (And That Ain't Good)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
piano:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
part of:
The Real Book (compilation of jazz standards, Volume I)
5:05
10Band Call
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
Band Call
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:52
11Hymn to Freedom
double bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
Hymn to Freedom
composer:
Oscar Peterson (Canadian jazz pianist and composer)
5:31