In Classical Mood: A Night at the Opera

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1La forza del destino: Overture
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Jacek Kaspszyk (conductor)
recording of:
La forza del destino: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi8:03
2The Marriage of Figaro: “Non più andrai”Wolfgang Amadeus Mozart3:41
3La Wally: “Ebben, ne andrò lontano”Alfredo Catalani3:39
4Turandot: “Nessun dorma”
choir vocals:
Chor der ungarischen Staatsoper and Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus)
tenor vocals:
János B. Nagy (tenor)
tenor vocals [Calaf]:
B. Nagy János (tenor)
vocals:
B. Nagy János (tenor) and Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra)
conductor:
Adam Medvecky (conductor) and Medveczky Ádám (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini3:02
5Faust: Soldiers’ Chorus
choir vocals:
Kungliga Operans Kör
orchestra:
Kungliga Operans Orkestern (The Royal Court Orchestra)
conductor:
Sixten Ehrling
recording of:
Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
Charles Gounod4:54
6Arabella: “Aber der Richtige”
soprano vocals:
Lisa della Casa (soprano) and Anneliese Rothenberger (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Rudolf Neuhaus (german conductor)
recording of:
Arabella, op. 79: Act I. "Aber der Richtige, wenns einen gibt" (Arabella, Zdenka)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss4:45
7Manon Lescaut: Intermezzo
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra)
conductor:
András Mihály (composer and conductor)
recording of:
Manon Lescaut: Atto III. Intermezzo (Intermezzo between Acts II and III)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut
Giacomo Puccini5:00
8The Barber of Seville: “Largo al factotum”
baritone vocals:
Miller Lajos (Baritone)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra)
conductor:
Komor Vilmos
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:04
9The Flying Dutchman: Spinning ChorusRichard Wagner3:38
10The Magic Flute: “Der Hölle Rache”
soprano vocals and soprano vocals [Die Königin der Nacht]:
Sumi Jo (soprano)
orchestra:
Radio–Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Roberto Paternostro
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:05
11Otello: Willow Song
soprano vocals:
Anna Tomowa‐Sintow (soprano)
orchestra:
Софийска Филхармония
conductor:
Руслан Райчев (conductor)
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi9:03
12Fidelio: “Mir ist so wunderbar”
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1805)
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:57
13La donna del lago: “Tanti affetti”
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Berlin Radio Symphony Orchestra (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Roberto Paternostro
recording of:
La donna del lago: Atto II, scena 3. No. 13. Rondò finale “Tanti affetti in tal momento” (Elena, tutti gli altri)
composer:
Gioachino Rossini (composer)
librettist:
Andrea Leone Tottola
part of:
La donna del lago: Atto II
Gioachino Rossini6:08
14Cavalleria rusticana: Easter Chorus
choir vocals:
Kungliga Operans Kör
soprano vocals:
Ingrid Tobiasson
orchestra:
Kungliga Operans Orkestern (The Royal Court Orchestra)
conductor:
Sixten Ehrling
recording of:
Cavalleria rusticana: “Regina coeli laetare” (Coro) (Easter Hymn)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni6:30

Credits

Release Group

part of:In Classical Mood (number: 37) (order: 38)