Plays the Music of Jimi Hendrix

~ Release by The Gil Evans Orchestra (see all versions of this release, 6 available)

Tracklist

▼12" Vinyl 1
#TitleRatingLength
A1Angel
recorded in:
New York, New York, United States (on 1974-06-13)
engineer:
Gus Mossler and Bob Simpson (US jazz engineer/producer)
producer:
Gil Evans and Mike Lipskin
mixer:
Dick Baxter (Mastering engineer at BMG / RCA Studios, New York) (in 1974) and Bob Simpson (US jazz engineer/producer) (in 1974)
alto flute and soprano saxophone:
David Sanborn (on 1974-06-13)
bass:
Michael Moore (Bass player) (on 1974-06-13) and Don Pate (on 1974-06-13)
clarinet:
Howard Johnson (tuba & baritone saxophone) (on 1974-06-13)
congas and membranophone:
Sue Evans (on 1974-06-13)
drums (drum set):
Bruce Ditmas (on 1974-06-13)
electric guitar:
John Abercrombie (American jazz guitarist) (on 1974-06-13) and 川崎燎 (guitar) (on 1974-06-13)
electric piano and synthesizer and keyboard [keyboards]:
David Horowitz (jazz pianist, keyboardist, composer) (on 1974-06-13)
flute and saxophone:
Tom “Bones” Malone (US trombonist) (on 1974-06-13)
flute and tenor saxophone:
Billy Harper (on 1974-06-13)
French horn:
Peter Gordon (French hornist) (on 1974-06-13)
guitar:
Keith Loving (guitarist) (on 1974-06-13)
keyboard and piano:
Gil Evans (on 1974-06-13)
percussion:
Susan Evans (on 1974-06-13) and Warren Smith,Jr (jazz percussionist) (on 1974-06-13)
saxophone:
Trevor Koehler (on 1974-06-13) and David Sanborn (on 1974-06-13)
synthesizer:
Pete Levin (American jazz keyboardist, composer and horn player) (on 1974-06-13)
trumpet:
Hannibal Marvin Peterson (on 1974-06-13) and Lew Soloff (on 1974-06-13)
wind instruments:
Tom Malone (US trombonist) (on 1974-06-13)
woodwind:
Billy Harper (on 1974-06-13), Trevor Koehler (on 1974-06-13) and David Sanborn (on 1974-06-13)
orchestra:
The Gil Evans Orchestra (on 1974-06-13)
conductor:
Gil Evans (on 1974-06-13)
remixer:
Tony May (Engineer)
arranger:
Gil Evans
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1974-06-13)
cover recording of:
Angel (on 1974-06-13)
lyricist and composer:
Jimi Hendrix
publisher:
Experience Hendrix, L.L.C. (company, not a label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
4:07
A2Crosstown Traffic / Little Miss Lover
recorded in:
New York, New York, United States (on 1974-06-12)
engineer:
Gus Mossler and Bob Simpson (US jazz engineer/producer)
producer:
Gil Evans and Mike Lipskin
mixer:
Dick Baxter (Mastering engineer at BMG / RCA Studios, New York) (in 1974) and Bob Simpson (US jazz engineer/producer) (in 1974)
alto flute and soprano saxophone:
David Sanborn (on 1974-06-12)
bass:
Michael Moore (Bass player) (on 1974-06-12) and Don Pate (on 1974-06-12)
clarinet:
Howard Johnson (tuba & baritone saxophone) (on 1974-06-12)
congas and membranophone:
Sue Evans (on 1974-06-12)
drums (drum set):
Bruce Ditmas (on 1974-06-12)
electric guitar:
John Abercrombie (American jazz guitarist) (on 1974-06-12) and 川崎燎 (guitar) (on 1974-06-12)
electric piano and synthesizer and keyboard [keyboards]:
David Horowitz (jazz pianist, keyboardist, composer) (on 1974-06-12)
flute and saxophone:
Tom “Bones” Malone (US trombonist) (on 1974-06-12)
flute and tenor saxophone:
Billy Harper (on 1974-06-12)
French horn:
Peter Gordon (French hornist) (on 1974-06-12)
guitar:
Keith Loving (guitarist) (on 1974-06-12)
keyboard and piano:
Gil Evans (on 1974-06-12)
