Sinatra Sings Cole Porter

~ Release by Frank Sinatra (see all versions of this release, 2 available)

Tracklist

▼CD 1
#TitleRatingLength
1Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1947-10-19)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:20
2Begin the Beguine
recorded in:
United States (in 1944)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1944)
conductor:
Axel Stordahl (in 1944)
arranger:
Axel Stordahl
cover recording of:
Begin the Beguine (in 1944)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
recording of:
Begin the Beguine (in 1944)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
3:55
3I Get a Kick Out of You
recording of:
I Get a Kick Out of You (on 1944-04-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
3:59
4I Love You
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-04-12)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1944-04-12)
conductor:
Axel Stordahl (on 1944-04-12)
cover recording of:
I Love You (on 1944-04-12)
lyricist:
Harlan Thompson
writer and composer:
Harry Archer and Harlan Thompson
publisher:
Chappell & Co., Inc. (USA) and SBK Feist Catalog, Inc.
2:21
5Easy to Love, I've Got You Under My Skin (Melody)
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-08-16)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1944-08-16)
vocals:
The Vimms Chorale (on 1944-08-16)
arranger:
Axel Stordahl
medley including a recording of:
Easy to Love (on 1944-05-16)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
medley including a cover recording of:
Easy to Love (on 1944-05-16)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
medley including a recording of:
I’ve Got You Under My Skin (on 1944-05-16)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Born to Dance
medley including a cover recording of:
I’ve Got You Under My Skin (on 1944-05-16)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Born to Dance
4:07
6Don't Fence Me In
conductor:
Mark Warnow
arranger:
Billy May
recording of:
Don’t Fence Me In (in 1944)
lyricist:
Robert Fletcher (US poet) (in 1934) and Cole Porter (composer) (in 1934)
composer:
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
2:36
7I Concentrate on You
recording of:
I Concentrate on You (on 1947-01-09)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
3:06
8Why Shouldn't I?
recorded in:
New York, New York, United States (on 1945-12-07)
producer:
Bill Richards (producer)
cello:
Anthony Sophos (on 1945-12-07)
double bass:
Frank Siravo (on 1945-12-07)
drums (drum set):
Nat Polen (on 1945-12-07)
guitar:
Matty Golizio (on 1945-12-07)
oboe:
Mitch Miller (on 1945-12-07)
piano:
Bill Clifton (jazz pianist) (on 1945-12-07)
viola:
Sidney Brecher (on 1945-12-07)
violin:
Raoul Polikian (on 1945-12-07) and Leonard Posner (on 1945-12-07)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1945-12-07)
conductor:
Axel Stordahl (on 1945-12-07)
arranger:
Axel Stordahl
cover recording of:
Why Shouldn’t I? (on 1945-12-07)
lyricist and composer:
Cole Porter (composer) (in 1935)
2:55
9Just One of Those Things
recording of:
Just One of Those Things (on 1945-11-07)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
1:27
10Why Can't You Behave?
performer:
The Phil Moore Four (on 1948-12-15)
recording of:
Why Can’t You Behave? (from Kiss Me, Kate) (on 1948-12-15)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
3:20
11So in Love
recording of:
So in Love (from Kiss Me, Kate) (on 1949-04-20)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
2:49
12You'd Be So Nice to Come Home To
performer:
June Hutton (on 1951-02-03)
recording of:
You’d Be So Nice to Come Home To (on 1951-02-03)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:19
13Cherry Pies Ought to Be You
guest vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Axel Stordahl
performer:
Rosemary Clooney (on 1950-12-11)
arranger:
Axel Stordahl
recording of:
Cherry Pies Ought to Be You (Out of This World musical) (on 1950-12-11)
lyricist and composer:
Cole Porter (composer) (in 1950)
publisher:
Buxton Hill Music Corp.
2:23
14You Do Something to Me
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1950-04-14)
conductor:
George Siravo (on 1950-04-14)
arranger:
George Siravo and Axel Stordahl
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (on 1950-04-14)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
2:35
15I Am Loved
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1950-11-11)
conductor:
Axel Stordahl (on 1950-11-11)
arranger:
Axel Stordahl
recording of:
I Am Loved (on 1950-11-11)
lyricist and composer:
Cole Porter (composer)
publisher:
Buxton Hill Music Corp.
part of:
Out of This World
2:28
16You Don't Remind Me
conductor:
Axel Stordahl
arranger:
Axel Stordahl
recording of:
You Don't Remind Me (on 1950-11-16)
writer:
Cole Porter (composer)
publisher:
Buxton Hill Music Corp.
2:52
17Begin the Beguine (2)
recording of:
Begin the Beguine (on 1944-08-09)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
4:12
18Night and Day (2)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1950-04)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
2:33

Credits

Release

art direction:Howard Fritzson
liner notes:Will Friedwald (Author, Music Critic)
producer:Andreas Meyer (US sound engineer)
Didier C. Deutsch
Charles L. Granata (Author)
mastering:Andreas Meyer (US sound engineer)
design:Eric Kohler
mastered at:Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
ASIN:US: B00009VU2T [info]

Release Group

tribute to:Cole Porter (composer)