The Complete 1954-1955 Kenton Presents Session

~ Release by Claude Williamson Trio (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleRatingLength
1Bouncing with Bud
audio engineer:
John Palladino
bass:
Curtis Counce (on 1954-07-29)
drums (drum set):
Stan Levey (on 1954-07-29)
piano:
Claude Williamson (on 1954-07-29)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-07-29)
recording of:
Bouncing With Bud (on 1954-07-29)
composer:
Bud Powell
3:02
2Salute to Bud
audio engineer:
John Palladino
bass:
Curtis Counce (on 1954-07-29)
drums (drum set):
Stan Levey (on 1954-07-29)
piano:
Claude Williamson (on 1954-07-29)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-07-29)
recording of:
Salute to Bud (on 1954-07-29)
composer:
Claude Williamson
2:33
3Penny
audio engineer:
John Palladino
piano:
Claude Williamson (on 1954-06-29)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-06-29)
recording of:
Penny (on 1954-06-29)
composer:
Claude Williamson
2:48
4Thou Swell
audio engineer:
John Palladino
bass:
Curtis Counce (on 1954-07-29)
drums (drum set):
Stan Levey (on 1954-07-29)
piano:
Claude Williamson (on 1954-07-29)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-07-29)
recording of:
Thou Swell (on 1954-07-29)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: File NO Releases)
3:08
5Woody 'N You
audio engineer:
John Palladino
bass:
Curtis Counce (on 1954-06-29)
drums (drum set):
Stan Levey (on 1954-06-29)
piano:
Claude Williamson (on 1954-06-29)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-06-29)
recording of:
Woody ’n’ You (on 1954-06-29)
composer:
Dizzy Gillespie
2:48
6Obsession
audio engineer:
John Palladino
bass:
Curtis Counce (on 1954-06-26)
drums (drum set):
Stan Levey (on 1954-06-26)
piano:
Claude Williamson (on 1954-06-26)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-06-26)
recording of:
Obsession (on 1954-06-26)
composer:
Claude Williamson
3:01
7Indiana
audio engineer:
John Palladino
bass:
Curtis Counce (on 1954-06-29)
drums (drum set):
Stan Levey (on 1954-06-29)
piano:
Claude Williamson (on 1954-06-29)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-06-29)
recording of:
Indiana (Back Home Again in Indiana) (on 1954-06-29)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
2:33
8Over the Rainbow
audio engineer:
John Palladino
piano:
Claude Williamson (on 1954-06-29)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-06-29)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (on 1954-06-29)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
part of:
Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
3:22
9Bean and the Boys
audio engineer:
John Palladino
bass:
Curtis Counce (on 1954-06-29)
drums (drum set):
Stan Levey (on 1954-06-29)
piano:
Claude Williamson (on 1954-06-29)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-06-29)
recording of:
Bean and the Boys (on 1954-06-29)
composer:
Coleman Hawkins
3:09
10I Remember You
audio engineer:
John Palladino
bass:
Curtis Counce (on 1954-07-29)
drums (drum set):
Stan Levey (on 1954-07-29)
piano:
Claude Williamson (on 1954-07-29)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-07-29)
recording of:
I Remember You (on 1954-07-29)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Paramount Music Corporation
2:37
11All God's Chillun Got Rhythm
audio engineer:
John Palladino
bass:
Curtis Counce (on 1954-06-26)
drums (drum set):
Stan Levey (on 1954-06-26)
piano:
Claude Williamson (on 1954-06-26)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-06-26)
recording of:
All God’s Chillun Got Rhythm (on 1954-06-26)
lyricist:
Gus Kahn
composer:
Walter Jurmann and Bronisław Kaper
2:35
12Get Happy
audio engineer:
John Palladino
bass:
Buddy Clark (US jazz bassist) (on 1955-05-19)
drums (drum set):
Larry Bunker (on 1955-05-19)
piano:
Claude Williamson (on 1955-05-19)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-19)
recording of:
Get Happy (on 1955-05-19)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
music quoted on:
Opening Production (from Jane Froman's album, "With a Song in My Heart")
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
2:34
13On the Atchinson, Topeka, and the Santa Fe
audio engineer:
John Palladino
bass:
Buddy Clark (US jazz bassist) (on 1955-05-19)
drums (drum set):
Larry Bunker (on 1955-05-19)
piano:
Claude Williamson (on 1955-05-19)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-19)
recording of:
On the Atchison, Topeka and the Santa Fe (The Harvey Girls, 1946 film) (on 1955-05-19)
lyricist:
Johnny Mercer
composer:
Harry Warren (US composer and lyricist)
part of:
Academy Award for Best Original Song (number: 19)
part of:
The Harvey Girls (1946 film)
3:30
14Spring Is here
audio engineer:
John Palladino
bass:
Max Bennett (US jazz bassist and session musician) (on 1955-05-02)
drums (drum set):
Stan Levey (on 1955-05-02)
piano:
Claude Williamson (on 1955-05-02)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-02)
recording of:
Spring Is Here (on 1955-05-02)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
3:27
15Like Someone in Love
audio engineer:
John Palladino
celesta and piano:
Claude Williamson (on 1955-05-19)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-19)
cover recording of:
Like Someone in Love (on 1955-05-19)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:47
16My Heart Stood Still
audio engineer:
John Palladino
bass:
Max Bennett (US jazz bassist and session musician) (on 1955-05-02)
drums (drum set):
Stan Levey (on 1955-05-02)
piano:
Claude Williamson (on 1955-05-02)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-02)
recording of:
My Heart Stood Still (on 1955-05-02)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Lauerence Harms Inc., Warner Bros. (holding: File NO Releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
2:53
17Of Thee I Sing
audio engineer:
John Palladino
bass:
Max Bennett (US jazz bassist and session musician) (on 1955-05-02)
drums (drum set):
Stan Levey (on 1955-05-02)
piano:
Claude Williamson (on 1955-05-02)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-02)
recording of:
Of Thee I Sing (on 1955-05-02)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music Corp. (in 1931)
part of:
Of Thee I Sing (1931 musical)
2:28
18Don't Get Around Much Anymore
audio engineer:
John Palladino
bass:
Buddy Clark (US jazz bassist) (on 1955-05-19)
drums (drum set):
Larry Bunker (on 1955-05-19)
piano:
Claude Williamson (on 1955-05-19)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-19)
recording of:
Don’t Get Around Much Anymore (on 1955-05-19)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp., Sony/ATV Harmony, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
version of:
Never No Lament
3:04
19Yesterdays
audio engineer:
John Palladino
piano:
Claude Williamson (on 1955-05-19)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-19)
recording of:
Yesterdays (on 1955-05-19)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:04
20The Kerry Dance
audio engineer:
John Palladino
bass:
Buddy Clark (US jazz bassist) (on 1955-05-19)
celesta and piano:
Claude Williamson (on 1955-05-19)
drums (drum set):
Larry Bunker (on 1955-05-19)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-19)
recording of:
Kerry Dance (on 1955-05-19)
lyricist and composer:
James Lynam Molloy
2:02
21Between the Devil and the Deep Blue Sea
audio engineer:
John Palladino
bass:
Max Bennett (US jazz bassist and session musician) (on 1955-05-02)
drums (drum set):
Stan Levey (on 1955-05-02)
piano:
Claude Williamson (on 1955-05-02)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-02)
recording of:
Between the Devil and the Deep Blue Sea (on 1955-05-02)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
3:22