percussion:
Susan Evans (on 1974-06-12) and Warren Smith,Jr (jazz percussionist) (on 1974-06-12)
saxophone:
Trevor Koehler (on 1974-06-12) and David Sanborn (on 1974-06-12)
synthesizer:
Pete Levin (American jazz keyboardist, composer and horn player) (on 1974-06-12)
trumpet:
Hannibal Marvin Peterson (on 1974-06-12) and Lew Soloff (on 1974-06-12)
wind instruments:
Howard Johnson (tuba & baritone saxophone) (on 1974-06-12) and Tom Malone (US trombonist) (on 1974-06-12)
woodwind:
Billy Harper (on 1974-06-12), Trevor Koehler (on 1974-06-12) and David Sanborn (on 1974-06-12)
vocals:
Hannibal Marvin Peterson (on 1974-06-12)
orchestra:
The Gil Evans Orchestra (on 1974-06-12)
conductor:
Gil Evans (on 1974-06-12)
remixer:
Tony May (Engineer)
arranger:
Gil Evans
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1974-06-12)
cover recording of:
Crosstown Traffic (on 1974-06-12)
lyricist and composer:
Jimi Hendrix
publisher:
Arch Music Co., Inc. and Experience Hendrix, L.L.C. (company, not a label)
6:34
A3Castles Made of Sand / Foxy Lady
recorded in:
New York, New York, United States (on 1974-06-13)
engineer:
Gus Mossler and Bob Simpson (US jazz engineer/producer)
producer:
Gil Evans and Mike Lipskin
mixer:
Dick Baxter (Mastering engineer at BMG / RCA Studios, New York) (in 1974) and Bob Simpson (US jazz engineer/producer) (in 1974)
alto flute and soprano saxophone:
David Sanborn (on 1974-06-13)
bass:
Michael Moore (Bass player) (on 1974-06-13) and Don Pate (on 1974-06-13)
clarinet:
Howard Johnson (tuba & baritone saxophone) (on 1974-06-13)
congas and membranophone:
Sue Evans (on 1974-06-13)
drums (drum set):
Bruce Ditmas (on 1974-06-13)
electric guitar:
John Abercrombie (American jazz guitarist) (on 1974-06-13) and 川崎燎 (guitar) (on 1974-06-13)
electric piano and synthesizer and keyboard [keyboards]:
David Horowitz (jazz pianist, keyboardist, composer) (on 1974-06-13)
flute and saxophone:
Tom “Bones” Malone (US trombonist) (on 1974-06-13)
flute and tenor saxophone:
Billy Harper (on 1974-06-13)
French horn:
Peter Gordon (French hornist) (on 1974-06-13)
guitar:
Keith Loving (guitarist) (on 1974-06-13)
keyboard and piano:
Gil Evans (on 1974-06-13)
percussion:
Susan Evans (on 1974-06-13) and Warren Smith,Jr (jazz percussionist) (on 1974-06-13)
saxophone:
Trevor Koehler (on 1974-06-13) and David Sanborn (on 1974-06-13)
synthesizer:
Pete Levin (American jazz keyboardist, composer and horn player) (on 1974-06-13)
trumpet:
Hannibal Marvin Peterson (on 1974-06-13) and Lew Soloff (on 1974-06-13)
wind instruments:
Tom Malone (US trombonist) (on 1974-06-13)
woodwind:
Billy Harper (on 1974-06-13), Trevor Koehler (on 1974-06-13) and David Sanborn (on 1974-06-13)
orchestra:
The Gil Evans Orchestra (on 1974-06-13)
conductor:
Gil Evans (on 1974-06-13)
remixer:
Tony May (Engineer)
arranger:
Gil Evans
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1974-06-13)
partial recording of:
Castles Made of Sand (on 1974-06-13)
lyricist and composer:
Jimi Hendrix
publisher:
Experience Hendrix, L.L.C. (company, not a label) and Warner/Chappell Music Ltd. (1996–2019)
partial cover recording of:
Foxy Lady (on 1974-06-13)
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, Experience Hendrix, L.L.C. (company, not a label), Intersong Music Ltd., Sea-Lark Enterprises, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Yameta Co. Ltd.
