The Great Opera Collection

~ Release by Giacomo Puccini (see all versions of this release, 1 available)

Tracklist

▶CD 1: Manon Lescaut 1
▶CD 2: Manon Lescaut 2
▶CD 3: La bohème 1
▶CD 4: La bohème 2
▶CD 5: Tosca 1
▼CD 6: Tosca 2
#TitleRatingLength
1Tosca, opera: Act 2. Tosca è un buon falco!
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Schiarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
3:01
2Tosca, opera: Act 2. Ha più forte sapore
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Schiarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
1:24
3Tosca, opera: Act 2. O galantuomo, come andò la caccia?
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
3:32
4Tosca, opera: Act 2. Ov'è Angelotti?
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
compilation of:
Tosca: Atto II. "Ov'è Angelotti" (Scarpia) (Act II, Scene III) by George London, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli and Tosca: Atto II. "Mario, tu qui" (Tosca) (start of Act II, Scene IV) by Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
4:02
5Tosca, opera: Act 2. Sciarrone, che dice il Cavalier?
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
2:50
6Tosca, opera: Act 2. Orsù, Tosca, parlate
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
3:49
7Tosca, opera: Act 2. Floria... Amore
solo soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
solo tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
1:29
8Tosca, opera: Act 2. Vittoria! Vittoria!
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (in 1959)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II
2:40
9Tosca, opera: Act 2. Quanto?... Quanto?... Il prezzo
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (in 1959)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II
4:58
10Tosca, opera: Act 2. Vissi d'arte
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
4:19
11Tosca, opera: Act 2. Chi è là?
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II
1:55
12Tosca, opera: Act 2. Io tenni la promessa
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
6:38
13Tosca, opera: Act 3. Io de' sospiri
treble vocals [Un pastore]:
Ernesto Palmerini (boy soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
6:33
14Tosca, opera: Act 3. Mario Cavaradossi? A voi
bass vocals [Carceriere]:
Giovanni Morese (Italian bass-baritone) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
2:59
15Tosca, opera: Act 3. E lucevan le stelle
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
3:36
16Tosca, opera: Act 3. Ah! Franchigia a Floria Tosca
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
2:02
17Tosca, opera: Act 3. O dolci mani
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
7:59
18Tosca, opera: Act 3. Come è lunga l'attesa!
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
2:28
19Tosca, opera: Act 3. Presto, su! Mario! Mario!
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
1:33
▶CD 7: Madama Butterfly (Madame Butterfly) 1
▶CD 8: Madama Butterfly (Madame Butterfly) 2
▶CD 9: La fanciulla del West (The Girl of the Golden West) 1
▶CD 10: La fanciulla del West (The Girl of the Golden West) 2
▶CD 11: Turandot 1
▶CD 12: Turandot 2
▶CD 13: Il tabarro (The Cloak)
▶CD 14: Suor Angelica
▶CD 15: Gianni Schicchi