Don Carlo

~ Release by Giuseppe Verdi; Jussi Björling, Delia Rigal, Fedora Barbieri, Robert Merrill, Cesare Siepi, Fritz Stiedry (see all versions of this release, 1 available)

Annotation

Live recording of a performance of a four-act version at the Met on 11 November 1950

Conductor - Fritz Stiedry
Orchestra - Metropolitan Opera
Chorus - Metropolitan Opera

Don Carlo - Jussi Björling
Filippo II - Cesare Siepi
Rodrigo - Robert Merrill
Il Grande Inquisitore - Jerome Hines
Un Frate - Lubomir Vichegonov
Elisabetta di Valois - Delia Rigal
La principessa Eboli - Fedora Barbieri
Tebaldo - Anne Bollinger
Il Conte di Lerma - Paul Franke
Un Araldo Reale - Emery Darcy
Una voce dal cielo - Lucine Amara

Annotation last modified on 2020-04-30 22:27 UTC.

Tracklist

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▼CD 1
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1Don Carlo: Atto I. “Carlo, il sommo imperatore …”
bass vocals [un frate]:
Lubomir Vichegonov (operatic bass) (on 1950-11-11)
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi6:18
2Don Carlo: Atto I. “Io l'ho perduta …”
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:12
3Don Carlo: Atto I. “Il duolo della terra …”
bass vocals [un frate]:
Lubomir Vichegonov (operatic bass) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Il duolo della terra” (Al chiostro di San Giusto) (Un frate, Carlo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:04
4Don Carlo: Atto I. “È lui! Desso! L'Infante”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
bass vocals [un frate]:
Lubomir Vichegonov (operatic bass) (on 1950-11-11)
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:20
5Don Carlo: Atto I. “Dio, che nell'alma infondere”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:03
6Don Carlo: Atto I. “Sotto ai folti, immensi abeti”
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
soprano vocals [Tebaldo]:
Anne Bollinger (soprano) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Sotto ai folti, immensi abeti” (Le dame, Eboli, Tebaldo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:22
7Don Carlo: Atto I. “Nel giardin del bello Saracin”
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
soprano vocals [Tebaldo]:
Anne Bollinger (soprano) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:59
8Don Carlo: Atto I. “La Regina!“
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
soprano vocals [Tebaldo]:
Anne Bollinger (soprano) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°7 “La Regina! – Un arcana mestizia” (Le dame, Eboli, Elisabetta, Tebaldo, Rodrigo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:48
9Don Carlo: Atto I. “Che mai si fa sul suol francese“
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°8 “Che mai si fa nel suol francese” (Eboli, Rodrigo, Elisabetta) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:04
10Don Carlo: Atto I. “Carlo che sol-il nostro amore”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°8 Romanza di Rodrigo “Carlo ch’è sol il nostro amore” (Rodrigo, Eboli, Elisabetta) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:36
11Don Carlo: Atto I. “Io vengo a domandar grazia”
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Io vengo a domandar” (Carlo, Elisabetta) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
translator:
Achille de Lauzières
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:14
12Don Carlo: Atto I. “Ciel! non un sol, un solo detto“
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
partial recording of:
Don Carlo: Atto I, scena 2. N°9 “Io vengo a domandar” (Carlo, Elisabetta) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
translator:
Achille de Lauzières
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:42
13Don Carlo: Atto I. “Perduto ben, mio sol tesor”
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Perduto ben, mio sol tesor” … “Sotto il mio piè dischiudasi la terra” (Carlo, Elisabetta) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:57
14Don Carlo: Atto I. “Qual voce a me dal ciel”
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
partial recording of:
Don Carlo: Atto I, scena 2. N°9 “Perduto ben, mio sol tesor” … “Sotto il mio piè dischiudasi la terra” (Carlo, Elisabetta) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:36
15Don Carlo: Atto I. “Sotto il mio pie si dischiuda la terra”
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Perduto ben, mio sol tesor” … “Sotto il mio piè dischiudasi la terra” (Carlo, Elisabetta) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:41
16Don Carlo: Atto I. “Il Re! Per che sola e la Regina”
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
soprano vocals [Tebaldo]:
Anne Bollinger (soprano) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°10 “Il Re!… Perché sola è la Regina?” (Tebaldo, Filippo, Coro) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:07
17Don Carlo: Atto I. “Non pianger, mia compagna”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:50
