Mulls the Mulligan Scene

~ Release by Claude Williamson (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleRatingLength
1Walkin' Shoes
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1958)
drums (drum set):
Stan Levey (in 1958)
piano:
Claude Williamson (in 1958)
recording of:
Walkin’ Shoes (in 1958)
composer:
Gerry Mulligan
3:25
2Limelight
recorded in:
Los Angeles, California, United States (in 1958)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1958)
drums (drum set):
Stan Levey (in 1958)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (in 1958)
piano:
Claude Williamson (in 1958)
recording of:
Limelight (in 1958)
composer:
Gerry Mulligan
2:43
3Westwood Walk
recorded in:
Los Angeles, California, United States (in 1958)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1958)
drums (drum set):
Stan Levey (in 1958)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (in 1958)
piano:
Claude Williamson (in 1958)
recording of:
Westwood Walk (in 1958)
composer:
Gerry Mulligan
2:40
4A Ballad
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1958)
drums (drum set):
Stan Levey (in 1958)
piano:
Claude Williamson (in 1958)
recording of:
A Ballad (in 1958)
composer:
Gerry Mulligan
2:48
5Utter Chaos
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1958)
drums (drum set):
Stan Levey (in 1958)
piano:
Claude Williamson (in 1958)
recording of:
Utter Chaos (in 1958)
composer:
Gerry Mulligan
4:52
6Bark for Barksdale
recorded in:
Los Angeles, California, United States (in 1958)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1958)
drums (drum set):
Stan Levey (in 1958)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (in 1958)
piano:
Claude Williamson (in 1958)
recording of:
A Bark for Barksdale (in 1958)
composer:
Gerry Mulligan
3:28
7Simbah
recorded in:
Los Angeles, California, United States (in 1958)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1958)
drums (drum set):
Stan Levey (in 1958)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (in 1958)
piano:
Claude Williamson (in 1958)
recording of:
Simbah (in 1958)
composer:
Gerry Mulligan
2:39
8Blue at the Roots
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1958)
drums (drum set):
Stan Levey (in 1958)
piano:
Claude Williamson (in 1958)
recording of:
Blue at the Roots (in 1958)
composer:
Gerry Mulligan
5:50
9Apple Core
recorded in:
Los Angeles, California, United States (in 1958)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1958)
drums (drum set):
Stan Levey (in 1958)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (in 1958)
piano:
Claude Williamson (in 1958)
recording of:
Apple Core (in 1958)
composer:
Gerry Mulligan
2:56
10Line for Lyons
recorded in:
Los Angeles, California, United States (in 1958)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1958)
drums (drum set):
Stan Levey (in 1958)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (in 1958)
piano:
Claude Williamson (in 1958)
recording of:
Line for Lyons (in 1958)
composer:
Gerry Mulligan
3:29
11Ontet
recorded in:
Los Angeles, California, United States (in 1958)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1958)
drums (drum set):
Stan Levey (in 1958)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (in 1958)
piano:
Claude Williamson (in 1958)
recording of:
Ontet (in 1958)
composer:
Gerry Mulligan
4:38