Changes Two

~ Release by Charles Mingus (see all versions of this release, 5 available)

Tracklist

▼CD 1
#TitleRatingLength
1Free Cell Block F, 'Tis Nazi U.S.A.
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu
double bass [bass]:
Charles Mingus (on 1974-12-30)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-30)
piano:
Don Pullen (pianist) (on 1974-12-30)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-30)
trumpet:
Jack Walrath (on 1974-12-30)
remixer:
İlhan Mimaroğlu and Bobby Warner
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-30)
recording of:
Free Cell Block F, ‘Tis Nazi U.S.A. (on 1974-12-30)
composer:
Charles Mingus
6:56
2Orange Was the Color of Her Dress, Then Silk Blue
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu
double bass [bass]:
Charles Mingus (on 1974-12-30)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-30)
piano:
Don Pullen (pianist) (on 1974-12-30)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-30)
trumpet:
Jack Walrath (on 1974-12-30)
remixer:
İlhan Mimaroğlu and Bobby Warner
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-30)
recording of:
Orange Was the Color of Her Dress, Then Silk Blue (on 1974-12-30)
composer:
Charles Mingus
17:32
3Black Bats and Poles
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu
double bass [bass]:
Charles Mingus (on 1974-12-30)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-30)
piano:
Don Pullen (pianist) (on 1974-12-30)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-30)
trumpet:
Jack Walrath (on 1974-12-30)
remixer:
İlhan Mimaroğlu and Bobby Warner
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-30)
recording of:
Black Bats and Poles (on 1974-12-30)
composer:
Jack Walrath
6:22
4Duke Ellington's Sound of Love
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu
double bass [bass]:
Charles Mingus (on 1974-12-30)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-30)
piano:
Don Pullen (pianist) (on 1974-12-30)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-30)
trumpet:
Marcus Belgrave (on 1974-12-30) and Jack Walrath (on 1974-12-30)
guest vocals:
Jackie Paris (on 1974-12-30)
remixer:
İlhan Mimaroğlu and Bobby Warner
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-30)
recording of:
Duke Ellington's Sound of Love (on 1974-12-30)
lyricist and composer:
Charles Mingus
arranger:
Ray Anderson (US jazz trumpeter/trombonist) and Sy Johnson
4:15
5For Harry Carney
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu
double bass [bass]:
Charles Mingus (on 1974-12-28)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-28)
piano:
Don Pullen (pianist) (on 1974-12-28)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-28)
trumpet:
Jack Walrath (on 1974-12-28)
remixer:
İlhan Mimaroğlu and Bobby Warner
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-28)
recording of:
For Harry Carney (on 1974-12-28)
composer:
Sy Johnson
7:59

Credits

Release

photography:David Gahr (photographer)
graphic design:Paula Scher (in 1975)
manufactured by:Warner Music Manufacturing Europe (manufacturing company; not for release label use!)
copyrighted (©) by:Warner Music UK Ltd. (not for release label use!)
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
part of:Atlantic Masters (A CD reissue series beginning in 2002, remastered from the original analogue tapes) (order: 11)
Discogs:https://www.discogs.com/release/1420143 [info]
Allmusic:https://www.allmusic.com/album/release/mr0000230459 [info]