Tracklist

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CD 1: Titanic Original Motion Picture Soundtrack
#TitleArtistRatingLength
1Never an Absolution
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
recording of:
Never an Absolution
composer:
James Horner (American score composer)
part of:
Titanic
James Horner3:03
2Distant Memories
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
Distant Memories
composer:
James Horner (American score composer)
part of:
Titanic
James Horner2:24
3Southampton
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
recording of:
Southampton
composer:
James Horner (American score composer)
part of:
Titanic
James Horner4:02
4Rose
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
Rose
composer:
James Horner (American score composer)
part of:
Titanic
James Horner2.52:53
5Leaving Port
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
Leaving Port
composer:
James Horner (American score composer)
part of:
Titanic
James Horner3:26
6“Take her to sea, Mr. Murdoch”
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
“Take her to sea, Mr. Murdoch”
composer:
James Horner (American score composer)
part of:
Titanic
James Horner4:31
7“Hard to starboard”
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
“Hard to starboard”
composer:
James Horner (American score composer)
part of:
Titanic
James Horner6:53
8Unable to Stay, Unwilling to Leave
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
uilleann pipes:
Eric Rigler
woodwind [woodwinds]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
Unable to Stay, Unwilling to Leave
composer:
James Horner (American score composer)
part of:
Titanic
James Horner3:56
9The Sinking
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
The Sinking
composer:
James Horner (American score composer)
part of:
Titanic
James Horner5:05
10Death of Titanic
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
Death of Titanic
composer:
James Horner (American score composer)
part of:
Titanic
James Horner8:26
11A Promise Kept
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
A Promise Kept
composer:
James Horner (American score composer)
part of:
Titanic
James Horner6:02
12A Life So Changed
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
A Life So Changed
composer:
James Horner (American score composer)
part of:
Titanic
James Horner2:13
13An Ocean of Memories
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
An Ocean of Memories
composer:
James Horner (American score composer)
part of:
Titanic
James Horner3.157:58
14My Heart Will Go On (love theme from “Titanic”)
producer:
Simon Franglen (English score composer) and James Horner (American score composer)
editor:
Joe E. Rand
vocals:
Céline Dion
conductor:
James Horner (American score composer)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版 第2事業部 (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
part of:
Academy Award for Best Original Song (number: 70)
part of:
Titanic
Celine Dion15:11
15Hymn to the Sea
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
uilleann pipes:
Eric Rigler
woodwind [woodwinds]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
Hymn to the Sea
composer:
James Horner (American score composer)
part of:
Titanic
James Horner6:26
CD 2: Back to Titanic
#TitleArtistRatingLength
1Titanic Suite
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
choir vocals:
Choristers of King’s College, Cambridge
vocals:
Sissel
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Stephen Cleobury (organist, conductor)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Titanic Incidental Music
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner19:05
2An Irish Party in Third Class (includes “John Ryan’s Polka” and “Blarney Pilgrim”)
producer:
Randy Gerston
mixer:
Bill Drescher (Producer and sound engineer) and Randy Gerston
arranger:
Gaelic Storm
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
medley including a recording of:
Ryan’s Polka
composer:
[traditional] (special purpose artist)
medley including a recording of:
The Blarney Pilgrim
composer:
[traditional] (special purpose artist)
Gaelic Storm3:49
3Alexander’s Ragtime Band
producer:
John Altman
mixer:
Bill Drescher (Producer and sound engineer) and Randy Gerston
cello, double bass [bass], piano and violin:
I Salonisti
arranger:
John Altman
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
instrumental recording of:
Alexander’s Ragtime Band
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
I Salonisti2:31
4The Portrait (piano solo)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
solo piano:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
The Portrait
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner4:43
5Jack Dawson’s Luck (includes “Humours of Caledon”, “The Red-Haired Lass”, “The Boys on the Hilltop” & “The Bucks of Oranmore”)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Jack Dawson’s Luck
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
medley of:
The Red Haired Lass
medley of:
The Bucks of Oranmore (reel)
medley of:
Humours of Caledon
medley of:
The Boys on the Hilltop
James Horner5:39
6A Building Panic
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
A Building Panic
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner8:09
7Nearer My God to Thee
producer:
Lorenz Hasler (Swiss violinist)
mixer:
Bill Drescher (Producer and sound engineer) and Randy Gerston
cello, double bass [bass], piano and violin:
I Salonisti
spoken vocals:
Jonathan Evans-Jones (violinist)
arranger:
Jonathan Evans-Jones (violinist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
instrumental recording of:
Nearer, My God, to Thee (Bethany)
lyricist:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
composer:
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
part of:
Roud Folk Song Index (number: 28881)
I Salonisti2:50
8Come Josephine, in My Flying Machine
engineer:
Ray Pyle
producer:
Randy Gerston
spoken vocals:
Ioan Gruffudd and Kate Winslet
vocals:
Máire Brennan (formerly known as Máire Brennan)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recording of:
Come Josephine, in My Flying Machine
lyricist:
Alfred Bryan (US songwriter)
composer:
Fred Fisher
publisher:
Bienstock Publishing Co. (ASCAP affiliated) and Shapiro & Bernstein Co., Inc.
