Convergence

~ Release by Richie Beirach and George Coleman (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1The Lamp Is Low
assistant engineer:
Troy Halderson
engineer:
Jim Anderson (engineer)
producer:
Roy Kagel
piano:
Richie Beirach (pianist) (from 1990-11-10 until 1990-11-11)
saxophone:
George Coleman (US jazz saxophonist) (from 1990-11-10 until 1990-11-11)
arranger:
Richie Beirach (pianist)
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (from 1990-11-10 until 1990-11-11)
instrumental recording of:
The Lamp Is Low (1939 song) (in 1990-11)
lyricist:
Mitchell Parish
additional composer:
Peter de Rose and Bert Shefter
composer:
Maurice Ravel (classical composer)
is based on:
Pavane pour une infante défunte (original version for solo piano)
Richie Beirach, George Coleman6:55
2I Wish I Knew
assistant engineer:
Troy Halderson
engineer:
Jim Anderson (engineer)
producer:
Roy Kagel
piano:
Richie Beirach (pianist) (from 1990-11-10 until 1990-11-11)
saxophone:
George Coleman (US jazz saxophonist) (from 1990-11-10 until 1990-11-11)
arranger:
Richie Beirach (pianist)
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (from 1990-11-10 until 1990-11-11)
instrumental recording of:
I Wish I Knew (in 1990-11)
lyricist:
Mack Gordon
composer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
Richie Beirach, George Coleman6:45
3Flamenco Sketches
assistant engineer:
Troy Halderson
engineer:
Jim Anderson (engineer)
producer:
Roy Kagel
piano:
Richie Beirach (pianist) (from 1990-11-10 until 1990-11-11)
saxophone:
George Coleman (US jazz saxophonist) (from 1990-11-10 until 1990-11-11)
arranger:
Richie Beirach (pianist)
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (from 1990-11-10 until 1990-11-11)
recording of:
Flamenco Sketches (in 1990-11)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
Richie Beirach, George Coleman4:38
4Rectilinear
assistant engineer:
Troy Halderson
engineer:
Jim Anderson (engineer)
producer:
Roy Kagel
piano:
Richie Beirach (pianist) (from 1990-11-10 until 1990-11-11)
saxophone:
George Coleman (US jazz saxophonist) (from 1990-11-10 until 1990-11-11)
arranger:
Richie Beirach (pianist)
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (from 1990-11-10 until 1990-11-11)
recording of:
Rectilinear (in 1990-11)
composer:
Richie Beirach (pianist)
Richie Beirach, George Coleman5:15
5For B.C.
assistant engineer:
Troy Halderson
engineer:
Jim Anderson (engineer)
producer:
Roy Kagel
piano:
Richie Beirach (pianist) (from 1990-11-10 until 1990-11-11)
saxophone:
George Coleman (US jazz saxophonist) (from 1990-11-10 until 1990-11-11)
arranger:
Richie Beirach (pianist)
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (from 1990-11-10 until 1990-11-11)
recording of:
For B.C. (in 1990-11)
composer:
George Mraz (jazz bassist)
Richie Beirach, George Coleman7:03
6Riddles
assistant engineer:
Troy Halderson
engineer:
Jim Anderson (engineer)
producer:
Roy Kagel
piano:
Richie Beirach (pianist) (from 1990-11-10 until 1990-11-11)
saxophone:
George Coleman (US jazz saxophonist) (from 1990-11-10 until 1990-11-11)
arranger:
Richie Beirach (pianist)
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (from 1990-11-10 until 1990-11-11)
recording of:
Riddles (in 1990-11)
composer:
Richie Beirach (pianist)
Richie Beirach, George Coleman5:47
7Zal
assistant engineer:
Troy Halderson
engineer:
Jim Anderson (engineer)
producer:
Roy Kagel
piano:
Richie Beirach (pianist) (from 1990-11-10 until 1990-11-11)
saxophone:
George Coleman (US jazz saxophonist) (from 1990-11-10 until 1990-11-11)
arranger:
Richie Beirach (pianist)
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (from 1990-11-10 until 1990-11-11)
recording of:
Zal (in 1990-11)
composer:
Richie Beirach (pianist) (in 1976)
Richie Beirach, George Coleman6:15
8What Is This Thing Called Love?
assistant engineer:
Troy Halderson
engineer:
Jim Anderson (engineer)
producer:
Roy Kagel
piano:
Richie Beirach (pianist) (from 1990-11-10 until 1990-11-11)
saxophone:
George Coleman (US jazz saxophonist) (from 1990-11-10 until 1990-11-11)
arranger:
Richie Beirach (pianist)
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (from 1990-11-10 until 1990-11-11)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1990-11)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
Richie Beirach, George Coleman3:26
9Infant Eyes
assistant engineer:
Troy Halderson
engineer:
Jim Anderson (engineer)
producer:
Roy Kagel
piano:
Richie Beirach (pianist) (from 1990-11-10 until 1990-11-11)
saxophone:
George Coleman (US jazz saxophonist) (from 1990-11-10 until 1990-11-11)
arranger:
Richie Beirach (pianist)
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (from 1990-11-10 until 1990-11-11)
recording of:
Infant Eyes (in 1990-11)
composer:
Wayne Shorter (US jazz saxophonist and composer)
Richie Beirach, George Coleman10:21