Individually & Collectively

~ Veröffentlichung von The 5th Dimension (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

▼12"-Vinyl 1
Nr.TitelBewertungLänge
A1Leave a Little Room
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn
membranophone:
Hal Blaine
Solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman und Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
Leave a Little Room
Texter:
Michael Randall
Komponist(in):
Michael Randall
3:46
A2(Last Night) I Didn’t Get to Sleep at All
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn
Schlagzeug:
Hal Blaine
Solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore und Ron Townson
arranger:
Bill Holman und Bones Howe
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
(Last Night) I Didn’t Get to Sleep at All
Texter und Komponist(in):
Tony Macaulay
33:10
A3All Kinds of People
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn
Klavier:
John Myles
membranophone:
Hal Blaine
Solo vocals:
Florence LaRue Gordon
vocals:
Billy Davis, Jr., Lamonte McLemore, Marilyn McCoo und Ron Townson
Dirigent(in):
John Myles
vocals arranger:
Bob Alcivar und John Myles
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
cover recording of:
All Kinds of People
Texter:
Hal David
Komponist(in):
Burt Bacharach
3:07
A4Sky & Sea
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn
membranophone:
Hal Blaine
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
Sky & Sea
Texter und Komponist(in):
J. Alf
3:39
A5Tomorrow Belongs to the Children
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn
membranophone:
Hal Blaine
Solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
Tomorrow Belongs to the Children
Texter und Komponist(in):
Bob Gundry
3:36
A6Turn Around to Me
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn
membranophone:
Hal Blaine
Solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman und Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
Turn Around to Me
Verfasser(in):
Gerry Goffin und Michael Masser
3:05
B1If I Could Reach You
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn
membranophone:
Hal Blaine
Solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore und Ron Townson
arranger:
Bill Holman und Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
If I Could Reach You
Texter und Komponist(in):
Randy McNeill
3:08
B2Half Moon
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn
membranophone:
Hal Blaine
Solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman und Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
cover recording of:
Half Moon
Verfasser(in):
Johanna Hall und John Hall (US guitarist/vocalist for Orleans, later US congressman)
3:14
B3Band of Gold
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn
membranophone:
Hal Blaine
Solo vocals:
Ron Townson
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore und Marilyn McCoo
arranger:
Bill Holman und Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
cover recording of:
Band of Gold (1955 song)
Texter:
Bob Musel (American journalist, lyricist)
Komponist(in):
Jack Taylor (US soul producer/songwriter)
4:09
B4Border Song
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn
Klavier:
Isaiah Jones, Jr.
membranophone:
Hal Blaine
Solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman und Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
cover recording of:
Border Song
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal‐Songs of PolyGram International, Inc.
3:09
B5Black Patch
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn
membranophone:
Hal Blaine
Solo-Tenorsaxophon:
Bill Perkins (jazz saxophonist)
Solo vocals:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo und Ron Townson
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore und Marilyn McCoo
arranger:
Bill Holman und Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
Black Patch
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) und フジパシフィックミュージック SBK事業部
4:27