Seventies Power Ballads

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Somebody to Love
engineer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
producer:
Queen (UK rock group)
bass and bass guitar:
John Deacon (from 1976-07 until 1976-11)
drums (drum set):
Roger Taylor (Queen drummer) (from 1976-07 until 1976-11)
guitar:
Brian May (Queen guitarist) (from 1976-07 until 1976-11)
background vocals and lead vocals:
Freddie Mercury (from 1976-07 until 1976-11)
choir vocals [gospel choir]:
Brian May (Queen guitarist) (from 1976-07 until 1976-11), Freddie Mercury (from 1976-07 until 1976-11) and Roger Taylor (Queen drummer) (from 1976-07 until 1976-11)
performer:
Queen (UK rock group)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1976), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1976) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1976, in 2011)
recorded at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1976-07 until 1976-11), The Manor in Oxfordshire, England, United Kingdom (from 1976-07 until 1976-11) and Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1976-07 until 1976-11)
recording of:
Somebody to Love (Queen song) (from 1976-07 until 1976-11)
lyricist, writer and composer:
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS-affiliated) and Queen Music Ltd.
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
Queen4.354:57
2Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
producer:
Bad Company (British blues-rock supergroup)
mixer:
Ron Nevison
publisher:
Badco Music, Inc.
phonographic copyright (℗) by:
Swan Song Inc. (in 1975)
recorded at:
Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Feel Like Makin’ Love (in 1974-09)
writer:
Mick Ralphs and Paul Rodgers
publisher:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 and Badco Music, Inc. (from 1974 to present)
Bad Company4.455:09
3Cold as Ice
associate engineer:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron and Randy Mason
engineer:
Gary Lyons (UK engineer & producer)
co-producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
producer:
Gary Lyons (UK engineer & producer) and John Sinclair (engineer)
mixer:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
bass guitar:
Ed Gagliardi (bass player (Foreigner))
drums (drum set):
Dennis Elliott
guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
keyboard:
Al Greenwood and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
synthesizer:
Al Greenwood
background vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) and Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Cold as Ice
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., Warner/Chappell Music Japan, Synch division, WB Music Corp. (1929–2019), Fuji Pacific Music inc. (until 2014-12-31), Yamaha Music Publishing (until 2017-03-31), Fujipacific Music, Inc. (from 2015-01-01 to present) and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label) (from 2017-04-01 to present)
lyrics quoted on:
Cold as Ice (M.O.P.)
Foreigner3.93:18
45-7-0-5
producer:
Robert John “Mutt” Lange
recording of:
5.7.0.5.
lyricist:
Lol Mason
composer:
Steve Broughton (drummer, with Edgar Broughton Band & Mike Oldfield)
City Boy53:13
5Blinded by the Light (album version)
bass:
Colin Pattenden (British bass player) (in 1976)
drums (drum set) and percussion:
Chris Slade (in 1976)
guitar:
Chris Hamlet Thompson (vocalist with Manfred Mann’s Earth Band) (in 1976)
guitar [lead guitar]:
Dave Flett (Guitar Player at Manfred Mann's Earth Band) (in 1976)
horn [horn arrangement]:
Derek Wadsworth (in 1976)
keyboard [keyboards]:
Manfred Mann (the person) (in 1976)
solo saxophone:
Barbara Thompson (in 1976)
strings:
David Millman (in 1976)
background vocals:
Doreen Chanter (in 1976), Irene Chanter (in 1976), Mick Rogers (of Manfred Mann’s Earth Band) (in 1976), Chris Slade (in 1976) and Susanne Lynch (in 1976)
choir vocals:
Jane Bunting (in 1976), Chris Sennett (in 1976), Gillian Ainscow (in 1976), Graham Jenkins (in 1976), Hilary Farmborough (in 1976), Jacqueline Nicholls (in 1976), Jeremy Paynton-Jones (in 1976), Laurence Holden (in 1976), Marilyn Bennet (in 1976), Peter Cudmore (in 1976), Philip Keywood (in 1976) and Stan Bailey (in 1976)
vocals:
Chris Hamlet Thompson (vocalist with Manfred Mann’s Earth Band) (in 1976) and Manfred Mann (the person) (in 1976)
phonographic copyright (℗) by:
Creature Music Ltd.