18Don Carlo: Atto I. “Restate...Presso alla mia persona”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°12. “Restate! Presso alla mia persona” (Filippo, Rodrigo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:23
19Don Carlo: Atto I. “O Signor, di Fiandra arrivo”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°13 “O signor, di Fiandra arrivo” (Filippo, Rodrigo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:58
20Don Carlo: Atto I. “Questa e la pace che voi date al mondo”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Quest’è la pace che voi date al mondo?” (Filippo, Rodrigo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:04
21Don Carlo: Atto I. “Oso lo sguardo tuo penetrar”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Osò lo sguardo tuo penetrar il mio soglio” (Filippo, Rodrigo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:03
22Don Carlo: Atto II. Preludio
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto II. Preludio (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:19
23Don Carlo: Atto II. “A mezzanotte al giardin della Regina”
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto II, scena 1. N°1 “A mezzanotte, ai giardin della Regina” … “Sei tu, sei tu, bell'adorata” (Carlo, Eboli) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:13
24Don Carlo: Atto II. “V'e ignoto forse, ignoto ancora”
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto II, scena 1. N°2 “Ciel! Non è la Regina!” (Carlo, Eboli) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:44
25Don Carlo: Atto II. “Al mio furor sfuggite invano”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto II, scena 1. N°3 “Che disse mai!” … “Il mio furore sfuggite invano” (Rodrigo, Eboli, Carlo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:42
26Don Carlo: Atto II. “Ed io che tremava al suo aspertto”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
partial recording of:
Don Carlo: Atto II, scena 1. N°3 “Ed io, che tremava al suo aspetto!” … “Trema per te, falso figliuolo” (Eboli, Rodrigo, Carlo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi1:00
27Don Carlo: Atto II. “Trema per te, falso figliuolo”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
partial recording of:
Don Carlo: Atto II, scena 1. N°3 “Ed io, che tremava al suo aspetto!” … “Trema per te, falso figliuolo” (Eboli, Rodrigo, Carlo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi1:11
28Don Carlo: Atto II. “Carlo, se mai su te fogli importanti tu serbi”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto II, scena 1. N°4 “Carlo! se mai su te fogli importanti serbi” (Rodrigo, Carlo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi1:41
29Don Carlo: Atto II. “Spuntato ecco il di d'esultanza”
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi4:33
30Don Carlo: Atto II. “Schiusa or sia la porta del tempio”
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
tenor vocals [L'araldo]:
Emery Darcy (Met operatic tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto II, scena 2. N°6 “Schiusa or sia la porta del tempio!” (L'araldo, Coro) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:02
31Don Carlo: Atto II. “Nel posar sul mio capo la corona”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
partial recording of:
Don Carlo: Atto II, scena 2. N°7 “Nel posar sul mio capo la corona” – “Qui Carlo! O ciel” (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi1:06
32Don Carlo: Atto II. “O Carlo! O Ciel!”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
partial recording of:
Don Carlo: Atto II, scena 2. N°7 “Nel posar sul mio capo la corona” – “Qui Carlo! O ciel” (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:47
▼CD 2
#TitleArtistRatingLength
1Don Carlo: Atto II. “Su di lor stenda il Re”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
soprano vocals [Tebaldo]:
Anne Bollinger (soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
partial recording of:
Don Carlo: Atto II, scena 2. N°7 Gran finale: "A Dio voi foste infidi, infidi al vostro Re" (Filippo, Coro, Elisabetta, Tebaldo, Carlo, Rodrigo, Deputati) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:07
2Don Carlo: Atto II. “Sire, egli tempo che io viva”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
soprano vocals [Tebaldo]:
Anne Bollinger (soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto II, scena 2. N°8 “Sire! Egli è tempo ch'io viva!” (Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, Coro) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi1:55
3Don Carlo: Atto II. “O Ciel! Tu? Rodrigo”
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
soprano vocals [Una voce dal cielo]:
Lucine Amara (soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto II, scena 2. N°9 “O ciel! Tu! Rodrigo!” (Carlo, Coro, Eboli, Elisabetta, Filippo, Una voce dal cielo, Deputati) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:45
4Don Carlo: Atto III. Introduzione
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto III, scena 1. N°10. Introduzione e scena: Introduzione (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:27
5Don Carlo: Atto III. “Ella giammai m'amo”
