70's Pop Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Thank You (Faletinme Be Mice Elf Agin)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 402)
recording of:
Thank You (Falettinme Be Mice Elf Agin)
lyricist and composer:
Sylvester Stewart
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell
Sly & the Family Stone4.654:48
2Evil Ways
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (on 1969-05-12)
guitar:
Carlos Santana (on 1969-05-12)
organ and piano:
Gregg Rolie (on 1969-05-12)
vocals:
Gregg Rolie (on 1969-05-12) and Carlos Santana (on 1969-05-12)
arranger:
Alberto Gianquinto
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1969) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recorded at:
Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
cover recording of:
Evil Ways (on 1969-05-12)
lyricist and composer:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal‐Songs of PolyGram International, Inc.
Carlos Santana4.23:56
3Me and Bobby McGee
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul Rothchild
acoustic guitar and lead vocals:
Janis Joplin
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie)
drums (drum set):
Clark Pierson
guest bongos and congas:
Bobbye Hall
guest tambourine:
Sandra Crouch
guitar:
John Till (rock guitarist)
organ:
Ken Pearson
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin)
background vocals:
Phil Badella, Richard Bell (Canadian keyboardist for The Band/Janis Joplin), Brad Campbell (bassist, member of Full Tilt Boogie), John Cooke, Janis Joplin, Vince Mitchell, Ken Pearson, Clark Pierson and John Till (rock guitarist)
performer:
Full Tilt Boogie
part of:
New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 148)
cover recording of:
Me and Bobby McGee (on 1970-09-25)
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp.
Janis Joplin4.44:32
4I Can See Clearly Now
producer:
Johnny Nash
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1972) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1972)
recording of:
I Can See Clearly Now (in 1972)
lyricist and composer:
Johnny Nash
publisher:
Cayman Music, CP Masters B V, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Johnny Nash4.22:46
5Please Come to Boston
edit of:
Please Come to Boston by Dave Loggins
recording of:
Please Come to Boston
lyricist and composer:
Dave Loggins
Dave Loggins4:09
6Lean on Me
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 205) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 236)
recording of:
Lean on Me (in 1972)
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Interior Music Corp., Songs of Universal, Inc., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Bill Withers4.354:19
7Brandy (You're a Fine Girl)
recording of:
Brandy (You’re a Fine Girl) (in 1972)
lyricist and composer:
Elliot Lurie
Looking Glass4.353:06
8Don't Bring Me Down
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass guitar:
Kelly Groucutt (from 1979-03 until 1979-04)
clarinet and electric piano:
Richard Tandy (from 1979-03 until 1979-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (from 1979-03 until 1979-04)
electric guitar and lead vocals:
Jeff Lynne (from 1979-03 until 1979-04)
piano and synthesizer:
Jeff Lynne (from 1979-03 until 1979-04) and Richard Tandy (from 1979-03 until 1979-04)
choir vocals:
Kelly Groucutt (from 1979-03 until 1979-04) and Jeff Lynne (from 1979-03 until 1979-04)
conductor:
Louis Clark (from 1979-03 until 1979-04)
strings arranger and choir vocals arranger:
Louis Clark, Jeff Lynne and Richard Tandy
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Records (in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
recorded at:
Musicland Studios (Munich) in München, Bayern, Germany (from 1979-03 until 1979-04)
recording of:
Don’t Bring Me Down (from 1979-03 until 1979-04)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Electric Light Orchestra4.654:05
9The Most Beautiful Girl
engineer:
Lou Bradley (American producer, engineer, also songwriter)
background vocals:
The Nashville Edition
lead vocals:
Charlie Rich
vocals:
Charlie Rich
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
cover recording of:
The Most Beautiful Girl
writer:
Rory Bourke, Billy Sherrill (US songwriter/producer/arranger) and Norris “Norro” Wilson
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
version of:
Hey Mister
Charlie Rich4.352:44
10Dust in the Wind
additional engineer:
Terry Diane Becker (engineer)
engineer:
Jeff Glixman (from 1977-06 until 1977-07)
producer:
Jeff Glixman (in 1977-06)
acoustic guitar and electric guitar:
Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (guitarist of Kansas) (from 1977-06 until 1977-07)
bass guitar:
Dave Hope (from 1977-06 until 1977-07)
celesta, organ, synthesizer, vibraphone and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
cello, viola and violin [violins]:
Robby Steinhardt (from 1977-06 until 1977-07)
chimes, drums (drum set), gong and timpani:
Phil Ehart (from 1977-06 until 1977-07)
clavinet and synthesizer [synthesizers]:
Kerry Livgren (from 1977-06 until 1977-07)
percussion [additional percussion]:
Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
piano:
Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
background vocals:
Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States (in 1977-08)
recording of:
Dust in the Wind (from 1977-06 until 1977-07)
lyricist and composer:
Kerry Livgren
publisher:
Don Kirshner Music Inc., Kirshner CBS Music Publishing and フジパシフィックミュージック SBK事業部
Kansas43:27
11Your Mama Don't Dance
additional engineer:
John Fiore
recording of:
Your Mama Don’t Dance
writer:
Kenny Loggins and Jim Messina
publisher:
Jasperilla Music Co., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996) and Universal Music Corp. (USA, affiliated with ASCAP)
Loggins & Messina4.352:50
12I Can Help
recording of:
I Can Help (in 1974)
lyricist and composer:
Billy Swan
publisher:
CBS Songs and Combine Music Corp.