recorded at:
The Workhouse in London (Greater London), England, United Kingdom (in 1976)
part of:
New York Post: 100 Greatest Covers (2007) (number: 76)
cover recording of:
Blinded by the Light (in 1976)
lyricist and composer:
Bruce Springsteen (from 1972-08 until 1972-09)
publisher:
Intersong Music Ltd., Sioux City Music Ltd., Zomba Music and Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1972)
Manfred Mann’s Earth Band57:06
6Because the Night
producer:
Jimmy Iovine
mixer:
Jimmy Iovine and Shelly Yakus
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
recording of:
Because the Night
publisher:
Bruce Springsteen
lyricist:
Patti Smith (in 1977) and Bruce Springsteen (in 1977)
composer:
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music
Patti Smith Group4.83:21
7Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto (US rock group)
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Spirit Two Music and ソニー・ミュージックパブリッシング A事業部
Toto43:57
8(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., ソニー・ミュージックパブリッシング A事業部 and Sony/ATV Tunes LLC (in 1976)
Blue Öyster Cult4.55:08
9Carry On Wayward Son
assistant engineer:
Jeff Glixman
engineer:
Bill “Bleu” Evans (engineer)
producer:
Jeff Glixman
acoustic guitar:
Rich Williams (guitarist of Kansas) (from 1975 until 1976)
bass guitar:
Dave Hope (from 1975 until 1976)
clavinet, Moog and synthesizer [Oberheim synthesizer]:
Kerry Livgren (from 1975 until 1976)
drums (drum set) and percussion:
Phil Ehart (from 1975 until 1976)
electric guitar:
Kerry Livgren (from 1975 until 1976) and Richard Williams (guitarist of Kansas) (from 1975 until 1976)
organ, synthesizer and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
piano:
Kerry Livgren (from 1975 until 1976) and Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
viola and violin:
Robby Steinhardt (from 1975 until 1976)
background vocals:
Robby Steinhardt (from 1975 until 1976) and Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 2001)
recorded at and mixed at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1975 until 1976)
recording of:
Carry On Wayward Son (from 1975 until 1976)
lyricist and composer:
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, フジパシフィックミュージック SBK事業部, Don Kirshner Music Inc. (from 1976 to present) and EMI Blackwood Music Inc. (1989-07-24–present) (from 1976 to present)
Kansas3.455:22
10I Want You to Want Me (‘live’ at Budokan)
recording engineer:
鈴木智雄 (from 1978-04-28 until 1978-04-30)
assistant engineer:
Mike Beriger
engineer:
Gary Ladinsky (engineer)
producer:
Cheap Trick and Jack Douglas
mixer:
Cheap Trick, Gary Ladinsky (engineer) and Jay Messina (in 1978)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
日本武道館 in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 to ????) and Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1978)
live recording of:
I Want You to Want Me (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Gil Music Corporation, Adult Music (in 1977, in 1978), Screen Gems-EMI Music Incorporated (USA, affiliated with BMI) (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
part of:
10 Things I Hate About You
recording of:
I Want You to Want Me
lyricist and composer:
Rick Nielsen
publisher:
Gil Music Corporation, Adult Music (in 1977, in 1978), Screen Gems-EMI Music Incorporated (USA, affiliated with BMI) (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
part of:
10 Things I Hate About You
Cheap Trick3.753:41
11More Than a Feeling (album version)
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge
acoustic guitar, bass, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Pure Songs (in 1976)
Boston3.854:44
12You Took the Words Right Out of My Mouth
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
edit of:
You Took the Words Right Out of My Mouth (Hot Summer Night) by Meat Loaf
recording of:
You Took the Words Right Out of My Mouth (Hot Summer Night)
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation
Meat Loaf44:14
13It’s a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Soundbarrier Ltd. (production company) (in 1977) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
produced for:
Soundbarrier Ltd. (production company)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Lojo Music, Scott/Wolfe Songs Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
live recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Lojo Music, Scott/Wolfe Songs Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler43:29
14Darlin’
cover recording of:
Darlin’
lyricist and composer:
Oscar Stewart Blandamer
Frankie Miller3:05
15Ain’t No Love in the Heart of the CityWhitesnake5:06
16When a Blind Man Cries
recorded in:
Montreux, Vaud, Switzerland (in 1971-12)
producer:
Deep Purple (English rock band)
drums (drum set):
Ian Paice (in 1971-12)
electric bass guitar:
Roger Glover (in 1971-12)
electric guitar:
Ritchie Blackmore (in 1971-12)
Hammond organ and keyboard:
Jon Lord (in 1971-12)
vocals:
Ian Gillan (in 1971-12)
remixer:
Peter Denenberg and Roger Glover
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
recording of:
When a Blind Man Cries (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Blackwood Music Inc. (1989-07-24–present), EMI Music Publishing Ltd. (PRS-affiliated) and Glenwood Music Corp.
