The Very Best of Maria Callas

~ Veröffentlichung von Maria Callas (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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▼Digitales Medium 1
Nr.TitelBewertungLänge
1Vissi d’arte (Tosca, Act II)
Sound-Engineering:
Robert Beckett (classical recording engineer, EMI mainly)
Produzent(in):
Walter Legge (British classical record producer, 1906-1979)
Soprangesang [Tosca]:
Maria Callas (soprano) (vom 1953-08-10 bis 1953-08-21)
Orchester:
Orchestra del Teatro alla Scala di Milano (vom 1953-08-10 bis 1953-08-21)
Dirigent(in):
Victor de Sabata (conductor and composer) (vom 1953-08-10 bis 1953-08-21)
aufgenommen bei:
Teatro alla Scala in Milano, Milano, Lombardia, Italien (vom 1953-08-10 bis 1953-08-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (vom 1953-08-10 bis 1953-08-21)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II
3:02
2Un bel dì vedremo (Madama Butterfly, Act II)
Produzent(in):
Walter Legge (British classical record producer, 1906-1979)
Editing:
Jennifer Howells
Soprangesang:
Maria Callas (soprano) (vom 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (vom 1955-08-01 bis 1955-08-06)
Dirigent(in):
Herbert von Karajan (conductor) (vom 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955)
aufgenommen bei:
Teatro alla Scala in Milano, Milano, Lombardia, Italien (vom 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (vom 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (also: Atto II, parte 1)
4:43
3La mamma morta (Andrea Chénier, Act III)
Techniker(in):
Robert Beckett (classical recording engineer, EMI mainly)
Produzent(in):
Walter Legge (British classical record producer, 1906-1979)
Soprangesang [Maddalena]:
Maria Callas (soprano) (vom 1954-09-18 bis 1954-09-20)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (vom 1954-09-18 bis 1954-09-20)
Dirigent(in):
Tullio Serafin (conductor) (vom 1954-09-18 bis 1954-09-20)
aufgenommen bei:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, Vereinigtes Königreich (vom 1954-09-18 bis 1954-09-20)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (vom 1954-09-18 bis 1954-09-20)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno
Teil von:
Andrea Chénier: Atto III
4:53
4Una voce poco fa (Il barbiere di Siviglia, Act I)
Soprangesang [Rosina]:
Maria Callas (soprano) (am 1954-09-21)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (am 1954-09-21)
Dirigent(in):
Tullio Serafin (conductor) (am 1954-09-21)
aufgenommen bei:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, Vereinigtes Königreich (am 1954-09-21)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” (Rosina) (am 1954-09-21)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
6:52
5Compagne… Come per me sereno (La sonnambula, Act I)
Soprangesang:
Maria Callas (soprano) (in 1978)
Orchester:
Orchestra del Teatro alla Scala di Milano (in 1978)
Dirigent(in):
Tullio Serafin (conductor) (in 1978)
recording of:
La sonnambula: Atto I, scena 1. “Compagne, teneri amici… Come per me sereno” (Amina, Tutti) (in 1978)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Felice Romani
Teil von:
La sonnambula: Atto I
5:48
6Gualtier Maldè… Caro nome (Rigoletto, Act I)
Produzent(in):
Walter Legge (British classical record producer, 1906-1979)
Baritongesang [Marullo]:
William Dickie (british bass-baritone) (vom 1955-09-03 bis 1955-09-16)
Bass-Gesang [Ceprano]:
Carlo Forti (operatic bass) (vom 1955-09-03 bis 1955-09-16)
Chorgesang:
Coro del Teatro alla Scala di Milano (vom 1955-09-03 bis 1955-09-16)
Soprangesang [Gilda]:
Maria Callas (soprano) (vom 1955-09-03 bis 1955-09-16)
Tenor-Gesang [Borsa]:
Renato Ercolani (tenor) (vom 1955-09-03 bis 1955-09-16)
Orchester:
Orchestra del Teatro alla Scala di Milano (vom 1955-09-03 bis 1955-09-16)
Dirigent(in):
Tullio Serafin (conductor) (vom 1955-09-03 bis 1955-09-16)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1956)
aufgenommen bei:
Teatro alla Scala in Milano, Milano, Lombardia, Italien (vom 1955-09-03 bis 1955-09-16)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (vom 1955-09-03 bis 1955-09-16)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Rigoletto: Atto I
7:35
7Ah! fors’ è lui… (La Traviata, Act I)
Soprangesang:
Maria Callas (soprano)
Dirigent(in):
Franco Ghione (conductor, violinist and composer)
Interpret(in):
Orquestra Sinfónica do Teatro Nacional de São Carlos
live recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I
3:21
8In quelle trine morbide (Manon Lescaut, Act II)
Soprangesang:
Maria Callas (soprano) (in 1959)
Orchester:
Orchestra del Teatro alla Scala di Milano (in 1959)
Dirigent(in):
Tullio Serafin (conductor) (in 1959)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
2:53
9Sì. Mi chiamano Mimì (La bohème, Act I)
Soprangesang:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1954)
Dirigent(in):
Tullio Serafin (conductor) (in 1954)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (Puccini)
4:50
10Donde lieta uscì (La bohème, Act III)
Soprangesang:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1954)
Dirigent(in):
Tullio Serafin (conductor) (in 1954)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
3:22
11O mio babbino caro (Gianni Schicchi)
Sound-Engineering, Techniker(in) und Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical record producer, 1906-1979)
Soprangesang [Lauretta]:
Maria Callas (soprano) (vom 1954-09-15 bis 1954-09-21)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (vom 1954-09-15 bis 1954-09-21)
Dirigent(in):
Tullio Serafin (conductor) (vom 1954-09-15 bis 1954-09-21)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1954)
aufgenommen bei:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, Vereinigtes Königreich (vom 1954-09-15 bis 1954-09-18)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (vom 1954-09-15 bis 1954-09-21)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd.
