Classic Gold Prèlude à l'après-midi d'un faune

~ Release by Claude Debussy (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleRatingLength
1Prelude à l'après-midi d'un faune
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Philharmonisches Festspielorchester (an Alfred Scholz pseudonym), Süddeutsche Philharmonie (an Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym)) and Alfred Scholz
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (original version for orchestra)
composer:
Claude Debussy (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
10:16
2Suite Bergamasque: I. Prelude
piano:
Peter Schmalfuss (pianist)
recording of:
Suite bergamasque, L. 75, CD 82a : I. Prélude (for piano) (ended)
composer:
Claude Debussy (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
4:08
3Suite Bergamasque: II. Menuett
piano:
Peter Schmalfuss (pianist)
recording of:
Suite bergamasque, L. 75, CD 82a : II. Menuet (for piano) (ended)
composer:
Claude Debussy (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
4:16
4Suite Bergamasque: III. Clair de lune
piano:
Dieter Goldmann (pianist, Alfred Scholz related) and Peter Schmalfuss (pianist)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)
composer:
Claude Debussy (from 1890 until 1905)
music quoted on:
Happy Birthday but 13 classical composers are fighting over the last slice of cake
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
5:12
5Suite Bergamasque: IV. Passepied
piano and solo piano:
Peter Schmalfuss (pianist)
recording of:
Suite bergamasque, L. 75, CD 82a : IV. Passepied (for piano) (ended)
composer:
Claude Debussy (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
3:42
6"La Mer" Trois esquisses symphoniques: I. De l'aube jusqu'à midi sur la mer
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre philharmonique de l’ORTF, ORF-Symphonic Orchestra (previously ORF-Symphonieorchester) and Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer”
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
9:02
7"La Mer" Trois esquisses symphoniques: II. Jeu de vagues
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre philharmonique de l’ORTF, ORF-Symphonic Orchestra (previously ORF-Symphonieorchester) and Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues”
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
6:31
8"La Mer" Trois esquisses symphoniques: III. Le vent et la mer
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Radio Symphonique, ORF-Symphonic Orchestra (previously ORF-Symphonieorchester) and Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer”
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
8:11
9Syrinx for solo flute
flute:
Jadwiga Kotnowska (flutist)
recording of:
Syrinx, L. 129, CD 137 (for solo flute)
composer:
Claude Debussy (in 1913)
dedicated to:
Louis Fleury
premiered at:
[concert] (1913-12-01)
publisher:
Editions Jobert (in 1927-08)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 129) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 137)
2:25
10Arabesque No. 1 in E major
piano:
Peter Schmalfuss (pianist)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano)
composer:
Claude Debussy (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
3:55
11Arabesque No. 2 in G major
piano:
Peter Schmalfuss (pianist)
recording of:
Deux arabesques, L. 66, CD 74 : No. 2. Allegretto scherzando (for piano)
composer:
Claude Debussy (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
3:36