Deep Purple3.753:29
17Free Bird (album version)Lynyrd Skynyrd9:07
CD 2
#TitleArtistRatingLength
1Stand by MeJohn Lennon43:27
2Life on Mars?
recording engineer and producer:
Ken Scott (UK record producer & engineer)
assistant producer:
the actor
bass guitar:
Trevor Bolder (British bassist)
drums (drum set):
Mick Woodmansey (British drummer)
guitar:
Mick Ronson (British guitarist)
guitar, piano and saxophone and lead vocals:
David Bowie
piano:
Rick Wakeman
remixer:
Ken Scott (UK record producer & engineer)
arranger:
Mick Ronson (British guitarist)
phonographic copyright (℗) by:
Jones/Tintoretto Entertainment Company LLC
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
music videos:
Life on Mars? by David Bowie
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 8) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 105)
recording of:
Life on Mars?
lyricist and composer:
David Bowie
publisher:
Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie4.63:50
3Everyday
recording of:
Everyday (Slade)
composer:
Noddy Holder and Jim Lea
publisher:
Barn Publishing (Slade) Ltd.
Slade3:09
4If You Leave Me Now
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Warner Strategic Marketing Inc. (in 1976) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings), Sound Labs, Inc. in Hollywood, Los Angeles, California, United States and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
Chicago4.43:56
5I’ve Been Drinking
guest performer:
Rod Stewart
recording of:
I’ve Been Drinking
writer:
Johnny Mercer and Doris Tauber
arranger:
Jeff Beck (English rock guitarist) and Rod Stewart
arrangement of:
Drinking Again
Jeff Beck feat. Rod Stewart3:18
6Every Day Hurts
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1979)
recording of:
Every Day Hurts
writer:
Vic Emerson, John Stimpson and Paul Young (Sad Café, Mike + The Mechanics)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and St. Anne’s Music Ltd.
Sad Café3.54:04
7Love Is the AnswerEngland Dan & John Ford Coley34:41
8All by MyselfEric Carmen44:27
9The Air That I Breathe
engineer:
Mike Jarratt and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies), Tony Hicks and Terry Sylvester
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1973) and The Hollies Ltd. (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (London) Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Hollies4.654:03
10Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster
brass and strings arranger:
Paul Buckmaster
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and Apple Publishing Ltd. (from 1970 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Nilsson4.23:19
11How Long
producer:
John Anthony (British producer and record executive)
phonographic copyright (℗) by:
Anchor Records (UK 70s indie label), Minder Records (in 1974) and Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
part of:
The Downloader’s Music Source Book (number: 121)
recording of:
How Long?
lyricist and composer:
Paul Carrack
publisher:
Minder Music Ltd.
Ace3.653:20
12If You Can’t Bring Me Love
recording of:
If You Can’t Give Me Love
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Suzi Quatro43:53
13Union City Blue
engineer:
Peter Coleman (British Engineer & Producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Manhattan, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Union City Blue (from 1979-05 until 1979-06)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Blue, BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS-affiliated) and Monster Island Music Publishing Corporation
Blondie33:18
14I Love Rock ’n’ Roll
bass and lead vocals:
Alan Merrill
drums (drum set):
Paul Varley
guitar:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
recording of:
I Love Rock ’n’ Roll
writer:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows) and Alan Merrill
publisher:
Finchley Music Corp.
The Arrows3:04
15New York Groove
recording of:
New York Groove
lyricist and composer:
Russ Ballard
publisher:
EMI April Music Inc. (ended), Complete Music Ltd. and EMI Virgin Music Ltd. (do not use this as a release label!)
Hello52:45
16Teenage Dream
recording of:
Teenage Dream
lyricist and composer:
Marc Bolan
Marc Bolan and T. Rex4:58
17Amoureuse
recording of:
Amoureuse (English version)
writer:
Véronique Sanson
translator:
Gary Osborne
translated version of:
Amoureuse
Kiki Dee4:07
18Stay With Me Till Dawn
recording of:
Stay With Me Till Dawn
writer:
Mike Paxman (multi-instrumentalist & record producer) and Judie Tzuke
publisher:
Rocket Music Ltd.
