Future Blues (stereo)

~ Veröffentlichung von Canned Heat (alle Versionen dieser Veröffentlichung ansehen, 29 vorhanden)

Titelliste

▼12"-Vinyl 1
Nr.TitelBewertungLänge
A1Sugar Bee
recording engineer und Mix:
Tommy Oliver
Produzent(in):
Canned Heat und Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
aufgenommen bei und mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
cover recording of:
Sugar Bee
Verfasser(in):
Eddie Shuler
publisher:
Fort Knox Music Inc., Intersong Musikverlag GmbH (publisher), Kaymar Publishing, Lark Music Ltd. und Tek Publishing
2:39
A2Shake It and Break It
recording engineer und Mix:
Tommy Oliver
Produzent(in):
Canned Heat und Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
aufgenommen bei und mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
Shake It and Break It
Verfasser(in):
Alan Wilson (Canned Heat member)
publisher:
EMI Unart Catalog Inc. und Unart Music Corp.
2:34
A3That’s All Right, Mama
recording engineer und Mix:
Tommy Oliver
Produzent(in):
Canned Heat und Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
aufgenommen bei und mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
cover recording of:
That’s All Right
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc., Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
4:18
A4My Time Ain’t Long
recording engineer und Mix:
Tommy Oliver
Produzent(in):
Canned Heat und Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
aufgenommen bei und mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
My Time Ain’t Long
Verfasser(in):
Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., SBK United Partnership Ltd., Unart Music Corp. und United Artists Musik GmbH
3:48
A5Skat
recording engineer und Mix:
Tommy Oliver
Produzent(in):
Canned Heat und Skip Taylor
Klavier:
Dr. John (New Orleans blues pianist, singer and songwriter)
Horn arranger:
Dr. John (New Orleans blues pianist, singer and songwriter)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
aufgenommen bei und mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
Skat
Verfasser(in):
Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., Unart Music Corp. und United Artists Musik GmbH
2:42
A6Let’s Work Together
recording engineer und Mix:
Tommy Oliver
Produzent(in):
Canned Heat und Skip Taylor
aufgenommen bei und mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
cover recording of:
Let’s Work Together
Texter:
Wilbert Harrison
publisher:
EMI Longitude Music, EMI Music Publishing Ltd. (PRS-affiliated), Mozella Music Inc., SBK United Partnership Ltd. und United Artists Musik GmbH
4.52:49
B1London Blues
recording engineer und Mix:
Tommy Oliver
Produzent(in):
Canned Heat und Skip Taylor
Klavier:
Dr. John (New Orleans blues pianist, singer and songwriter)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
aufgenommen bei und mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
London Blues
Verfasser(in):
Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., Unart Music Corp. und United Artists Musik GmbH
5:32
B2So Sad (The World’s in a Tangle)
recording engineer und Mix:
Tommy Oliver
Produzent(in):
Canned Heat und Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
aufgenommen bei und mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
So Sad (The World’s in a Tangle)
Verfasser(in):
Canned Heat, Fito de la Parra, Harvey Mandel (American guitarist), Robert Hite, Jr., Larry Taylor (US bassist) und Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., SBK United Partnership Ltd., Unart Music Corp. und United Artists Musik GmbH
7:57
B3Future Blues
recording engineer und Mix:
Tommy Oliver
Produzent(in):
Canned Heat und Skip Taylor
Klavier:
Ernest Lane
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
aufgenommen bei und mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
Future Blues
Verfasser(in):
Canned Heat, Fito de la Parra, Harvey Mandel (American guitarist), Robert Hite, Jr., Larry Taylor (US bassist) und Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., SBK United Partnership Ltd., Unart Music Corp. und United Artists Musik GmbH
3:02

Nennungen

Veröffentlichung

Artdirection:Ron Wolin
Fotografie:Herb Green (U.S. Photographer and art director) (Aufgabe: inside photography)
Herb Kravitz (photographer) (Aufgabe: back cover photography)
Skip Taylor (Aufgabe: album cover concept and front cover photography)
Produzent(in):Canned Heat
Skip Taylor
Bass:Samuel Larry Taylor (US bassist)
Gitarre [lead guitar]:Harvey Mandel (American guitarist)
Gitarre [rhythm guitar] und Mundharmonika:Alan Wilson (Canned Heat member)
Schlagzeug:Adolfo "Fito" De La Parra
vocals:Bob Hite
Alan Wilson (Canned Heat member)
Discogs:https://www.discogs.com/release/3690455 [Info]