Archiv Produktion 1947-2013

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

55 CD set chronicling the history of Archiv Produktion.

Annotation last modified on 2014-05-02 23:43 UTC.

Tracklist

▶CD 1: Bach: Organ Works
▶CD 2: Bach: Kantaten: BWV 56 / BWV 82 / BWV 4
▶CD 3: Bach: Kantaten: BWV 21 / BWV 19/ BWV 79
▶CD 4: Gregorian Chant
▶CD 5: De La Halle: Dances; Le Jeu De Robin Et De Marion
▶CD 6: Bach: Brandenburg Concertos
▶CD 7: Bach: Brandenburg Concertos
▶CD 8: Gibbons/Morley: Anthems; Madrigals; Fantasies
▶CD 9: Bach: Passio Secundum Matthaeum
▶CD 10: Bach: Passio Secundum Matthaeum
▶CD 11: Bach: Passio Secundum Matthaeum
▶CD 12: Bach: Cantatas
▶CD 13: Praetorius / Widmann / Schein: Dances
▶CD 14: Mouret / Delalande: Symphonies; Fanfares
▶CD 15: Höfische Konzertmusik des österreichischen Barock
▶CD 16: Musique de table
▶CD 17: Vier Orchester-Sinfonien, wq 183
▶CD 18: Israel in Egypt
▶CD 19: Israel in Egypt
▶CD 20: Sonaten für Cembalo
▶CD 21: Canti amorosi
▶CD 22: Ockeghem: Missa Pro Defunctis / Desprez: Déploration Sur La Mort De Ockeghem
▶CD 23: Violinsonaten, op. 5 nos. 1, 7, 2, 8, 3, 9
▶CD 24: Music of the Gothic Era
▶CD 25: Pièces de Clavecin
▶CD 26: Die Orchesterwerke
▶CD 27: Goldberg-Variationen
▶CD 28: Le quattro stagioni
▶CD 29: Wassermusik / 3 Konzerte
▼CD 30: Mass in B minor
#TitleArtistRatingLength
1Mass in B minor, BWV 232, Kyrie: 1. Chorus: Kyrie eleison
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-02)
countertenor vocals:
Ashley Stafford (alto / counter-tenor) (in 1985-02)
mezzo-soprano vocals:
Mary Nichols (soprano & alto) (in 1985-02)
soprano vocals:
Nancy Argenta (soprano) (in 1985-02)
tenor vocals:
Wynford Evans (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach9:29
2Mass in B minor, BWV 232, Kyrie: 2. Duet: Christe eleison
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
mezzo-soprano vocals:
Carol Hall (operatic mezzo‐soprano) (in 1985-02)
soprano vocals:
Lynne Dawson (soprano) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:52
3Mass in B minor, BWV 232, Kyrie: 3. Chorus: Kyrie eleison
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:33
4Mass in B minor, BWV 232, Gloria: 4. Chorus: Gloria in excelsis
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach1:43
5Mass in B minor, BWV 232, Gloria: 5. Chorus: Et in terra pax
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
bass vocals:
Richard Lloyd Morgan (in 1985-02) and Stephen Varcoe (bass-baritone) (in 1985-02)
choir vocals:
Monteverdi Choir (in 1985-02)
countertenor vocals:
Patrick Collin (alto) (in 1985-02) and Ashley Stafford (alto / counter-tenor) (in 1985-02)
soprano vocals:
Nancy Argenta (soprano) (in 1985-02), Jane Fairfield (soprano) (in 1985-02) and Jean Knibbs (in 1985-02)
tenor vocals:
Andrew Murgatroyd (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:05
6Mass in B minor, BWV 232, Gloria: 6. Aria: Laudamus te
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
violin:
Elizabeth Wilcock (violinist) (in 1985-02)
soprano vocals:
Nancy Argenta (soprano) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:53
7Mass in B minor, BWV 232, Gloria: 7. Crhous: Gratias agimus tibi
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:03
8Mass in B minor, BWV 232, Gloria: 8. Duet: Domine Deus
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
flute:
Lisa Beznosiuk (flautist) (in 1985-02)
soprano vocals:
Nancy Argenta (soprano) (in 1985-02)
tenor vocals:
Howard Milner (tenor) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:18
9Mass in B minor, BWV 232, Gloria: 9. Chorus: Qui tollis peccata mundi
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:19
10Mass in B minor, BWV 232, Gloria: 10. Aria: Qui sedes ad dextram Patris
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
oboe [oboe d'amore]:
Sophia McKenna (oboist) (in 1985-02)
countertenor vocals:
Michael Chance (British countertenor) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:24
11Mass in B minor, BWV 232, Gloria: 11. Aria: Quoniam tu solus Sanctus
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
horn:
Michael Thompson (British horn player and conductor) (in 1985-02)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:24
12Mass in B minor, BWV 232, Gloria: 12. Chorus: Cum Sancto Spiritu
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1985-02)
choir vocals:
Monteverdi Choir (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:48
▶CD 31: Mass in B minor
▶CD 32: Palestrina: Missa Papae Marcelli / Allegri: Misere
▶CD 33: Piano Concertos nos. 18 & 19
▶CD 34: Vespro Della Beata Vergine
▶CD 35: Vespro Della Beata Vergine
▶CD 36: The "Sturm & Drang" Symphonies - Volume 3 "Maria Theresia"
▶CD 37: Symphonies nos. 5 & 6 "Pastoral"
▶CD 38: Rebel: Les Élémens / Gluck: Alessandro
▶CD 39: La Resurrezione
▶CD 40: La Resurrezione
▶CD 41: Music for San Rocco
▶CD 42: Messiah
▶CD 43: Messiah
▶CD 44: Lamenti
▶CD 45: A Flemish Feast / Flemish Renaissance Wind Music
▶CD 46: Motets
▶CD 47: Italian Cantatas
▶CD 48: une symphonie imaginaire
▶CD 49: il divino boemo
▶CD 50: Concertos for Two Violins
▶CD 51: Alcina
▶CD 52: Alcina
▶CD 53: Alcina
▶CD 54: Motetes e himnos para el año litúrgico
▶CD 55: 2013