Die ultimative Chart Show: Die erfolgreichsten Werbe-Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1I'm Walkin'Fats Domino52:07
2Summer Dreamin' (radio version)
Kate Yanai3:39
3First Time
music videos:
First Time ("concept" version) by Robin Beck and First Time (band version) by Robin Beck
recording of:
First Time
lyricist:
Tom Anthony (wrote "First Time") and Terry Boyle
composer:
Gavin Spencer
publisher:
EMI Music Publishing Scandinavia AB
Robin Beck33:18
4Sail Away
Hans Hartz4:21
5Welch ein Tag (radio version)
Mario Jordan4:01
6Ich mag
recording of:
Ich mag
lyricist:
Volker Lechtenbrink
composer:
Michael Reinecke
Volker Lechtenbrink4:12
7Dream a Little Dream of MeThe Mamas & the Papas4.153:14
8What a Wonderful World (album version)
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (Pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
performer:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 171)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc. and Range Road Music Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.82:18
9When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54)
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:51
10Stand by Me (album version)
recorded in:
New York, New York, United States (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 131)
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher) and Unichappell Music
Ben E. King4.652:56
11Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan and Bobby Lyle
percussion:
Paulinho da Costa
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3.23:52
12Mad About the Boy (1961 version)
vocals:
Dinah Washington
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:47
13I Heard It Through the Grapevine (album version (Stereo))
producer:
Norman Whitfield
drums (drum set):
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10) and Uriel Jones (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
organ:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 119)
recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
recording of:
I Heard It Through the Grapevine (on 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
Marvin Gaye3.93:15
14I'd Like to Teach the World to Sing
producer:
David Mackay (Australian producer)
vocals:
Eve Graham
arranger:
David Mackay (Australian producer)
recording of:
I’d Like to Teach the World to Sing
writer:
Bill Backer, Roger Cook (singer, songwriter, producer), Roquel Davis and Roger Greenaway
publisher:
PolyGram Music Publishing
version of:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers42:23
15Move On
mastering:
Jon Astley and Tim Young (mastering engineer)
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
acoustic guitar:
Björn Ulvaeus (on 1977-08-04)
bass guitar:
Rutger Gunnarsson (on 1977-08-08)
drums (drum set):
Ola Brunkert (on 1977-08-04)
electric guitar [lead guitar]:
Lasse Wellander (on 1977-08-04)
guitar:
Lasse Wellander (on 1977-08-08)
keyboard:
Benny Andersson (ABBA) (on 1977-08-04)
percussion:
Malando Gassama (on 1977-08-04)
recorder:
Lars O. Carlsson (on 1977-10-10)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1977)
recorded at:
Marcus Music Ab in Stockholm, Stockholms län, Sweden (on 1977-08-04, on 1977-08-08, on 1977-10-10)
recording of:
Move On (from 1977-08-04 until 1977-10-10)
writer:
Stig Anderson, Benny Andersson (ABBA) and Björn Ulvaeus
ABBA24:44
16Anytime and AnywhereStephan Massimo & the Deli Cats3:42
17Far Far AwaySlade43:36
18Lemon TreeFool’s Garden4.153:12
19Everytime (original)
The Flames3:01
20Turn on, Tune in, Cop Out (radio mix)
recording of:
Turn On, Tune In, Cop Out
lyricist and composer:
Norman Cook
publisher:
PolyGram Music Publishing Ltd.
Freak Power44:25
21Ice in the Sunshine (original version)Beagle Music Ltd.3:01
CD 2
#TitleArtistRatingLength
1Flat Beat (radio edit)
recording of:
Flat Beat
composer:
Quentin Dupieux
publisher:
Wak Publishing
Mr. Oizo3:58
2Make Luv (radio version)
guest vocals:
Oliver Cheatham
performer:
Oliver Cheatham
samples:
Get Down Saturday Night by Oliver Cheatham
recording of:
Make Luv
writer:
Vito Lucente (Electronic dance producer and DJ)
Room 5 feat. Oliver Cheatham2.653:33
3A Little Less Conversation (JXL radio edit remix)
assistant engineer:
Dan Milazzo and Claudius Mittendorfer (engineer, producer, mixer)
engineer:
Ray Bardani
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1968-03-07 until 1968-06-23)
remixer:
Tom Holkenborg (Dutch DJ and score composer aka “Junkie XL” and “JXL”)
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1968-03-07 until 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands
remix of:
A Little Less Conversation by Elvis Presley
recording of:
A Little Less Conversation (from 1968-03-07 until 1968-06-23)
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
Elvis vs. JXL3.453:35
4Right Here Right Now (album version)