Máire Brennan3:33
9Lament (Includes “A Spailpín a Rún”)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Lament
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
is based on:
A spailpín a rún
James Horner4:36
10A Shore Never Reached
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
A Shore Never Reached
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner4:27
11My Heart Will Go On (with dialogue from the film)
producer:
Walter Afanasieff and James Horner (American score composer)
spoken vocals:
Leonardo DiCaprio and Kate Winslet
vocals:
Céline Dion
phonographic copyright (℗) by:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版 第2事業部 (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
part of:
Academy Award for Best Original Song (number: 70)
part of:
Titanic
Celine Dion4:43
12Nearer My God to Thee
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
engineer:
Steve Hardy (engineer)
editor:
Jim Henrikson
violin:
Eileen Ivers
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
instrumental recording of:
Nearer, My God, to Thee (Bethany)
lyricist:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
composer:
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
part of:
Roud Folk Song Index (number: 28881)
Eileen Ivers2:23
13Epilogue - The Deep and Timeless Sea
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
choir vocals:
Choristers of King’s College, Cambridge
vocals:
Sissel
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Stephen Cleobury (organist, conductor)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Epilogue - The Deep and Timeless Sea
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner12:37
CD 3: Gentlemen, It Has Been a Privilege Playing With You Tonight
#TitleArtistRatingLength
1Valse Septembre
arranger:
John Altman
recording of:
Valse Septembre
composer:
Felix Godin (in 1909)
I Salonisti3:41
2Marguerite Waltz
arranger:
John Altman
partial instrumental recording of:
Faust
composer:
Charles Gounod (French composer) (from 1845 until 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
premiered at:
Théâtre de la Ville (Paris) in Paris, Île-de-France, France (on 1859-03-19)
I Salonisti2:36
3Wedding Dance
arranger:
John Altman
recording of:
Wedding Dance
composer:
Paul Lincke
I Salonisti2:33
4Poet and Peasant
arranger:
György Mondway
recording of:
Dichter und Bauer: Ouvertüre
composer:
Franz von Suppè (composer)
part of:
Dichter und Bauer
I Salonisti6:51
5Blue Danube
arranger:
György Mondway
recording of:
An der schönen blauen Donau, op. 314
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
I Salonisti6:57
6Song Without Words
arranger:
John Altman
recording of:
Song Without Words
composer:
Пётр Ильич Чайковский (Russian romantic composer)
I Salonisti2:39
7EstudiantinaI Salonisti3:13
8Vision of Salome
arranger:
John Altman
recording of:
Vision of Salome
composer:
Archibald Joyce
I Salonisti2:44
9Titsy Bitsy Girl
arranger:
John Altman
recording of:
Titsy Bitsy Girl
composer:
Ivan Caryll
I Salonisti1:37
10Alexander’s Ragtime Band
arranger:
John Altman
recording of:
Alexander’s Ragtime Band
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
I Salonisti2:30
11Sphinx
arranger:
John Altman
recording of:
Sphinx
composer:
Pierre Chapella, Francis Popy and Léo Pouget
I Salonisti3:50
12BarcaroleI Salonisti3:33
13Orpheus
arranger:
György Mondway
recording of:
Orpheus (arrangement for salon orchestra)
composer:
Jacques Offenbach
arranger:
György Mondway
is based on:
Orphée aux enfers : Ouverture
I Salonisti8:42
14Song of Autumn
arranger:
John Altman
recording of:
