Red Mecca

~ Release by Cabaret Voltaire (see all versions of this release, 5 available)

Tracklist

▼CD 1
#TitleRatingLength
1A Touch of Evil
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
A Touch of Evil (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
is based on:
Main Title (Touch of Evil)
3.53:11
2Sly Doubt
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
Sly Doubt (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
44:59
3Landslide
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
Landslide (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
3.52:08
4A Thousand Ways
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
A Thousand Ways (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
510:35
5Red Mask
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
Red Mask (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
56:55
6Split Second Feeling
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
Split Second Feeling (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
53:47
7Black Mask
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
Black Mask (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
43:19
8Spread the Virus
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
Spread the Virus (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
33:41
9A Touch of Evil (reprise)
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
partial recording of:
A Touch of Evil (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
is based on:
Main Title (Touch of Evil)
51:34

Credits

Release Group

inspired the name of:Red Mecca (Swedish band)
Discogs:https://www.discogs.com/master/2196 [info]
Allmusic:https://www.allmusic.com/album/mw0000308464 [info]
Wikidata:Q7304586 [info]