Britten Conducts Britten: Vol. IV

~ Release by Benjamin Britten (see all versions of this release, 1 available)

Tracklist

| |
▼CD 1
#TitleRatingLength
1Piano Concerto, op. 13: I. Toccata
recording engineer and engineer:
Kenneth Wilkinson (engineer)
executive producer:
Helmut Najda
producer:
Wolfgang Lohse and Ray Minshull (record producer)
piano:
Sviatoslav Richter (Sviatoslav Richter, pianist) (on 1970-12-06)
orchestra:
English Chamber Orchestra (on 1970-12-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (on 1970-12-06)
balance engineer:
Heinrich Keilholz
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (on 1970-12-06)
recording of:
Concerto for Piano, op. 13: I. Toccata (on 1970-12-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1938)
part of:
Concerto for Piano, op. 13 (revised version)
part of:
Concerto for Piano, op. 13 (original version)
12:00
2Piano Concerto, op. 13: II. Waltz
recording engineer and engineer:
Kenneth Wilkinson (engineer)
executive producer:
Helmut Najda
producer:
Wolfgang Lohse and Ray Minshull (record producer)
piano:
Sviatoslav Richter (Sviatoslav Richter, pianist) (on 1970-12-06)
orchestra:
English Chamber Orchestra (on 1970-12-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (on 1970-12-06)
balance engineer:
Heinrich Keilholz
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (on 1970-12-06)
recording of:
Concerto for Piano, op. 13: II. Waltz (on 1970-12-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1938)
part of:
Concerto for Piano, op. 13 (revised version)
part of:
Concerto for Piano, op. 13 (original version)
5:06
3Piano Concerto, op. 13: III. Impromptu
recording engineer and engineer:
Kenneth Wilkinson (engineer)
executive producer:
Helmut Najda
producer:
Wolfgang Lohse and Ray Minshull (record producer)
piano:
Sviatoslav Richter (Sviatoslav Richter, pianist) (on 1970-12-06)
orchestra:
English Chamber Orchestra (on 1970-12-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (on 1970-12-06)
balance engineer:
Heinrich Keilholz
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (on 1970-12-06)
recording of:
Concerto for Piano, op. 13: III. Impromptu (on 1970-12-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
part of:
Concerto for Piano, op. 13 (revised version)
8:07
4Piano Concerto, op. 13: IV. March
recording engineer and engineer:
Kenneth Wilkinson (engineer)
executive producer:
Helmut Najda
producer:
Wolfgang Lohse and Ray Minshull (record producer)
piano:
Sviatoslav Richter (Sviatoslav Richter, pianist) (on 1970-12-06)
orchestra:
English Chamber Orchestra (on 1970-12-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (on 1970-12-06)
balance engineer:
Heinrich Keilholz
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (on 1970-12-06)
recording of:
Concerto for Piano, op. 13: IV. March (on 1970-12-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1938)
part of:
Concerto for Piano, op. 13 (original version)
part of:
Concerto for Piano, op. 13 (revised version)
8:50
5Violin Concerto, op. 15: I. Moderato con moto
engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
solo violin and violin:
Mark Lubotsky (violinist) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
Violin Concerto, op. 15: I. Moderato con moto (in 1970-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1938 until 1939)
part of:
Violin Concerto, op. 15
9:17
6Violin Concerto, op. 15: II. Vivace
producer:
Ray Minshull (record producer)
violin:
Mark Lubotsky (violinist) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
Violin Concerto, op. 15: II. Vivace - Cadenza (in 1970-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1938 until 1939)
part of:
Violin Concerto, op. 15
9:18
7Violin Concerto, op. 15: III. Passacaglia. Andante lento
producer:
Ray Minshull (record producer)
violin:
Mark Lubotsky (violinist) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
Violin Concerto, op. 15: III. Passacaglia - Andante lento (in 1970-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1938 until 1939)
part of:
Violin Concerto, op. 15
13:45
▼CD 2
#TitleRatingLength
1Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso
producer:
John Culshaw
cello:
Mstislav Rostropovich (cellist) (in 1964-07)
orchestra:
English Chamber Orchestra (in 1964-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1964-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso (in 1964-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1963)
part of:
Symphony for Cello and Orchestra, op. 68
12:30
2Symphony for Cello and Orchestra, op. 68: II. Presto inquieto
producer:
John Culshaw
cello:
Mstislav Rostropovich (cellist) (in 1964-07)
orchestra:
English Chamber Orchestra (in 1964-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1964-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Symphony for Cello and Orchestra, op. 68: II. Presto inquieto (in 1964-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1963)
part of:
Symphony for Cello and Orchestra, op. 68
3:38
3Symphony for Cello and Orchestra, op. 68: III. Adagio – Cadenza
producer:
John Culshaw
cello:
Mstislav Rostropovich (cellist) (in 1964-07)
orchestra:
English Chamber Orchestra (in 1964-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1964-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Symphony for Cello and Orchestra, op. 68: III. Adagio – Cadenza ad lib (in 1964-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1963)
part of:
Symphony for Cello and Orchestra, op. 68
10:33
4Symphony for Cello and Orchestra, op. 68: IV. Passacaglia. Andante allegro
producer:
John Culshaw
cello:
Mstislav Rostropovich (cellist) (in 1964-07)
orchestra:
English Chamber Orchestra (in 1964-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1964-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Symphony for Cello and Orchestra, op. 68: IV. Passacaglia. Andante allegro (in 1964-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1963)
part of:
Symphony for Cello and Orchestra, op. 68
7:22
5Sinfonia da Requiem, op. 20: I. Lacrymosa
producer:
John Culshaw
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1964-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1964-12)
balance engineer:
Kenneth Wilkinson (engineer) (in 1964-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1964-12)