11:23
B1Up From the Skies
recorded in:
New York, New York, United States (on 1974-06-11)
orchestra:
The Gil Evans Orchestra (on 1974-06-11)
arranger:
Gil Evans
6:32
B21983 - A Merman I Should Turn to Be
recorded in:
New York, New York, United States (on 1974-06-13)
engineer:
Gus Mossler and Bob Simpson (US jazz engineer/producer)
producer:
Gil Evans and Mike Lipskin
mixer:
Dick Baxter (Mastering engineer at BMG / RCA Studios, New York) (in 1974) and Bob Simpson (US jazz engineer/producer) (in 1974)
alto flute and soprano saxophone:
David Sanborn (on 1974-06-13)
bass:
Michael Moore (Bass player) (on 1974-06-13) and Don Pate (on 1974-06-13)
clarinet:
Howard Johnson (tuba & baritone saxophone) (on 1974-06-13)
congas and membranophone:
Sue Evans (on 1974-06-13)
drums (drum set):
Bruce Ditmas (on 1974-06-13)
electric guitar:
John Abercrombie (American jazz guitarist) (on 1974-06-13) and 川崎燎 (guitar) (on 1974-06-13)
electric piano and synthesizer and keyboard [keyboards]:
David Horowitz (jazz pianist, keyboardist, composer) (on 1974-06-13)
flute and saxophone:
Tom “Bones” Malone (US trombonist) (on 1974-06-13)
flute and tenor saxophone:
Billy Harper (on 1974-06-13)
French horn:
Peter Gordon (French hornist) (on 1974-06-13)
guitar:
Keith Loving (guitarist) (on 1974-06-13)
keyboard and piano:
Gil Evans (on 1974-06-13)
percussion:
Susan Evans (on 1974-06-13) and Warren Smith,Jr (jazz percussionist) (on 1974-06-13)
saxophone:
Trevor Koehler (on 1974-06-13) and David Sanborn (on 1974-06-13)
synthesizer:
Pete Levin (American jazz keyboardist, composer and horn player) (on 1974-06-13)
trumpet:
Hannibal Marvin Peterson (on 1974-06-13) and Lew Soloff (on 1974-06-13)
wind instruments:
Tom Malone (US trombonist) (on 1974-06-13)
woodwind:
Billy Harper (on 1974-06-13), Trevor Koehler (on 1974-06-13) and David Sanborn (on 1974-06-13)
orchestra:
The Gil Evans Orchestra (on 1974-06-13)
conductor:
Gil Evans (on 1974-06-13)
remixer:
Tony May (Engineer)
arranger:
Gil Evans
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1974-06-13)
cover recording of:
1983… (A Merman I Should Turn to Be) (on 1974-06-13)
lyricist and composer:
Jimi Hendrix
version of:
Angel Caterina
7:32
B3Voodoo Chile
recorded in:
New York, New York, United States (on 1974-06-12)
engineer:
Gus Mossler and Bob Simpson (US jazz engineer/producer)
producer:
Gil Evans and Mike Lipskin
mixer:
Dick Baxter (Mastering engineer at BMG / RCA Studios, New York) (in 1974) and Bob Simpson (US jazz engineer/producer) (in 1974)
alto flute and soprano saxophone:
David Sanborn (on 1974-06-12)
bass:
Michael Moore (Bass player) (on 1974-06-12) and Don Pate (on 1974-06-12)
clarinet:
Howard Johnson (tuba & baritone saxophone) (on 1974-06-12)
congas and membranophone:
Sue Evans (on 1974-06-12)
drums (drum set):
Bruce Ditmas (on 1974-06-12)
electric guitar:
John Abercrombie (American jazz guitarist) (on 1974-06-12) and 川崎燎 (guitar) (on 1974-06-12)
electric piano and synthesizer and keyboard [keyboards]:
David Horowitz (jazz pianist, keyboardist, composer) (on 1974-06-12)
flute and saxophone:
Tom “Bones” Malone (US trombonist) (on 1974-06-12)