Judie Tzuke3:53
19Bridge Over Troubled Water
recording engineer:
Ted Brosnan (on 1969-11-09)
engineer:
Roy Halee
producer:
Arthur Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
bass guitar:
Joe Osborn (on 1969-11-09)
drums (drum set):
Hal Blaine (on 1969-11-09)
guitar:
Fred Carter, Jr. (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
keyboard:
Larry Knechtel (on 1969-11-09)
strings:
Ernie Freeman (on 1969-11-09) and Jimmie Haskell (on 1969-11-09)
vocals:
Art Garfunkel (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2001)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 9), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 58) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 66)
recording of:
Bridge Over Troubled Water (on 1969-11-09)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music, Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Simon & Garfunkel3.94:51
CD 3
#TitleArtistRatingLength
1Music
engineer:
Alan Parsons (of The Alan Parsons Project) (from 1975-11 until 1975-12)
producer:
Alan Parsons (of The Alan Parsons Project)
bass:
Bob Marshall (bassist/songwriter, worked with John Miles)
guitar, keyboard and synthesizer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
percussion:
Barry Black
lead vocals:
John Miles (UK singer/songwriter/guitarist/keyboardist) (from 1975-11 until 1975-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-11 until 1975-12)
recording of:
Music (from 1975-11 until 1975-12)
lyricist and composer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.255:53
2Live & Let Die
recording engineer:
Bill Price (UK producer/engineer) (from 1972-10-19 until 1972-10-20)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (from 1972-10-19 until 1972-10-20) and Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
mixer:
Bill Price (UK producer/engineer) (on 1972-10-21)
bass guitar:
Denny Laine (from 1972-10-19 until 1972-10-20)
bass guitar, electric guitar and percussion, piano and lead vocals:
Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
drums (drum set):
Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
duck call and timpani:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20)
electric guitar:
Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (from 1972-10-19 until 1972-10-20)
percussion:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20) and Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
background vocals:
Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
orchestrator:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney-related, NYC-based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1973)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-20)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-19)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-21)
recording of:
Live and Let Die (from 1972-10-19 until 1972-10-20)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
EMI United Partnership Ltd. and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Paul McCartney & Wings4.13:08
3Hold Your Head UpArgent3:44
4Overnight Sensation
The Raspberries5:27
5Isn’t It Time
recording of:
Isn’t It Time
writer:
Jack Conrad and Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
Seven Summits Music, Sony/ATV Melody and X‐Ray Music
The Babys3:53
6Softly Whispering I Love You
engineer:
Peter Vince (engineer, producer)
performer:
Brian Keith and Alan Parker (guitarist & composer)
arranger:
Ken Woodman (British trumpeter, music director, arranger and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
EMI Studios (London) in London (Greater London), England, United Kingdom
cover recording of:
Softly Whispering I Love You
writer:
Roger Cook (singer, songwriter, producer) and Roger Greenaway
publisher:
Cookaway Music Ltd. NCB
The Congregation23:00
7In a Broken Dream
producer:
Miki Dallon
lead vocals:
Rod Stewart
recording of:
In a Broken Dream
lyricist and composer:
David Bentley (“in a broken dream”)
publisher:
Young Blood Music Ltd.
Python Lee Jackson3:39
8Aqualung
recording of:
Aqualung (Jethro Tull)
lyricist:
Ian Anderson (of Jethro Tull) and Jennie Franks
composer:
Ian Anderson (of Jethro Tull)
Jethro Tull6:35
9The Weaver’s Answer
Family4:56
10A Song for Europe
recording of:
A Song for Europe
writer:
Bryan Ferry and Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd. and E.G. Music Ltd. (publisher)
Roxy Music5:43
11Only Women Bleed
producer:
Bob Ezrin
bass guitar:
Prakash John
clavinet:
Jozef Chirowski
drums (drum set):
Whitey Glan
guitar:
Steve Hunter (rock guitarist) and Dick Wagner
keyboard:
Jozef Chirowski and Bob Ezrin
background vocals:
Jozef Chirowski, David Ezrin, Michael Sherman, The Summerhill Children’s Choir and Dick Wagner
vocals:
Alice Cooper (the musician Vincent Damon Furnier)
arranger:
Bob Ezrin and Allan MacMillan
phonographic copyright (℗) by:
Atlantic (Warner Music imprint) (in 1975), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) and Atlantic Records (do not use as release label, use “Atlantic” instead.) (in 1975)
remix of:
Only Women Bleed by Alice Cooper
edit of:
Only Women Bleed by Alice Cooper
recording of:
Only Women Bleed
writer:
Alice Cooper (the musician Vincent Damon Furnier) and Dick Wagner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. (1989-07-24–present), Primary Wave Music Publishing, Sony/ATV Songs LLC, Spirit One Music, Universal Music Publishing Group, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック, ワーナー・チャペル音楽出版 Synch事業部, Early Frost Music Corp. (from 1975 to ????) and Ezra Music Corp. (from 1975 to present)
Alice Cooper4.53:30
12It’s a Long Way There (album version)
Little River Band8:40
13Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
mixed at:
Davlen Sound Studios in Universal City, California, United States
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Pepper Music Inc.
Al Stewart4.86:35
14Whaling Stories
recording of:
Whaling Stories
lyricist:
Keith Reid
composer:
Gary Brooker
Procol Harum7:10
15MockingbirdBarclay James Harvest6:36