Teil von:
Gianni Schicchi
2:35
12Ebben? ne andrò lontana (La Wally, Act I)
Techniker(in) und Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
Produzent(in):
Walter Legge (British classical record producer, 1906-1979)
Soprangesang:
Maria Callas (soprano) (am 1954-09-21, in 1955)
Soprangesang [Wally]:
Maria Callas (soprano) (am 1954-09-20)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (am 1954-09-20, am 1954-09-21, in 1955) und Sinfonie‐Orchester der RAI Rom (in 1955)
Dirigent(in):
Tullio Serafin (conductor) (am 1954-09-20, am 1954-09-21, in 1955)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955) und Idol (Independent Distribution On Line) (in 2013)
aufgenommen bei:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, Vereinigtes Königreich (am 1954-09-20) und Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, Vereinigtes Königreich (am 1954-09-21)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (am 1954-09-20)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica
Teil von:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (am 1954-09-21)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica
Teil von:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1955)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica
Teil von:
La Wally: Atto I
live recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1955)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica
Teil von:
La Wally: Atto I
4:49
13Ombra leggera (Shadow Song/Schatternarie/Air de l’ombre) (Dinorah, Act II)
Soprangesang:
Maria Callas (soprano) (vom 1954-09-17 bis 1954-09-21)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (vom 1954-09-17 bis 1954-09-21)
Dirigent(in):
Tullio Serafin (conductor) (vom 1954-09-17 bis 1954-09-21)
recording of:
Dinorah: Acte II. “Ombra leggiera” (Shadow Song, italian lyrics) (Dinorah) (vom 1954-09-17 bis 1954-09-21)
Komponist(in):
Giacomo Meyerbeer (composer)
übersetzte Version von:
Dinorah: Acte II. "Ombre légère (Shadow Song)" (Dinorah)
5:42
14Signore, ascolta (Turandot, Act I)
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical record producer, 1906-1979)
Soprangesang [Liù]:
Maria Callas (soprano) (vom 1954-09-15 bis 1954-09-16)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (am 1954-09-15, vom 1954-09-15 bis 1954-09-16)
Dirigent(in):
Tullio Serafin (conductor) (am 1954-09-15, vom 1954-09-15 bis 1954-09-16)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1954)
aufgenommen bei:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, Vereinigtes Königreich (vom 1954-09-15 bis 1954-09-16)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (vom 1954-09-15 bis 1954-09-16)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I
2:31
15In questa reggia (Turandot, Act II)
Soprangesang:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1954)
Dirigent(in):
Tullio Serafin (conductor) (in 1954)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (in 1954)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto II
6:23
16Vogliatemi bene (Love Duet/Liebesduett/Duo d’amour) (Madama Butterfly, Act I)
Produzent(in):
Walter Legge (British classical record producer, 1906-1979)
Baritongesang:
Mario Borrelli
Soprangesang:
Maria Callas (soprano) (vom 1955-08-01 bis 1955-08-06)
Tenor-Gesang:
Nicolai Gedda (tenor) (vom 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (vom 1955-08-01 bis 1955-08-06)
Dirigent(in):
Herbert von Karajan (conductor) (vom 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955)
aufgenommen bei:
Teatro alla Scala in Milano, Milano, Lombardia, Italien (vom 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (vom 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Madama Butterfly: Atto I
7:23
▼Digitales Medium 2
Nr.TitelBewertungLänge
1L’amour est un oiseau rebelle (Habanera) (Carmen, Act I)
Soprangesang:
Maria Callas (soprano) (vom 1961-03-28 bis 1961-04-05)
Orchester:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (vom 1961-03-28 bis 1961-04-05)
Dirigent(in):
Georges Prêtre (conductor) (vom 1961-03-28 bis 1961-04-05)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (vom 1961-03-28 bis 1961-04-05)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) (vom 1961-03-28 bis 1961-04-05)
Komponist(in):