Billy Swan52:58
13When Will I See You Again
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson, Valerie Holiday and Fayette Pinkney
performer:
MFSB (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
recording of:
When Will I See You Again (in 1973)
writer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell
The Three Degrees2:58
CD 2
#TitleArtistRatingLength
1Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Kenny Nolan Publishing and Pathe Publications (Far East) Limited
LaBelle3.353:58
2Shining Star
engineer:
George Massenburg
co-producer:
Charles Stepney
producer:
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire and Charles Stepney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
Shining Star
writer:
Philip Bailey, Lorenzo Dunn and Maurice White (Earth, Wind & Fire)
publisher:
EMI April Music Inc.
Earth, Wind & Fire42:53
3WildfireMichael Martin Murphey53:16
4Third Rate Romance
cover recording of:
Third Rate Romance
lyricist and composer:
Russell Smith (US country songwriter)
The Amazing Rhythm Aces3:24
5Kiss and Say Goodbye
instruments:
MFSB
background vocals:
Carla Benson, Evette Benton, Barbara Ingram and The Manhattans (New Jersey vocal group, notable for "Kiss and Say Goodbye")
lead vocals [singing voice on 1st lead]:
Gerald Alston
spoken vocals [spoken voice on 2nd lead]:
Winfred Lovett
recording of:
Kiss and Say Goodbye
lyricist and composer:
Winfred Lovett
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and EMI Songs Ltd.
The Manhattans3.54:28
6LowdownBoz Scaggs4:27
7More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge
acoustic guitar, bass, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Pure Songs (in 1976)
Boston3.854:46
8Best of My Love
producer:
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:43
9At Seventeen
engineer:
Larry Alexander (producer/engineer), Brooks Arthur and Russ Payne
producer:
Brooks Arthur
acoustic guitar:
Al Gorgoni, Janis Ian and Dave Snider (guitarist)
classical guitar:
Sal DiTroia and Janis Ian
double bass:
Richard Davis (American jazz bassist)
drums (drum set) and percussion:
Barry Lazarowitz
flugelhorn:
Burt Collins
valve trombone:
Alan Raph
lead vocals:
Janis Ian
horn arranger:
Janis Ian
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
At Seventeen
lyricist and composer:
Janis Ian (in 1974)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Mine Music Ltd.
Janis Ian44:43
10Too Much, Too Little, Too Late
producer:
Jack Gold
performer:
Johnny Mathis and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
writer:
Nat Kipner (Australian producer, songwriter, label owner & publisher) and John McIntyre Vallins
publisher:
Homewood House Music and MCA Music Ltd.
