| # | Title | Artist | Rating | Length |
|---|
| 1 | You Can't Hurry Love | Phil Collins | 4 | 2:54 |
| 2 | Take on Me | a‐ha | 4.45 | 3:50 |
| 3 | Little Lies | Fleetwood Mac | 3.6 | 3:39 |
| 4 | Look Away | Chicago | 5 | 4:02 |
| 5 | Ain't No Mountain High Enough | Michael McDonald | | 2:49 |
| 6 | St. Elmo's Fire | John Parr | 4.35 | 4:10 |
| 7 | Nothing's Gonna Stop Us Now | Starship | 4.15 | 4:30 |
| 8 | Should've Known Better | Richard Marx | | 4:12 |
| 9 | Higher Love | Steve Winwood | 4.5 | 5:46 |
| 10 | Broken Wings | Mr. Mister | 4.2 | 4:44 |
| 11 | Flashdance... What a Feeling- producer:
- Giorgio Moroder
- vocals:
- Irene Cara
- phonographic copyright (℗) by:
- Polygram Records, Inc. (New York) (in 1983) and Unidisc Music Inc. (in 1983)
- recording of:
- Flashdance… What a Feeling
- lyricist:
- Irene Cara and Keith Forsey
- composer:
- Giorgio Moroder
- publisher:
- Alcor Music , Carasmatic Music, Carub Music , Chappell Music Ltd., Famous Music Corporation , GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. , Sony/ATV Harmony and WB Music Corp.
- part of:
- Academy Award for Best Original Song (number: 56)
| Irene Cara | 3.8 | 3:55 |
| 12 | Hungry Eyes | Eric Carmen | 5 | 4:09 |
| 13 | Invisible Touch- assistant engineer:
- Paul Gomersall
- engineer:
- Hugh Padgham
- producer:
- Genesis and Hugh Padgham
- bass and guitar:
- Mike Rutherford (from 1985-10 until 1986-02)
- bass synthesizer and keyboard:
- Tony Banks (from 1985-10 until 1986-02)
- drums (drum set), percussion and lead vocals:
- Phil Collins (from 1985-10 until 1986-02)
- phonographic copyright (℗) by:
- Charisma Records Ltd.
- recorded at and mixed at:
- The Farm in Surrey, England, United Kingdom (from 1985-10 until 1986-02)
- recording of:
- Invisible Touch (from 1985-10 until 1986-02)
- lyricist:
- Phil Collins
- composer:
- Tony Banks , Phil Collins and Mike Rutherford
- publisher:
- Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. and Philip Collins Ltd.
- written at:
- The Farm in Surrey, England, United Kingdom
| Genesis | 3.25 | 3:28 |
| 14 | Just to See Her | Smokey Robinson | | 4:02 |
| 15 | Missing You | John Waite | 3.75 | 4:26 |
| 16 | You Are Everything | Vanessa Williams | 5 | 3:44 |
| 17 | How Can We Be Lovers | Michael Bolton | 5 | 3:56 |
| 18 | You're in Love- additional recording engineer:
- Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
- recording engineer and mixer:
- Francis Buckley
- assistant engineer:
- Dan Bosworth , Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
- producer:
- Glen Ballard
- bass:
- Jimmy Johnson and Abraham Laboriel
- drums (drum set):
- John “JR” Robinson
- guitar:
- Michael Landau
- keyboard:
- Glen Ballard and Randy Kerber
- percussion:
- Paulinho da Costa
- percussion arranger:
- Glen Ballard
- vocals arranger:
- Glen Ballard and Wilson Phillips
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1990) and SBK Records (in 1990)
- recording of:
- You’re in Love
- writer:
- Glen Ballard, Chynna Phillips, Carnie Wilson and Wendy Wilson
- publisher:
- Aerostation Corporation, EMI Blackwood Music Inc. , Smooshie Music, Willphill Music, MCA Music (from 1990 until 2003), MCA Music Publishing (from 1990 until 2003) and Universal Music Corp. (from 2003 to present)
| Wilson Phillips | 4 | 4:51 |