Georges Bizet (composer)
Librettist:
Ludovic Halévy (french librettist) und Henri Meilhac
basiert auf:
El arreglito
music quoted on:
Nxde
Teil von:
Carmen : Acte I
4:02
2Les tringles des sistres tintaient (Chanson bohème) (Carmen, Act II)
Techniker(in):
Paul Vavasseur (engineer)
Produzent(in):
Michel Glotz
Chorgesang:
Chœur René Duclos (vom 1964-07-06 bis 1964-07-20)
Mezzosoprangesang:
Jane Berbié (mezzo-soprano) (vom 1964-07-06 bis 1964-07-20)
Soprangesang:
Nadine Sautereau (French soprano) (vom 1964-07-06 bis 1964-07-20)
Soprangesang [Carmen]:
Maria Callas (soprano) (vom 1964-07-06 bis 1964-07-20)
Tenor-Gesang:
Nicolai Gedda (tenor) (vom 1964-07-06 bis 1964-07-20)
Orchester:
Orchestre de l’Opéra national de Paris (vom 1964-07-06 bis 1964-07-20)
Dirigent(in):
Georges Prêtre (conductor) (vom 1964-07-06 bis 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (vom 1964-07-06 bis 1964-07-20)
Komponist(in):
Georges Bizet (composer)
Librettist:
Ludovic Halévy (french librettist) und Henri Meilhac
Teil von:
Carmen : Acte II
4:24
3Printemps qui commence (Samson et Dalila, Act I)
Produzent(in):
Walter Legge (British classical record producer, 1906-1979)
Soprangesang:
Maria Callas (soprano) (vom 1961-03-28 bis 1961-04-05)
Orchester:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (vom 1961-03-28 bis 1961-04-05)
Dirigent(in):
Georges Prêtre (conductor) (vom 1961-03-28 bis 1961-04-05)
Tonmeister(in):
Francis Dillnutt (engineer)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (vom 1961-03-28 bis 1961-04-05)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila) (vom 1961-03-28 bis 1961-04-05)
Komponist(in):
Camille Saint‐Saëns (composer)
Teil von:
Samson et Dalila : Acte I
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila) (in 1961)
Komponist(in):
Camille Saint‐Saëns (composer)
Teil von:
Samson et Dalila : Acte I
5:17
4Mon cœur s’ouvre à ta voix (Samson et Dalila, Act II)
Produzent(in):
Michel Garcin (french producer) und Walter Legge (British classical record producer, 1906-1979)
Soprangesang [Dalila]:
Maria Callas (soprano) (vom 1961-03-28 bis 1961-04-05)
Orchester:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (vom 1961-03-28 bis 1961-04-05)
Dirigent(in):
Georges Prêtre (conductor) (vom 1961-03-28 bis 1961-04-05)
assistierende(r) Tonmeister(in):
Jacques Doll
Tonmeister(in):
Francis Dillnutt (engineer) und Yolanta Skura
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1982)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (vom 1961-03-28 bis 1961-04-05)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s'ouvre à ta voix » (Dalila) (vom 1961-03-28 bis 1961-04-05)
Komponist(in):
Camille Saint‐Saëns (composer)
Teil von:
Samson et Dalila : Acte II
5:16
5Ah! Je veux vivre (Roméo et Juliette, Act I)
Soprangesang:
Maria Callas (soprano) (vom 1961-03-28 bis 1961-04-05)
Orchester:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (vom 1961-03-28 bis 1961-04-05)
Dirigent(in):
Georges Prêtre (conductor) (vom 1961-03-28 bis 1961-04-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (vom 1961-03-28 bis 1961-04-05)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette) (vom 1961-03-28 bis 1961-04-05)
Komponist(in):
Charles Gounod (French composer) (vom 1865 bis 1866)
Librettist:
Jules Barbier und Michel Carré (librettist)
publisher:
Choudens
Teil von:
Roméo et Juliette : Acte I
3:39
6Je ne suis que faiblesse… Adieu, notre petit table (Manon, Act II)
Soprangesang [Manon]:
Maria Callas (soprano)
Orchester:
Orchestre de la Société des Concerts du Conservatoire
Dirigent(in):
Georges Prêtre (conductor)
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon)
Komponist(in):
Jules Massenet (French Romantic composer)
Librettist:
Philippe Gille und Henri Meilhac
Teil von:
Manon : Acte II
3:21
7J’ai perdu mon Eurydice (Orphée et Eurydice, Act IV)
Produzent(in):
Walter Legge (British classical record producer, 1906-1979)
Editing:
Jennifer Howells
Soprangesang:
Maria Callas (soprano) (vom 1961-03-28 bis 1961-03-31)
Orchester:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (vom 1961-03-28 bis 1961-03-31)
Dirigent(in):
Georges Prêtre (conductor) (vom 1961-03-28 bis 1961-03-31)
Tonmeister(in):