Songe d'Automne Waltz
composer:
Archibald Joyce (in 1908)
I Salonisti3:55
15Nearer My God to Thee
arranger:
Jonathan Evans-Jones (violinist)
instrumental recording of:
Nearer, My God, to Thee (Bethany)
lyricist:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
composer:
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
part of:
Roud Folk Song Index (number: 28881)
I Salonisti2:51
CD 4: Popular Music From the Titanic Era
#TitleArtistRatingLength
1It’s a Long Way to Tipperary
recording of:
It’s a Long Way to Tipperary
writer:
Henry James “Harry” Williams (co-credited for the British music hall song, “It’s a Long Way to Tipperary”)
composer:
Jack Judge
John McCormack3:12
2Let Me Call You Sweetheart
recording of:
Let Me Call You Sweetheart
lyricist:
Beth Whitson
composer:
Leo Friedman
part of:
Thousands Cheer (1943 movie)
Halfway House Dance Orchestra3:06
3Vilia
partial instrumental recording of:
Die lustige Witwe
composer:
Franz Lehár (composer) (in 1905)
librettist:
Victor Léon (librettist) and Leo Stein
premiered at:
Theater an der Wien in Mariahilf, Wien, Austria (on 1905-12-30)
Guy Lombardo & His Orchestra2:47
4My Gal Sal
recording of:
My Gal Sal
lyricist and composer:
Paul Dresser
Chick Bullock & His Levee Loungers2:59
5Oh! You Beautiful Doll
recording of:
Oh, You Beautiful Doll
lyricist:
Seymour Brown (in 1911)
composer:
Nat D. Ayer (in 1911)
part of:
For Me and My Gal (1942 movie)
Chuck Foster & His Orchestra2:54
6Martha
partial instrumental recording of:
Martha
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
premiered at:
Theater am Kärntnertor in Wien, Austria (on 1847-11-25)
Adrian Rollini Trio3:00
7In the Shade of the Old Apple Tree
recording of:
In the Shade of the Old Apple Tree
writer:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) and Egbert Van Alstyne (in 1905)
publisher:
Francis, Day & Hunter Ltd. and Redwood Music Ltd. (Carlin)
Duke Ellington & His Orchestra3:13
8Waiting at the Church
recording of:
Waiting at the Church
lyricist:
Fred W. Leigh (lyricist)
composer:
Henry E. Pether (in 1906)
Beatrice Kay2:40
9Frasquita SerenadeJohn Kirby & His Orchestra2:42
10Shine On Harvest Moon
recording of:
Shine On, Harvest Moon
lyricist:
Jack Norworth (in 1908)
composer:
Nora Bayes (in 1908) and Jack Norworth (in 1908)
Hal Kemp3:07
11From the Land of the Sky Blue Water
clarinet:
Hank D'Amico (on 1938-01-10)
double bass:
Pete Peterson (jazz bassist) (on 1938-01-10)
drums (drum set):
Dave Tough (jazz drummer) (on 1938-01-10)
guitar:
Allan Reuss (on 1938-01-10)
piano:
Teddy Wilson (on 1938-01-10)
tenor saxophone:
Leon “Chu” Berry (on 1938-01-10)
trumpet:
Jimmy Blake (jazz trumpeter) (on 1938-01-10)
vocals:
Mildred Bailey (on 1938-01-10)
recording of:
Four American Indian Songs, op. 45: No. 1. From the Land of the Sky-Blue Water (on 1938-01-10)
lyricist:
Nelle Richmond Eberhart
composer:
Charles Wakefield Cadman (in 1909)
part of:
4 American Indian Songs, op. 45
Mildred Bailey & Her Orchestra2:49
12Loch Lomond
recording of:
Loch Lomond (Scottish folk song)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 9598)
Maxine Sullivan & Her Orchestra2:54
13A Hot Time in the Old Town Tonight
recording of:
A Hot Time in the Old Town Tonight
lyricist:
Joe Hayden (in 1896)
composer:
Theodore August Metz (in 1896)
Miff Mole’s Molers2:48
14Nearer My God to Thee
recording of:
Nearer, My God, to Thee (Bethany)
lyricist:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
composer:
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
part of:
Roud Folk Song Index (number: 28881)
Nelson Eddy3:10