Johnny Mathis & Deniece Williams42:57
11Whenever I Call You FriendKenny Loggins3:51
12I Go Crazy
Paul Davis3:43
13Two Out of Three Ain't Bad
engineer, producer and mixer:
Todd Rundgren
bass guitar:
Kasim Sultan
drums (drum set):
John Wilcox
guitar:
Todd Rundgren
piano:
Roy Bittan
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd and Todd Rundgren
lead vocals:
Meat Loaf
strings arranger:
Kenny Ascher
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
recording of:
Two Out of Three Ain’t Bad
lyricist and composer:
Jim Steinman
Meat Loaf45:24
CD 3
#TitleArtistRatingLength
1After the Love Has Gone
producer:
Maurice White (Earth, Wind & Fire)
samples from:
I Am by Earth, Wind & Fire (in 1979)
recording of:
After the Love Has Gone
writer:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) and Jay Graydon
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd., Foster Frees Music Inc., Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Music Sales Corporation (American copyright holder in both popular and classical music), Noted for the Record, Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部
Earth, Wind & Fire3.254:29
2You're Only Lonely
recording engineer:
Lee Herschberg
additional engineer:
Loyd Clifft
producer:
J.D. Souther
bass guitar:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set):
Rick Marotta (US drummer/percussionist)
guitar:
Danny Kortchmar, J.D. Souther and Waddy Wachtel
lead vocals:
J.D. Souther
performer:
James Taylor (singer-songwriter and guitarist)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
You’re Only Lonely
lyricist and composer:
J.D. Souther
publisher:
Ice Age Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
J.D. Souther53:47
3LongerDan Fogelberg3.153:17
4We Just Disagree
assistant engineer:
Michael Beiriger and Rick Smith (engineer)
producer:
Dave Mason (co-founder of Traffic) and Ron Nevison
bass guitar [bass]:
Gerald Johnson
drums (drum set):
Rick Jaeger
keyboard:
Mike Finnigan (keyboardist)
percussion:
Bobbye Hall
vocals:
Mike Finnigan (keyboardist)
strings arranger:
Alan MacMillan
arranger:
Dave Mason (co-founder of Traffic)
concertmaster:
James Getzoff
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
produced for:
Gadget Productions Inc.
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
We Just Disagree
lyricist and composer:
Jim Krueger
publisher:
Bruiser Music, EMI Blackwood Music Inc. (1989-07-24–present) and フジパシフィックミュージック SBK事業部
Dave Mason3.53:02
5He Ain't Heavy, He's My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:21
6Blue Eyes Crying in the Rain
engineer:
Phil York
producer:
Willie Nelson
bass:
Bee Spears (in 1975-02)
drums (drum set):
Billy English (US drummer/percussionist for Willie Nelson) (in 1975-02) and Paul English (US drummer for Willie Nelson) (in 1975-02)
guitar:
Bucky Meadows (American session musician) (in 1975-02), Willie Nelson (in 1975-02) and Jody Payne (in 1975-02)
harmonica:
Mickey Raphael (in 1975-02)
mandolin:
Jody Payne (in 1975-02)
piano:
Bobbie Nelson (in 1975-02)
vocals:
Willie Nelson (in 1975-02)
arranger:
Willie Nelson
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
recorded at:
Autumn Sound Studios in Garland, Texas, United States (in 1975-02)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 253) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 302)
cover recording of:
Blue Eyes Crying in the Rain (in 1975-02)
lyricist and composer:
Fred Rose (songwriter)
publisher:
Campbell Connelly & Co. Ltd. and Sony/ATV Milene Music
Willie Nelson42:19
7Got to Be Real
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
edit of:
Got to Be Real (LP / 12" version) by Cheryl Lynn
recording of:
Got to Be Real
writer:
Cheryl Lynn (1970s Disco singer), David Foster (Canadian music producer, arranger and composer) and David Paich
Cheryl Lynn4.53:45
8Magnet and Steel
Walter Egan3:23
9Arizona
recording of:
Arizona (Kenny Young)
lyricist and composer:
Kenny Young
Mark Lindsay3:07
10The Cover of "Rolling Stone"
producer:
Ron Haffkine
recording of:
The Cover of “Rolling Stone”
lyricist and composer:
Shel Silverstein
publisher:
Evil Eye Music Inc.
Dr. Hook2:55
11Free Ride
Edgar Winter3:07
12Help Me Rhonda
cover recording of:
Help Me, Rhonda
additional lyricist:
Mike Love (Beach Boys)
lyricist and composer:
Brian Wilson (Beach Boys co-founder)
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
Johnny Rivers2:55
13Street Corner Serenade
Wet Willie4:52
14Baby Don't Get Hooked on Me
recording of:
Baby, Don’t Get Hooked on Me
writer:
Mac Davis (US country singer, songwriter & actor)
Mac Davis3:03