Messe en si

~ Release by Jean-Sébastien Bach - Paul Kuentz (see all versions of this release, 1 available)

Tracklist

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▼12" Vinyl 1: 2539 165
#	Title	Artist	Rating	Length
1	Messe en si mineur, BWV 232: Kyrie eleison I organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
2	Messe en si mineur, BWV 232: Christe Eleison organ: Jean-Louis Gil violin: Monique Frasca‐Colombier alto vocals: Dorothea Brinkmann soprano vocals: Danielle Charpentier conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
3	Messe en si mineur, BWV 232: Kyrie Eleison II organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
4	Messe en si mineur, BWV 232: Gloria in excelsis Deo organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
5	Messe en si mineur, BWV 232: Laudamus te organ: Jean-Louis Gil solo violin: Monique Frasca‐Colombier alto vocals: Dorothea Brinkmann conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
6	Messe en si mineur, BWV 232: Gratias agimus tibi organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
7	Messe en si mineur, BWV 232: Domine Deus organ: Jean-Louis Gil solo flute: Pierre-Alain Biget soprano vocals: Danielle Charpentier tenor vocals: Francis Bardot (tenor and choir conductor) conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
8	Messe en si mineur, BWV 232: Qui tollis organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei" part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
9	Messe en si mineur, BWV 232: Qui sedes organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
10	Messe en si mineur, BWV 232: Quoniam tu solus sanctus horn: Louis Lantoine organ: Jean-Louis Gil bass vocals: Pierre D'Hollander conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
11	Messe en si mineur, BWV 232: Cum Sancto Spiritu organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??

▼12" Vinyl 2: 2539 166
#	Title	Artist	Rating	Length
1	Messe en si mineur, BWV 232: Credo in unum Deum organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
2	Messe en si mineur, BWV 232: Patrem omnipotentem organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
3	Messe en si mineur, BWV 232: Et in unum Dominum organ: Jean-Louis Gil alto vocals: Dorothea Brinkmann soprano vocals: Danielle Charpentier conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
4	Messe en si mineur, BWV 232: Et incarnatus est organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
5	Messe en si mineur, BWV 232: Crucifixus organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
6	Messe en si mineur, BWV 232: Et resurrexit organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
7	Messe en si mineur, BWV 232: Et in Spiritum Sanctum organ: Jean-Louis Gil bass vocals: Pierre D'Hollander conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
8	Messe en si mineur, BWV 232: Confiteor organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
9	Messe en si mineur, BWV 232: Sanctus organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: III. Sanctus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
10	Messe en si mineur, BWV 232: Osanna live recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
11	Messe en si mineur, BWV 232: Benedictus cello [continuo]: Marie-Aymée Malaquin organ [continuo]: Jean-Louis Gil solo flute: Pierre-Alain Biget tenor vocals: Francis Bardot (tenor and choir conductor) conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
12	Messe en si mineur, BWV 232: Osanna da capo conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
13	Messe en si mineur, BWV 232: Agnus Dei organ: Jean-Louis Gil alto vocals: Dorothea Brinkmann conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??
14	Messe en si mineur, BWV 232: Dona nobis pacem organ: Jean-Louis Gil conductor: Paul Kuentz (conductor) live recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Dona nobis pacem part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		?:??