phonographic copyright (℗) by:
Skint Records (in 1998)
samples:
Ashes the Rain and I by James Gang and Ashes, the Rain and I by James Gang
recording of:
Right Here, Right Now
composer:
Fatboy Slim, Dale Peters and Joe Walsh (Eagles/James Gang)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Pamco Music, Polygram Music and PolyGram Music Publishing Ltd.
Fatboy Slim3.55:57
5Sexbomb (album version)
producer:
Mousse T.
bass guitar and horn:
Peter Hinterthür
Hammond organ:
Lutz Krajenski
horn:
Uwe Granitza
vocals:
Tom Jones (Welsh pop singer)
recorded at:
Bunk, Junk and Genius in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom and Peppermint Park Studios in Hannover, Niedersachsen, Germany
recording of:
Sexbomb (Mousse T. / Errol Rennalls song)
lyricist and composer:
Mousse T. and Errol Rennalls
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tom Jones with Mousse T.3:34
6Hip Teens Don't Wear Blue Jeans (original version)Frank Popp Ensemble43:45
7Underwater Love
mixer:
Ben Hillier
recording of:
Underwater Love
writer:
Luiz Bonfá, Marc Brown (UK electronic DJ/producer) and Nina Miranda (Brazilian singer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Westbury Music
Smoke City4:00
8Inside
bass guitar and Hammond organ:
James Finnigan
drums (drum set):
Ross McFarlane (drummer from Scotland, ex-Stiltskin)
guitar:
Peter Lawlor
background vocals:
Peter Lawlor and Tessa Sturridge
guest choir vocals [choral opening]:
The Ambrosian Choir (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
vocals:
Ray Wilson (Genesis vocalist for a short time)
recording of:
Inside
lyricist and composer:
Peter Lawlor
Stiltskin45:14
9Me and You and I
recording of:
Me and You and I
writer:
Peter Montoya and R. Track
Vanish3:26
10Star
lead vocals:
Teemu Brunila
recording of:
Star
lyricist and composer:
Teemu Brunila
The Crash3:45
11Wild Thing
producer:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
drums (drum set):
Ronnie Bond (The Troggs)
electric guitar:
Chris Britton (The Troggs)
ocarina and lead vocals:
Reg Presley
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1966)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 257)
cover recording of:
Wild Thing (in 1966)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present) and April Music (publisher) (in 1981)
The Troggs4.62:38
12Come to Sin (radio version)
recording of:
Come to Sin
lyricist:
Sebastian Horn (German bassist for Bananafishbones)
composer:
Peter Horn Jr. and Tobi Neumann (DJ/producer)
Bananafishbones33:26
13Young at HeartThe Bluebells5:24
14Celebration (single version)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
miscellaneous support:
Universal Music Australia Pty Limited (formerly Polygram Pty Ltd. until 1999-03-22; not for release label use!) (task: Under license from)
recording of:
Celebration
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & The Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) and Earl Toon, Jr.
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) and WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.43:40
15Dance With Me (LP version)
Debelah Morgan3:42
16La Bamba
producer:
Mitchell Froom
arranger:
Ritchie Valens
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
additional lyricist:
Ritchie Valens
composer:
[traditional] (special purpose artist)
publisher:
EMI Longitude Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
La bamba
Los Lobos4.32:55
17Dolce Vita
recording of:
Dolce vita
lyricist:
Paul Mazzolini
composer:
Pierluigi Giombini (arranger ,composer and producer)
publisher:
Pianola Music (publisher) (in 1983)
Ryan Paris3:37
18SMS (radio edit)
recording of:
SMS
writer:
Christian Møller Nielsen (Danish DJ) and Anders Øland
Barcode Brothers3:40
19Cowboy (single version)
Ch!pz2:53
20It's Cool Man
recording of:
It's Cool Man
writer:
Wasja Schulz and Wolfen (member of XXL)
XXL feat. P. "Cool Man" Steiner3:10
21Boombastic (album version)
recording engineer:
"Tootie" Wayne Nicholson (Engineer (recording & mixing))
miscellaneous support:
Dennis Halliburton (Engineer, producer, session musician) (task: track layed by) and Robert Livingston (task: track layed by)
producer:
Robert Livingston and Shaun "Sting Int'l" Pizzonia
mixer:
Sting Int'l
produced for:
Big Yard Production
recorded at and mixed at:
HC&F Recording Studio, Long Island, N.Y. (defunct) in Freeport, Hempstead, New York, United States
samples:
Baby Let Me Kiss You by King Floyd
recording of:
Boombastic
writer:
King Floyd, Robert Livingston and Orville Richard Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Jobete Music Co., Inc., Malaco Music Company, Pedigree Ranch Music, Peermusic III, Ltd. (BMI), Roffignac Music Co., Scikron Music Publishing and Stone Diamond Music Corp.
Shaggy3.554:08

Credits

Release

ASIN:DE: B000EXDQ7C [info]

Release Group

part of:Die ultimative Chart Show (number: 2006-04-07) (order: 11)