Black, Brown and Beige

~ Release by Duke Ellington and His Orchestra featuring Mahalia Jackson (see all versions of this release, 6 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Part I
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold "Shorty" Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra8:17
2Part II
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold "Shorty" Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra6:14
3Part III (Light)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1958-02-12)
baritone saxophone:
Harry Carney (on 1958-02-12)
double bass:
Jimmy Woode (on 1958-02-12)
drums (drum set):
Sam Woodyard (on 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-12)
tenor saxophone:
Paul Gonsalves (on 1958-02-12)
trombone:
Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
trumpet:
William “Cat” Anderson (on 1958-02-12), Harold "Shorty" Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (American swing trumpeter) (on 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-12)
recording of:
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra6:26
4Part IV (Come Sunday)
recorded in:
New York, New York, United States (on 1958-02-11)
producer:
Irving Townsend
alto saxophone:
Russell Procope and Bill Graham (US jazz saxophonist) (on 1958-02-11)
baritone saxophone:
Harry Carney (on 1958-02-11)
bass:
Jimmy Woode (on 1958-02-11)
clarinet:
Russell Procope and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-02-11)
drums (drum set) [drums]:
Sam Woodyard (on 1958-02-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-11)
reeds:
Russell Procope
tenor saxophone:
Paul Gonsalves (on 1958-02-11)
trombone:
Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
trumpet:
Cat Anderson (on 1958-02-11), Harold Baker (on 1958-02-11) and Clark Terry (American swing trumpeter) (on 1958-02-11)
trumpet and violin:
Ray Nance (on 1958-02-11)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-11)
vocals:
Mahalia Jackson (on 1958-02-11)
recording of:
Come Sunday (on 1958-02-11)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson7:58
5Part V (Come Sunday Interlude)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1958-02-12)
baritone saxophone:
Harry Carney (on 1958-02-12)
double bass:
Jimmy Woode (on 1958-02-12)
drums (drum set):
Sam Woodyard (on 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-12)
solo violin:
Ray Nance (on 1958-02-12)
tenor saxophone:
Paul Gonsalves (on 1958-02-12)
trombone:
Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
trumpet:
William “Cat” Anderson (on 1958-02-12), Harold "Shorty" Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (American swing trumpeter) (on 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-12)
recording of:
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Ray Nance3:46
6Part VI (23rd Psalm)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1958-02-11)
baritone saxophone:
Harry Carney (on 1958-02-11)
double bass:
Jimmy Woode (on 1958-02-11)
drums (drum set):
Sam Woodyard (on 1958-02-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-11)
tenor saxophone:
Paul Gonsalves (on 1958-02-11)
trombone:
Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
trumpet:
William “Cat” Anderson (on 1958-02-11), Harold "Shorty" Baker (on 1958-02-11), Ray Nance (on 1958-02-11) and Clark Terry (American swing trumpeter) (on 1958-02-11)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-11)
vocals:
Mahalia Jackson (on 1958-02-11)
recording of:
Black, Brown, and Beige, Part VI (23rd Psalm) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-11)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson3:08
7Track 360 (Trains) (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold "Shorty" Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
Duke Ellington and His Orchestra2:05
8Blues in Orbit (Tender) (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold "Shorty" Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Blues in Orbit
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra2:42
9Part I (1958 alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold "Shorty" Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra6:49
10Part II (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold "Shorty" Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra6:38
11Part III (Light) (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold "Shorty" Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra3:08
12Part IV (Come Sunday) (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold "Shorty" Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Come Sunday (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson2:23
13Part V (Come Sunday) (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold "Shorty" Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Ray Nance5:51
14Part VI (23rd Psalm) (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold "Shorty" Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part VI (23rd Psalm) (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson1:59
15Studio Conversation (Mahalia swears)
Mahalia Jackson0:07
16Come Sunday (a cappella)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
vocals:
Mahalia Jackson (from 1958-02-04 until 1958-02-12)
recording of:
Come Sunday (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Mahalia Jackson5:47
17[silence]
[no artist]0:06