Symphony No. 6 / Nutcracker Suite

~ Release by Пётр Ильич Чайковский (see all versions of this release, 1 available)

Tracklist

▼Medium 1
#	Title	Rating	Length
1	Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo orchestra: Prague Festival Orchestra, Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Radio Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect) conductor: Marko Munih (conductor), Anton Nanut (conductor) and Pavel Urbanek (an Alfred Scholz pseudonym) recording of: Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo composer: Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08) part of: Symphony no. 6 in B minor, op. 74 “Pathétique”		18:06
2	Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia orchestra: Prague Festival Orchestra, Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Radio Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect) conductor: Marko Munih (conductor), Anton Nanut (conductor) and Pavel Urbanek (an Alfred Scholz pseudonym) recording of: Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia composer: Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08) part of: Symphony no. 6 in B minor, op. 74 “Pathétique”		8:00
3	Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace orchestra: Prague Festival Orchestra, Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Radio Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect) conductor: Marko Munih (conductor), Anton Nanut (conductor) and Pavel Urbanek (an Alfred Scholz pseudonym) phonographic copyright (℗) by: Michele Audio Corp. (not for release label use!) (in 1987) recording of: Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace composer: Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08) part of: Symphony no. 6 in B minor, op. 74 “Pathétique”		9:15
4	Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Adagio lamentoso orchestra: Camerata Labacensis, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Prague Festival Orchestra and The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) conductor: Marko Munih (conductor), Anton Nanut (conductor), Alexander von Pitamic (pseudonym for Alfred Scholz) and Pavel Urbanek (an Alfred Scholz pseudonym) recording of: Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso composer: Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08) part of: Symphony no. 6 in B minor, op. 74 “Pathétique”		10:04
5	The Nutcracker, Op. 71: Overture orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto composer: Пётр Ильич Чайковский (Russian romantic composer) (until 1892) part of: The Nutcracker (suite from the ballet), op. 71a		3:17
6	The Nutcracker, Op. 71: Act I, Scene 1: II. March orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (an Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques recording of: Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (March) composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)		2:47
7	The Nutcracker, Op. 71: Act II, Scene 3: Xa. Dance of the Sugar Plum Fairy orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy) recording of: Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy) composer: Пётр Ильич Чайковский (Russian romantic composer) arrangement of: The Nutcracker, Op. 71: Dance of the Sugarplum Fairy, Extract (Arrangement for solo piano by Pauline Hall) part of: Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)		2:09
8	The Nutcracker, Op. 71: Act II, Scene 3: XIId. Trépak (Russian Dance) orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (an Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques		1:15
9	The Nutcracker, Op. 71: Act II, Scene 3: XIIb. Coffee (Arabian Dance) orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques		3:40
10	The Nutcracker, Op. 71: Act II, Scene 3: XIIc. Tea (Chinese Dance) orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques		1:25
11	The Nutcracker, Op. 71: Act II, Scene 3: XIIe. Flutes (Dance of the Reedpipes) orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)		2:40
12	The Nutcracker, Op. 71: Act II, Scene 3: XIII. Waltz of the Flowers orchestra: Berlin Festival Orchestra (possibly another Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Pietro di la Corona (Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers)		7:05