Sings Rodgers, Hart & Hammerstein

~ Release by Rosemary Clooney (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1Oh What a Beautiful Morning
assistant recording engineer:
Jerry Wood (recording engineer) (in 1989-10)
recording engineer:
Phil Edwards (recording engineer) (in 1989-10)
producer:
John Oddo
bass:
John Clayton Jr. (in 1989-10)
drums (drum set):
Joe LaBarbera (in 1989-10)
piano:
John Oddo (in 1989-10)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1989-10)
trumpet:
Chauncey Welsch (in 1989-10)
choir vocals:
L.A. Jazz Choir (in 1989-10)
lead vocals:
Rosemary Clooney (in 1989-10)
remixer:
Phil Edwards (recording engineer)
arranger:
John Oddo
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Sage & Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-10)
remixed at:
PER in San Francisco, California, United States
recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!) (in 1989-10)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
music quoted on:
Finale (Oklahoma!)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
2:15
2People Will Say We're in Love
assistant recording engineer:
Jerry Wood (recording engineer) (in 1989-10)
recording engineer:
Phil Edwards (recording engineer) (in 1989-10)
producer:
John Oddo
bass:
John Clayton Jr. (in 1989-10)
drums (drum set):
Joe LaBarbera (in 1989-10)
piano:
John Oddo (in 1989-10)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1989-10)
trumpet:
Chauncey Welsch (in 1989-10)
lead vocals:
Rosemary Clooney (in 1989-10)
vocals:
Chauncey Welsch (in 1989-10)
remixer:
Phil Edwards (recording engineer)
arranger:
John Oddo
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Sage & Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-10)
remixed at:
PER in San Francisco, California, United States
recording of:
People Will Say We’re in Love (in 1989-10)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
music quoted on:
Finale (Oklahoma!)
music quoted on:
Oklahoma! Overture
part of:
Oklahoma! (Rodgers & Hammerstein musical)
4:55
3Love Look Away
assistant recording engineer:
Jerry Wood (recording engineer) (in 1989-10)
recording engineer:
Phil Edwards (recording engineer) (in 1989-10)
producer:
John Oddo
bass:
John Clayton Jr. (in 1989-10)
drums (drum set):
Joe LaBarbera (in 1989-10)
piano:
John Oddo (in 1989-10)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1989-10)
trumpet:
Chauncey Welsch (in 1989-10)
choir vocals:
L.A. Jazz Choir (in 1989-10)
lead vocals:
Rosemary Clooney (in 1989-10)
remixer:
Phil Edwards (recording engineer)
arranger:
John Oddo
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Sage & Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-10)
remixed at:
PER in San Francisco, California, United States
recording of:
Love, Look Away (Flower Drum Song) (in 1989-10)
orchestrator:
Don Sebesky
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Flower Drum Song (Rodgers & Hammerstein musical)
3:47
4The Gentleman Is a Dope
assistant recording engineer:
Jerry Wood (recording engineer) (in 1989-10)
recording engineer:
Phil Edwards (recording engineer) (in 1989-10)
producer:
John Oddo
bass:
John Clayton Jr. (in 1989-10)
drums (drum set):
Joe LaBarbera (in 1989-10)
piano:
John Oddo (in 1989-10)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1989-10)
trumpet:
Chauncey Welsch (in 1989-10)
lead vocals:
Rosemary Clooney (in 1989-10)
remixer:
Phil Edwards (recording engineer)
arranger:
John Oddo
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Sage & Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-10)
remixed at:
PER in San Francisco, California, United States
recording of:
The Gentleman Is a Dope (Allegro) (in 1989-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Allegro (Rodgers & Hammerstein musical)
6:07
5It Might as Well Be Spring
assistant recording engineer:
Jerry Wood (recording engineer) (in 1989-10)
recording engineer:
Phil Edwards (recording engineer) (in 1989-10)
producer:
John Oddo
bass:
John Clayton Jr. (in 1989-10)
drums (drum set):
Joe LaBarbera (in 1989-10)
piano:
John Oddo (in 1989-10)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1989-10)
trumpet:
Chauncey Welsch (in 1989-10)
lead vocals:
Rosemary Clooney (in 1989-10)
remixer:
Phil Edwards (recording engineer)
arranger:
John Oddo
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Sage & Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-10)
remixed at:
PER in San Francisco, California, United States
recording of:
It Might as Well Be Spring (State Fair) (in 1989-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc., Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
part of:
Academy Award for Best Original Song (number: 18)
part of:
State Fair
part of:
State Fair (1962 film soundtrack)
part of:
State Fair (1945 film soundtrack)
2:54
6The Sweetest Sounds
assistant recording engineer:
Jerry Wood (recording engineer) (in 1989-10)
recording engineer:
Phil Edwards (recording engineer) (in 1989-10)
producer:
John Oddo
bass:
John Clayton Jr. (in 1989-10)
drums (drum set):
Joe LaBarbera (in 1989-10)
piano:
John Oddo (in 1989-10)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1989-10)
trumpet:
Chauncey Welsch (in 1989-10)