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo (Italian translation)
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi7:31
6Don Carlo: Atto III. “Il Grande Inquisitor!”
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
bass vocals [L'inquisitore]:
Jerome Hines (operatic bass) (on 1950-11-11)
tenor vocals [Lerma]:
Paul Franke (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:53
7Don Carlo: Atto III. “Nel ispanio suol ormai l'eresia domino”
bass vocals [L'inquisitore]:
Jerome Hines (operatic bass) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Allora son io che a voi parlerò, sire. Nell'ispano suol mai l'ere sia dominò” (Il grande inquisitore) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:50
8Don Carlo: Atto III. “No giammai”
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
bass vocals [L'inquisitore]:
Jerome Hines (operatic bass) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto III, scena 1. N°11 “No, giammai!” (Filippo, L'inquisitore) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:08
9Don Carlo: Atto III. “Giustizia! O Sire”
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
partial recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi1:58
10Don Carlo: Atto III. “Ben lo sapete - un di promessa”
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
partial recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi1:50
11Don Carlo: Atto III. “Soccorso alla Regina”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Soccorso alla Regina!” (Filippo, Eboli, Rodrigo, Elisabetta) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi0:40
12Don Carlo: Atto III. “Ah! si, maledetto”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ah! sii maledetto, sospetto fatale” (Filippo, Elisabetta, Eboli, Rodrigo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:53
13Don Carlo: Atto III. “Pieta! Perdon - per la rea que si pente”
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto III, scena 1. N°13. Scena ed aria: “Pietà! Pietà! perdon!” (Eboli, Elisabetta) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:34
14Don Carlo: Atto III. “O don fatale, o don crudel”
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:44
15Don Carlo: Atto III. “Son io, mio Carlo”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
partial recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:08
16Don Carlo: Atto III. “Che parli tu di morte”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
partial recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:46
17Don Carlo: Atto III. “Io morro, ma lieto in core”
baritone vocals [Rodrigo]:
Robert Merrill (American operatic baritone) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: "Ah! io morrò, ma lieto in core" (Rodrigo) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:31
18Don Carlo: Atto III. “Mio Carlo, a te la spada io rendo”
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
bass vocals [L'inquisitore]:
Jerome Hines (operatic bass) (on 1950-11-11)
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
mezzo-soprano vocals [Eboli]:
Fedora Barbieri (mezzo soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
tenor vocals [Lerma]:
Paul Franke (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:30
19Don Carlo: Atto IV. Introduzione
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto IV. Introduzione (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi2:36
20Don Carlo: Atto IV. “Tu che la vanità”
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi8:17
21Don Carlo: Atto IV. “È dessa”
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto IV. N°15 “È dessa!… Un detto, un sol” (Carlo, Elisabetta) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi1:33
22Don Carlo: Atto IV. “Vago sogno m'arrise”
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
partial recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi4:09
23Don Carlo: Atto IV. “Ma lassù ci vedremo in un mondo migliore”
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
partial recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi4:01
24Don Carlo: Atto IV. “Si, per sempre”
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1950-11-11)
bass vocals [L'inquisitore]:
Jerome Hines (operatic bass) (on 1950-11-11)
bass vocals [un frate]:
Lubomir Vichegonov (operatic bass) (on 1950-11-11)
choir vocals:
Metropolitan Opera Chorus (on 1950-11-11)
soprano vocals [Elisabetta]:
Delia Rigal (argentine soprano) (on 1950-11-11)
tenor vocals [Don Carlo]:
Jussi Björling (tenor) (on 1950-11-11)
orchestra:
Metropolitan Opera Orchestra (on 1950-11-11)
conductor:
Fritz Stiedry (conductor) (on 1950-11-11)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1950-11-11)
recording of:
Don Carlo: Atto IV. N°15 “Sì, per sempre!” (Filippo, L'Inquisitore, Elisabetta, Carlo, Un frate, Familiari) (on 1950-11-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi1:55

Credits

Release

manufactured in:Italy
distributed by:Myto Records S.a.s.
phonographic copyright (℗) by:Myto Records S.a.s. (in 1991)
Discogs:https://www.discogs.com/release/9679939 [info]
ASIN:IT: B00004VT0C [info]