recording of:
Sinfonia da Requiem, op. 20: I. Lachrymosa. Andante ben misurato (in 1964-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Sinfonia da Requiem, op. 20
8:46
6Sinfonia da Requiem, op. 20: II. Dies irae
producer:
John Culshaw
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1964-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1964-12)
balance engineer:
Kenneth Wilkinson (engineer) (in 1964-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1964-12)
recording of:
Sinfonia da Requiem, op. 20: II. Dies irae. Allegro con fuoco (in 1964-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Sinfonia da Requiem, op. 20
5:04
7Sinfonia da Requiem, op. 20: III. Requiem aeternam
producer:
John Culshaw
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1964-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1964-12)
balance engineer:
Kenneth Wilkinson (engineer) (in 1964-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1964-12)
recording of:
Sinfonia da Requiem, op. 20: III. Requiem aeternam. Andante molto tranquillo (in 1964-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Sinfonia da Requiem, op. 20
6:38
8Cantata misericordium, op. 69
producer:
John Culshaw
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1963-12)
choir vocals:
London Symphony Chorus (in 1963-12)
tenor vocals:
Peter Pears (tenor) (in 1963-12)
orchestra:
London Symphony Orchestra (in 1963-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-12)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-12)
recording of:
Cantata misericordium, op. 69 (in 1963-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1963)
part of:
Works of Benjamin Britten by opus number (number: op. 69)
19:48
▼CD 3
#TitleRatingLength
1Prelude and Fugue for 18-part String Orchestra, op. 29
producer:
Ray Minshull (record producer)
orchestra:
English Chamber Orchestra (in 1971-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-09)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-09)
recording of:
Prelude and Fugue for 18-Part String Orchestra, op. 29 (in 1971-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
part of:
Works of Benjamin Britten by opus number (number: op. 29)
9:16
2Simple Symphony, op. 4: I. Boisterous Bourrée. Allegro maestoso
engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) (in 1968)
orchestra:
English Chamber Orchestra (in 1968-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-05)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-05)
recording of:
Simple Symphony, op. 4: I. Boisterous Bourrée (in 1968-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1933-12 until 1934-02)
part of:
Simple Symphony, op. 4
3:24
3Simple Symphony, op. 4: II. Playful Pizzicato. Presto possibile, pizzicato sempre
engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) (in 1968)
orchestra:
English Chamber Orchestra (in 1968-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-05)
recording of:
Simple Symphony, op. 4: II. Playful Pizzicato (in 1968-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1933-12 until 1934-02)
part of:
Simple Symphony, op. 4
3:03
4Simple Symphony, op. 4: III. Sentimental Saraband. Poco lento e pesante
engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) (in 1968)
orchestra:
English Chamber Orchestra (in 1968-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-05)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-05)
recording of:
Simple Symphony, op. 4: III. Sentimental Saraband (in 1968-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1933-12 until 1934-02)
part of:
Simple Symphony, op. 4
7:53
5Simple Symphony, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco
engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) (in 1968)
orchestra:
English Chamber Orchestra (in 1968-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-05)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-05)
recording of:
Simple Symphony, op. 4: IV. Frolicsome Finale (in 1968-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1933-12 until 1934-02)
part of:
Simple Symphony, op. 4
2:59
6Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: I. Introduction and Theme. Lento maestoso (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:58
7Variations on a Theme of Frank Bridge, op. 10: Adagio
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: II. Adagio (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
2:24
8Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: III. March. Presto alla marcia (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:07
9Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: IV. Romance. Allegretto grazioso (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:38
10Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: V. Aria italiana. Allegro brillante (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:19
11Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: VI. Bourrée classique. Allegro e pesante (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:16
12Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: VII. Wiener Walzer. Lento - Vivace (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
2:41
13Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: VIII. Moto perpetuo. Allegro molto (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:11
14Variations on a Theme of Frank Bridge, op. 10: Funeral March. Andante ritmico
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: IX. Funeral march. Andante ritmico (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
3:59
15Variations on a Theme of Frank Bridge, op. 10: Chant. Lento
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: X. Chant. Lento (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:38
16Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: XI. Fugue and Finale. Allegro molto vivace - Lento e solenne (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
7:35
17The Young Person’s Guide to the Orchestra, op. 34: Variations and Fugue on a Theme of Purcell
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) (in 1963-03)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34 (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
part of:
Works of Benjamin Britten by opus number (number: op. 34)
16:30
▼CD 4
#TitleRatingLength
1The Prince of the Pagodas, op. 57: Act 1. Prelude
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
2:21
2The Prince of the Pagodas, op. 57: Act 1. The Fool and the Dwarf
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:20
3The Prince of the Pagodas, op. 57: Act 1. The Emperor – March
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:29
4The Prince of the Pagodas, op. 57: Act 1. Gavotte
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
2:35
5The Prince of the Pagodas, op. 57: Act 1. The Four Kings
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:20
6The Prince of the Pagodas, op. 57: Act 1. The King of the North
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:17
7The Prince of the Pagodas, op. 57: Act 1. The King of the East
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
2:31
8The Prince of the Pagodas, op. 57: Act 1. The King of the West
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:07
9The Prince of the Pagodas, op. 57: Act 1. The King of the South
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:43
10The Prince of the Pagodas, op. 57: Act 1. Belle Epine
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
2:26
11The Prince of the Pagodas, op. 57: Act 1. Belle Rose
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
6:10
12The Prince of the Pagodas, op. 57: Act 1. The Kings and Belle Rose
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:25
13The Prince of the Pagodas, op. 57: Act 1. Triumph of Belle Epine
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:52
14The Prince of the Pagodas, op. 57: Act 1. Rage of the Kings
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:41
15The Prince of the Pagodas, op. 57: Act 1. The Four Frogs
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
2:57
16The Prince of the Pagodas, op. 57: Act 2, Scene 1. Air
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
5:35
17The Prince of the Pagodas, op. 57: Act 2, Scene 1. Water
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
7:13
18The Prince of the Pagodas, op. 57: Act 2, Scene 1. Fire
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
5:59
19The Prince of the Pagodas, op. 57: Act 2, Scene 2. Belle Rose in Pagoda-Land
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
2:06
20The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Pagodas
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
3:02
21The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Salamander
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
3:02
22The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Prince and Belle Rose
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
5:55
▼CD 5
#TitleRatingLength
1The Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Epine as Empress
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
2:47
2The Prince of the Pagodas, op. 57: Act 3, Scene 1. The Old Emperor
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
2:51
3The Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Rose and the Salamander
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:33
4The Prince of the Pagodas, op. 57: Act 3, Scene 1. Transition
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
3:08
5The Prince of the Pagodas, op. 57: Act 3, Scene 2. The Pagoda Palace
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:36
6The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de six
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
2:03
7The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 1
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
3:43
8The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 2
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:06
9The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 3
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:08
10The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de trois
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:24
11The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de deux
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
4:05
12The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 4
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
1:10
13The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 5
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
2:16
14The Prince of the Pagodas, op. 57: Act 3, Scene 2. Finale and Apotheosis
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
6:10
15Diversions for Piano (Left Hand) & Orchestra, op. 21: Theme
producer:
Peter Andry (producer)
piano:
Julius Katchen (pianist) (in 1954-07)
orchestra:
London Symphony Orchestra (in 1954-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-07)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Theme (in 1954-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
1:06
16Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation I – Recitative
producer:
Peter Andry (producer)
piano:
Julius Katchen (pianist) (in 1954-07)
orchestra:
London Symphony Orchestra (in 1954-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-07)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation I. Recitative (in 1954-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
1:28
17Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation II – Romance
producer:
Peter Andry (producer)
piano:
Julius Katchen (pianist) (in 1954-07)
orchestra:
London Symphony Orchestra (in 1954-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-07)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation II. Romance (in 1954-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
1:29
18Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation III – March
producer:
Peter Andry (producer)
piano:
Julius Katchen (pianist) (in 1954-07)
orchestra:
London Symphony Orchestra (in 1954-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-07)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation III. March (in 1954-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
1:19
19Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation IV – Arabesque
producer:
Peter Andry (producer)
piano:
Julius Katchen (pianist) (in 1954-07)
orchestra:
London Symphony Orchestra (in 1954-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-07)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IV. Arabesque (in 1954-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
1:36
20Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation V – Chant
producer:
Peter Andry (producer)
piano:
Julius Katchen (pianist) (in 1954-07)
orchestra:
London Symphony Orchestra (in 1954-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-07)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation V. Chant (in 1954-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
1:47
21Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation VI – Nocturne
producer:
Peter Andry (producer)
piano:
Julius Katchen (pianist) (in 1954-07)
orchestra:
London Symphony Orchestra (in 1954-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-07)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne (in 1954-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
2:07
22Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation VII – Badinerie
producer:
Peter Andry (producer)
piano:
Julius Katchen (pianist) (in 1954-07)
orchestra:
London Symphony Orchestra (in 1954-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-07)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VII. Badinerie (in 1954-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
1:25
23Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation VIII – Burlesque
producer:
Peter Andry (producer)
piano:
Julius Katchen (pianist) (in 1954-07)
orchestra:
London Symphony Orchestra (in 1954-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-07)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VIII. Burlesque (in 1954-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
1:52
24Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation IXa –Toccata I
producer:
Peter Andry (producer)
piano:
Julius Katchen (pianist) (in 1954-07)
orchestra:
London Symphony Orchestra (in 1954-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-07)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXa. Toccata I (in 1954-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
0:48
25Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation IXb – Toccata II
producer:
Peter Andry (producer)
piano:
Julius Katchen (pianist) (in 1954-07)
orchestra:
London Symphony Orchestra (in 1954-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-07)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXb. Toccata II (in 1954-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
2:01
26Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation X – Adagio
producer:
Peter Andry (producer)
piano:
Julius Katchen (pianist) (in 1954-07)
orchestra:
London Symphony Orchestra (in 1954-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-07)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation X. Adagio (in 1954-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
4:17
27Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation XI – Tarantella
producer:
Peter Andry (producer)
piano:
Julius Katchen (pianist) (in 1954-07)
orchestra:
London Symphony Orchestra (in 1954-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-07)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation XI. Tarantella (in 1954-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
2:41
28Seven Sonnets of Michelangelo, op. 22: Sonetto XVI
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-03)
tenor vocals:
Peter Pears (tenor) (in 1954-03)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1954-03)
recording of:
Seven Sonnets of Michelangelo, op. 22: 1. Sonetto XVI: Si come nella penna e nell'inchiostro (in 1954-03)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
1:59
29Seven Sonnets of Michelangelo, op. 22: Sonetto XXXI
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-12)
tenor vocals:
Peter Pears (tenor) (in 1954-12)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1954-12)
recording of:
Seven Sonnets of Michelangelo, op. 22: 2. Sonetto XXXI: A che piu debb'io mai l'intensa voglia (in 1954-12)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
1:22
30Seven Sonnets of Michelangelo, op. 22: Sonetto XXX
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-12)
tenor vocals:
Peter Pears (tenor) (in 1954-12)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1954-12)
recording of:
Seven Sonnets of Michelangelo, op. 22: 3. Sonetto XXX: Veggio co' be' vostri occhi un dolce lume (in 1954-12)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
3:16
31Seven Sonnets of Michelangelo, op. 22: Sonetto LV
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-12)
tenor vocals:
Peter Pears (tenor) (in 1954-12)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1954-12)
recording of:
Seven Sonnets of Michelangelo, op. 22: 4. Sonetto LV: Tu sa' ch'io so, signior mie, che tu sai (in 1954-12)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
1:47
32Seven Sonnets of Michelangelo, op. 22: Sonetto XXXVIII
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-12)
tenor vocals:
Peter Pears (tenor) (in 1954-12)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1954-12)
recording of:
Seven Sonnets of Michelangelo, op. 22: 5. Sonetto XXXVIII: Rendete a gli occhi miei, o fonte o fiume (in 1954-12)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
1:54
33Seven Sonnets of Michelangelo, op. 22: Sonetto XXXII
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-12)
tenor vocals:
Peter Pears (tenor) (in 1954-12)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1954-12)
recording of:
Seven Sonnets of Michelangelo, op. 22: 6. Sonetto XXXII: S'un casto amor, s'una pieta superna (in 1954-12)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
1:20
34Seven Sonnets of Michelangelo, op. 22: Sonetto XXIV
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Benjamin Britten (English composer, conductor, and pianist) (in 1954-12)
tenor vocals:
Peter Pears (tenor) (in 1954-12)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1954-12)
recording of:
Seven Sonnets of Michelangelo, op. 22: 7. Sonetto XXIV: Spirto ben nato, in cui si specchia e vede (in 1954-12)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
4:55
▶CD 6
▶CD 7