lead vocals:
Rosemary Clooney (in 1989-10)
remixer:
Phil Edwards (recording engineer)
arranger:
John Oddo
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Sage & Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-10)
remixed at:
PER in San Francisco, California, United States
6:23
7I Could Write a Book
assistant recording engineer:
Jerry Wood (recording engineer) (in 1989-10)
recording engineer:
Phil Edwards (recording engineer) (in 1989-10)
producer:
John Oddo
bass:
John Clayton Jr. (in 1989-10)
drums (drum set):
Joe LaBarbera (in 1989-10)
piano:
John Oddo (in 1989-10)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1989-10)
trumpet:
Chauncey Welsch (in 1989-10)
choir vocals:
L.A. Jazz Choir (in 1989-10)
lead vocals:
Rosemary Clooney (in 1989-10)
remixer:
Phil Edwards (recording engineer)
arranger:
John Oddo
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Sage & Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-10)
remixed at:
PER in San Francisco, California, United States
recording of:
I Could Write a Book (in 1989-10)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Pal Joey
3:11
8You Took Advantage of Me
assistant recording engineer:
Jerry Wood (recording engineer) (in 1989-10)
recording engineer:
Phil Edwards (recording engineer) (in 1989-10)
producer:
John Oddo
bass:
John Clayton Jr. (in 1989-10)
drums (drum set):
Joe LaBarbera (in 1989-10)
piano:
John Oddo (in 1989-10)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1989-10)
trumpet:
Chauncey Welsch (in 1989-10)
lead vocals:
Rosemary Clooney (in 1989-10)
remixer:
Phil Edwards (recording engineer)
arranger:
John Oddo
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Sage & Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-10)
remixed at:
PER in San Francisco, California, United States
recording of:
You Took Advantage of Me (in 1989-10)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
4:00
9The Lady Is a Tramp
assistant recording engineer:
Jerry Wood (recording engineer) (in 1989-10)
recording engineer:
Phil Edwards (recording engineer) (in 1989-10)
producer:
John Oddo
bass:
John Clayton Jr. (in 1989-10)
drums (drum set):
Joe LaBarbera (in 1989-10)
piano:
John Oddo (in 1989-10)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1989-10)
trumpet:
Chauncey Welsch (in 1989-10)
lead vocals:
Rosemary Clooney (in 1989-10)
remixer:
Phil Edwards (recording engineer)
arranger:
John Oddo
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Sage & Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-10)
remixed at:
PER in San Francisco, California, United States
recording of:
The Lady Is a Tramp (from “Babes in Arms”) (in 1989-10)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
5:59
10Little Girl Blue
assistant recording engineer:
Jerry Wood (recording engineer) (in 1989-10)
recording engineer:
Phil Edwards (recording engineer) (in 1989-10)
producer:
John Oddo
bass:
John Clayton Jr. (in 1989-10)
drums (drum set):
Joe LaBarbera (in 1989-10)
piano:
John Oddo (in 1989-10)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1989-10)
trumpet:
Chauncey Welsch (in 1989-10)
choir vocals:
L.A. Jazz Choir (in 1989-10)
lead vocals:
Rosemary Clooney (in 1989-10)
remixer:
Phil Edwards (recording engineer)
arranger:
John Oddo
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Sage & Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-10)
remixed at:
PER in San Francisco, California, United States
recording of:
Little Girl Blue (in 1989-10)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jumbo
4:35
11My Romance
assistant recording engineer:
Jerry Wood (recording engineer) (in 1989-10)
recording engineer:
Phil Edwards (recording engineer) (in 1989-10)
producer:
John Oddo
bass:
John Clayton Jr. (in 1989-10)
drums (drum set):
Joe LaBarbera (in 1989-10)
piano:
John Oddo (in 1989-10)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1989-10)
trumpet:
Chauncey Welsch (in 1989-10)
choir vocals:
L.A. Jazz Choir (in 1989-10)
lead vocals:
Rosemary Clooney (in 1989-10)
remixer:
Phil Edwards (recording engineer)
arranger:
John Oddo
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Sage & Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-10)
remixed at:
PER in San Francisco, California, United States
recording of:
My Romance (in 1989-10)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Jumbo
4:01
12Yours Sincerely
assistant recording engineer:
Jerry Wood (recording engineer) (in 1989-10)
recording engineer:
Phil Edwards (recording engineer) (in 1989-10)
producer:
John Oddo
bass:
John Clayton Jr. (in 1989-10)
drums (drum set):
Joe LaBarbera (in 1989-10)
piano:
John Oddo (in 1989-10)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1989-10)
trumpet:
Chauncey Welsch (in 1989-10)
choir vocals:
L.A. Jazz Choir (in 1989-10)
lead vocals:
Rosemary Clooney (in 1989-10)
remixer:
Phil Edwards (recording engineer)
arranger:
John Oddo
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Sage & Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-10)
remixed at:
PER in San Francisco, California, United States
recording of:
Yours Sincerely (in 1989-10)
writer:
Lorenz Hart and Richard Rodgers (composer)
3:15