Francis Dillnutt (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (vom 1961-03-28 bis 1961-03-31)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, Scène 1, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (vom 1961-03-28 bis 1961-03-31)
Komponist(in):
Christoph Willibald Gluck (composer)
übersetzte Version von:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
Teil von:
Orphée et Eurydice, Wq. 41 : Acte III
4:24
8Porgi, amor (Le nozze di Figaro, Act II)
Soprangesang:
Maria Callas (soprano)
Orchester:
Orchestre de la Société des Concerts du Conservatoire
Dirigent(in):
Nicola Rescigno (conductor)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (vom 1963-12-06 bis 1964-01-08)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II
4:07
9Casta Diva (Norma, Act I)
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical record producer, 1906-1979)
Editing:
Jennifer Howells
Chorgesang:
Coro del Teatro alla Scala di Milano (vom 1960-09-05 bis 1960-09-12)
Soprangesang [Norma]:
Maria Callas (soprano) (vom 1960-09-05 bis 1960-09-12)
Orchester:
Orchestra del Teatro alla Scala di Milano (vom 1960-09-05 bis 1960-09-12)
Dirigent(in):
Tullio Serafin (conductor) (vom 1960-09-05 bis 1960-09-12)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
aufgenommen bei:
Teatro alla Scala in Milano, Milano, Lombardia, Italien (vom 1960-09-05 bis 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (vom 1960-09-05 bis 1960-09-12)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (bis 1831)
Teil von:
Norma: Atto I
5:35
10Regnava nel silenzio… Quando rapito in estasi (Lucia di Lammermoor, Act I)
Mezzosoprangesang [Alisa]:
Anna Maria Canali (mezzo-soprano) (vom 1953-01-29 bis 1953-02-06)
Soprangesang [Lucia]:
Maria Callas (soprano) (vom 1953-01-29 bis 1953-02-06)
Orchester:
Orchestra del Maggio Musicale Fiorentino (vom 1953-01-29 bis 1953-02-06)
Dirigent(in):
Tullio Serafin (conductor) (vom 1953-01-29 bis 1953-02-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1954)
aufgenommen bei:
Teatro comunale in Firenze, Firenze, Toscana, Italien (vom 1953-01-29 bis 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (vom 1953-01-29 bis 1953-02-06)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (vom 1953-01-29 bis 1953-02-06)
Texter:
Salvadore Cammarano (Italian librettist)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto I
8:05
11Al dolce guidami castel natio (Anna Bolena, Act II)
Soprangesang [Anna]:
Maria Callas (soprano) (in 1958)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1958)
Dirigent(in):
Nicola Rescigno (conductor) (in 1958)
recording of:
Anna Bolena: Atto II, Scena 3. “Al dolce guidami” (Anna, Coro) (in 1958)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Anna Bolena: Atto II
4:31
12Nel dì della vittoria… Ambizioso spirto… Vieni! t’affretta! (Macbeth, Act I)
Soprangesang [Lady Macbeth]:
Maria Callas (soprano) (in 1959)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1959)
Dirigent(in):
Nicola Rescigno (conductor) (in 1959)
recording of:
Macbeth: Atto I. N°3b Cavatina “Vieni! t'affretta!” … “Or tutti sorgete” (Lady) (in 1959)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Macbeth: Atto I
7:41
13Ritorna vincitor! (Aida, Act I)
Soprangesang:
Maria Callas (soprano) (in 1972)
vocals:
Maria Callas (soprano)
Orchester:
Paris Conservatoire Orchestra (in 1972)
Dirigent(in):
Nicola Rescigno (conductor) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l'amor mio …” – “I sacri nomi di padre, d'amante” (Aida)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto I
7:04
14Suicidio! (La Gioconda, Act IV)
Soprangesang und Soprangesang [Gioconda]:
Maria Callas (soprano) (in 1959)
Orchester:
Orchestra del Teatro alla Scala di Milano (in 1959)
Dirigent(in):
Antonino Votto (conductor) (in 1959)
recording of:
La Gioconda: Atto IV. Aria “Suicidio!” (Gioconda) (in 1959)
Komponist(in):
Amilcare Ponchielli (composer)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
La Gioconda: Atto IV. Canal orfano
4:17
15Ave Maria (Otello, Act IV)
Soprangesang [Desdemona]:
Maria Callas (soprano)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (vom 1884 bis 1886-11-01, in 1887)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto IV
4:32

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