Holiday Classics

~ Release by Пётр Ильич Чайковский (see all versions of this release, 1 available)

Tracklist

▼CD 1
#	Title	Rating	Length
1	Swan Lake Suite, Op. 20: Opening Scene orchestra: London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created) recording of: The Swan Lake (suite from the ballet), op. 20a: I. Scène composer: Пётр Ильич Чайковский (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)		3:12
2	Swan Lake Suite, Op. 20: Waltz orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz) recording of: The Swan Lake (suite from the ballet), op. 20a: II. Valse composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)		7:41
3	Swan Lake Suite, Op. 20: Dance of the Swans orchestra: London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created) recording of: The Swan Lake (suite from the ballet), op. 20a: II. Valse composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) recording of: The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes composer: Пётр Ильич Чайковский (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)		1:38
4	Swan Lake Suite, Op. 20: Mazurka orchestra: Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created) recording of: The Swan Lake (suite from the ballet), op. 20a: VIII. Mazurka composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)		3:51
5	Serenade for Strings, Op. 48: Andante non troppo recording of: Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina composer: Пётр Ильич Чайковский (Russian romantic composer) (in 1880) part of: Serenade for Strings in C major, op. 48		9:25
6	Symphony No. 5 in E minor, Op. 64: III. Waltz. Allegro moderato recording of: Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato composer: Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08) part of: Symphony no. 5 in E minor, op. 64		5:48
7	The Sleeping Beauty Suite, Op. 66: Allegro vivace; Andante sostenuto orchestra: [unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO) conductor: L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert recording of: The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Sleeping Beauty, op. 66a (Suite) recording of: The Sleeping Beauty, op. 66: Introduction composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Спящая красавица, op. 66 (The Sleeping Beauty)		3:31
8	The Sleeping Beauty Suite, Op. 66: Allegro moderato; moderato orchestra: [unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO) conductor: L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert recording of: The Sleeping Beauty Suite, op. 66a: III. Pas de caractère composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Sleeping Beauty, op. 66a (Suite) partial recording of: The Sleeping Beauty Suite, op. 66a: IV. Panorama composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Sleeping Beauty, op. 66a (Suite) recording of: The Sleeping Beauty Suite, op. 66a: IV. Panorama composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Sleeping Beauty, op. 66a (Suite)		2:33
9	The Sleeping Beauty Suite, Op. 66: Andantino orchestra: [unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO) conductor: L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert recording of: The Sleeping Beauty Suite, op. 66a: III. Pas de caractère composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Sleeping Beauty, op. 66a (Suite) recording of: The Sleeping Beauty Suite, op. 66a: IV. Panorama composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Sleeping Beauty, op. 66a (Suite) recording of: The Sleeping Beauty Suite, op. 66a: V. Valse composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Sleeping Beauty, op. 66a (Suite) partial recording of: The Sleeping Beauty Suite, op. 66a: V. Valse composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Sleeping Beauty, op. 66a (Suite)		4:25
10	The Sleeping Beauty Suite, Op. 66: Andante; Molto maestoso orchestra: [unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO) conductor: L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert recording of: The Sleeping Beauty Suite, op. 66a: V. Valse composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Sleeping Beauty, op. 66a (Suite) partial recording of: The Sleeping Beauty Suite, op. 66a: V. Valse composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Sleeping Beauty, op. 66a (Suite) recording of: The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Sleeping Beauty, op. 66: Acte III		2:05
11	The Nutcracker: Overture orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) conductor: Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto composer: Пётр Ильич Чайковский (Russian romantic composer) (until 1892) part of: The Nutcracker (suite from the ballet), op. 71a		3:11
12	The Nutcracker: Act I, Scene 2. "March" orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) conductor: Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques		2:33
13	The Nutcracker: Act II, Scene 14. Pas de Deux: "Dance of the Prince & the Sugar-Plum Fairy" orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) conductor: Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)		1:49
14	The Nutcracker: Act II, Scene 12. "Trepak: Russian Dance" orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) conductor: Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques		1:06
15	The Nutcracker: Act II, Scene 12. "Coffee: Arabian Dance" orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) and South German Philharmonic Orchestra (an Alfred Scholz pseudonym) conductor: Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) and Alfred Scholz recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques		2:52
16	The Nutcracker: Act II, Scene 12. "Tea: Chinese Dance" orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) and South German Philharmonic Orchestra (an Alfred Scholz pseudonym) conductor: Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) and Alfred Scholz recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques		1:12
17	The Nutcracker: Act II, Scene 12. "Dance of the Mirlitons" orchestra: Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) and South German Philharmonic Orchestra (an Alfred Scholz pseudonym) conductor: Hymisher Greenburg (probably a pseudonym of Alfred Sholz), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)		1:59
18	The Nutcracker: Act II, Scene 13. "Waltz of the Flowers" orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) conductor: Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers)		6:20