flute and tenor saxophone:
Billy Harper (on 1974-06-12)
French horn:
Peter Gordon (French hornist) (on 1974-06-12)
guitar:
Keith Loving (guitarist) (on 1974-06-12)
keyboard and piano:
Gil Evans (on 1974-06-12)
percussion:
Susan Evans (on 1974-06-12) and Warren Smith,Jr (jazz percussionist) (on 1974-06-12)
saxophone:
Trevor Koehler (on 1974-06-12) and David Sanborn (on 1974-06-12)
synthesizer:
Pete Levin (American jazz keyboardist, composer and horn player) (on 1974-06-12)
trumpet:
Hannibal Marvin Peterson (on 1974-06-12) and Lew Soloff (on 1974-06-12)
wind instruments:
Howard Johnson (tuba & baritone saxophone) (on 1974-06-12) and Tom Malone (US trombonist) (on 1974-06-12)
woodwind:
Billy Harper (on 1974-06-12), Trevor Koehler (on 1974-06-12) and David Sanborn (on 1974-06-12)
orchestra:
The Gil Evans Orchestra (on 1974-06-12)
conductor:
Gil Evans (on 1974-06-12)
remixer:
Tony May (Engineer)
arranger:
Gil Evans
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1974-06-12)
cover recording of:
Voodoo Chile (on 1974-06-12)
lyricist and composer:
Jimi Hendrix
publisher:
Experience Hendrix, L.L.C. (company, not a label)
5:05
B4Gypsy Eyes
recorded in:
New York, New York, United States (on 1974-06-12)
engineer:
Gus Mossler and Bob Simpson (US jazz engineer/producer)
producer:
Gil Evans and Mike Lipskin
mixer:
Dick Baxter (Mastering engineer at BMG / RCA Studios, New York) (in 1974) and Bob Simpson (US jazz engineer/producer) (in 1974)
alto flute and soprano saxophone:
David Sanborn (on 1974-06-12)
bass:
Michael Moore (Bass player) (on 1974-06-12) and Don Pate (on 1974-06-12)
clarinet:
Howard Johnson (tuba & baritone saxophone) (on 1974-06-12)
congas and membranophone:
Sue Evans (on 1974-06-12)
drums (drum set):
Bruce Ditmas (on 1974-06-12)
electric guitar:
John Abercrombie (American jazz guitarist) (on 1974-06-12) and 川崎燎 (guitar) (on 1974-06-12)
electric piano and synthesizer and keyboard [keyboards]:
David Horowitz (jazz pianist, keyboardist, composer) (on 1974-06-12)
flute and saxophone:
Tom “Bones” Malone (US trombonist) (on 1974-06-12)
flute and tenor saxophone:
Billy Harper (on 1974-06-12)
French horn:
Peter Gordon (French hornist) (on 1974-06-12)
guitar:
Keith Loving (guitarist) (on 1974-06-12)
keyboard and piano:
Gil Evans (on 1974-06-12)
percussion:
Susan Evans (on 1974-06-12) and Warren Smith, Jr. (jazz percussionist) (on 1974-06-12)
saxophone:
Trevor Koehler (on 1974-06-12) and David Sanborn (on 1974-06-12)
synthesizer:
Pete Levin (American jazz keyboardist, composer and horn player) (on 1974-06-12)
trumpet:
Hannibal Marvin Peterson (on 1974-06-12) and Lew Soloff (on 1974-06-12)
wind instruments:
Howard Johnson (tuba & baritone saxophone) (on 1974-06-12) and Tom Malone (US trombonist) (on 1974-06-12)
woodwind:
Billy Harper (on 1974-06-12), Trevor Koehler (on 1974-06-12) and David Sanborn (on 1974-06-12)
orchestra:
The Gil Evans Orchestra (on 1974-06-12)
conductor:
Gil Evans (on 1974-06-12)
remixer:
Tony May (Engineer)
arranger:
Gil Evans
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1974-06-12)
cover recording of:
Gypsy Eyes (on 1974-06-12)
lyricist and composer:
Jimi Hendrix
3:42